Sunday, December 31, 2023

THE BEST OF 2023 - The Best MOVIES Of The Year


 
 THE YEAR IN MOVIES - 2023

In the end, 2023 was a pretty amazing year for movies. Putting together this year's list, I really struggled - because there were probably about 35 to 40 movies this year that I genuinely loved and in another year might crack my Top 10. In the last few weeks alone, I feel like I've seen one amazing film after another. 
 
So why is it that people increasingly tell me things like "I've never even heard of that movie"-? Someone recently even questioned whether all of the movies I post on social media about are real. Why is there this seeming vast disconnect between the films that us film-nerds obsess about (mostly, I'd add, mainstream fare released in theaters or on streaming by major studios) and what is even on the average person's radar these days? Why is it that, except in the case of a "Barbieheimer" like cultural event, the mainstream increasingly seems oblivious to what should be relatively pervasive pop-culture?
 
The fact is, we have a major problem here. And this isn't just about movies either. It's a vast deterioration of our media landscape that makes it so nobody knows anything (which, it has been said, has long been true of the movie business ... but I digress). Seriously though, the same lack of information that keeps people uninformed or misinformed about current events is also a big issue when it comes to movies and other pop-culture. Everyone now lives in their own little internet and social media bubbles. People don't really see ads except ones that are hyper-targeted based on algorithms. People don't really read actual publications anymore. They don't click into websites based on general interests and browse around for new reviews. They watch what Netflix tells them to - again, algorithmic and hyper-targeted. There's little curation. There are few real experts. Movie criticism has been reduced to two-sentence "this rules" or "this sucks" Beavis & Butthead style discourse. Hot takes and "well, actually" discourse-drivers are rewarded. 
 
So we are inevitably headed for another awards season where there are constant cries of "I don't care, I haven't heard of these movies." And that's a shame. Because I am here, right now, telling you about these great movies. I may be yelling into a void. I may be fighting a fight I cannot win. But in many ways, the point of these blogs has not been merely to preach to the choir, but to try to share my love of movies and pop-culture with a broader audience of friends and family and random internet followers. Because I believe the world would be a better and smarter and more fun place if people cared, paid attention, and allowed themselves to be told great stories.
 
That is why it never fails to make me smile when I go to the movies, of late, and experience the hardcore film fan audiences we get here in Burbank cheer and clap at the AMC Nicole Kidman intro. Yes, it's an ad for AMC. But there's something to it. We're here in the theater - a place many don't care to go to. A place many people don't see the value in. A place that plays art that many don't care to experience. But a place that for us - it's home. It's church/synagogue/mosque/temple. It's a place where we gather to see what our best storytellers have to tell us. It's a place where views are altered, empathy is sewn, knowledge is gained, and lives are changed. I'm not just talking about these big Oscar bait movies either. I put equal value in the solemn treatise that is Oppenheimer as I do the mega-blockbuster-action of Godzilla Minus One or the raunchy hilarity of Bottoms. And I get it, having a not-great theater experience is the worst. Cell phones, crying toddlers, people loudly munching on popcorn, people not caring about safety during an ongoing pandemic. The worst. But a good theater, with a great screen, and a smart crowd - nothing beats it. And I hope everyone has had or will have that experience. When it's pitch black save for the screen. When the only noise from the crowd is laughing and cheering and genuine reaction. When there are zero distractions and you're completely immersed in a story. That's the best. 
 
Especially for me, this year. I couldn't do a lot. Long COVID prevented me from traveling or doing a lot of socializing beyond very small gatherings. But I could go to the theater. I saw over 70 movies in the theater this year and it was always a highlight of my week - even if at times I had to fight off bouts of lightheadedness. It was a weird thing, because the lightheadedness would get worse when I was distracted and unfocused. But when a movie hooked me, when I was solely focused on the screen - I was good. I was in it. 
 
I don't know how to fix our broken media and communications. All I know is that I can do my very small part. I can try to share with you the art that I loved in the year that was. So please, go watch these movies. You can see every single one of them right this second, if you want - whether in a theater, or at home via streaming or digital rental. It's better than scrolling mindlessly on your phone, trust me. 
There is so much to talk about here so I won't delay any further. Here we go. Happy New Year and may the best be still to come!
 

DANNY'S BEST MOVIES OF 2023:


1.) Oppenheimer

- I've been a huge Christopher Nolan fan since Memento blew me away when I saw it in college. So I always go into his movies with high expectations. But Nolan outdid himself with this one - crafting a biopic as only Nolan can: ultra-intense, gripping, and with thunderous non-stop momentum for all three hours of its running time. Nolan does an amazing job of capturing the moral complexities of the man and of the age he lived in - and makes clear that these complexities and the inevitable failings that come from them are fated to haunt the human race's past, present, and future. Oppenheimer is a fascinating portrait of a man and in turn of a country and its values - one that raises so many questions and does not provide easy answers. Those looking for a simple "good" or "bad" judgement will not find it here. But again, even in this "small" story by Nolan standards, the writer-director is dealing with the biggest of cosmic questions about a human being's capacity to use knowledge for good, versus the constant temptation to use it for power and ego and politics and short-term gain - no matter the long-term consequences. The cast here is incredible. Cillian Murphy delivers an all-timer leading man performance. Robert Downey Jr. reminds us what he is capable of as an actor and absolutely crushes it. Emily Blunt is a scene-stealer. Matt Damon continues his hot streak. And there are fantastic turns up and down the cast, even in very small roles. Florence Pugh, Josh Hartnett, Jason Clarke, Rami Malek, Kenneth Branagh ... and the list goes on. The film left me unsettled and contemplative in the best of ways.


2.) Godzilla Minus One

- Godzilla Minus One seriously gave me that same feeling of utter exhilaration and emotion I had as a kid when I saw Independence Day for the first time. Except this was on another level. Awe-inspiring, profound, precise, soaring, sweeping. A triumph in every way. The characters, the drama, the stakes, the incredible score, the big moments that make you want to pump your fist in the air and force you to wipe away tears from your eyes. A giant monster movie that left me a mess of emotions, and that had me hanging on every action beat a la Top Gun Maverick. Hollywood take note - this is pure movie magic - this is how it’s done!


3.) The Zone of Interest

- A harrowing, disturbing, but incredibly powerful reminder of the banality of evil. Director Jonathan Glazer shows a masterful talent for immersive storytelling and poignant juxtaposition. Rarely have the horrors of the Holocaust been shown as this chillingly mundane. An absolute must-see if you can stomach it. This one will stick with me forever.

 
4.) Poor Things

- Poor Things is easily my favorite film from Yorgos Lanthimos to date. A darkly hilarious, visually dazzling take on the Frankenstein myth featuring a one of a kind lead performance from Emma Stone (not to mention incredible supporting turns from Mark Ruffalo, Willem Dafoe, and more). A wonderfully strange film with a lot to say about the human condition and a strongly beating heart.


5.) Killers of the Flower Moon

- Another Scorsese masterpiece. Martin Scorsese brings some of his classic crime storytelling to a new and fascinating and vitally relevant setting. DiCaprio, De Niro (in an all-timer performance), Lily Gladstone (who needs an Oscar nomination for this), and the entire supporting cast absolutely crush it. Entertaining, engrossing, thought-provoking, and man - it hits hard.

 
6.) Spider-Man: Across the Spider-Verse

- A completely wild ride. Visually stunning, with so many amazing artistic styles and homages. As someone mildly obsessed with comic book art and its history, there were so many moments that made me smile and cheer. But the movie was also wonderfully-written, with some of the best superhero storytelling we've ever seen on the big screen. Somehow, the movie manages to tell a sprawling sci-fi epic that also gives us any number of emotionally-charged character moments. As amazing and near-perfect of a film as Into The Spider-Verse was, this one is just about its equal, and on some levels exceeds it. Bring on Pt 2!


7.) Air

- I loved Air way more than expected. A phenomenal film filled w/great performances - it surprised me with how many interesting things it had to say and how much emotion it got from me. As someone who's worked at a desk job in the corporate side of the entertainment industry for a long time, I found Air to be really affecting. Many of us have jobs where we're in the orbit of greatness but don't get to BE great. This film is a tribute to that drive to do something meaningful even within those confines.

 
8.) Barbie

- Barbie was kind of remarkable. A wildly ambitious and incredibly funny movie that I can't believe was actually made. It's what happens when brilliant film nerds get free reign to take a beloved cultural institution and create a biting, heady, philosophical satire out of it. So many great scenes, moments, and lines of dialogue. As a writer I'm kind of humbled by what Greta Gerwig and Noah Baumbach were able to do here. And the cast - just amazing top to bottom. Margot Robbie kills it, Ryan Gosling is freaking hilarious, and the supporting cast - from Kate McKinnon to Michael Cera to Will Ferrell to America Ferrera - are all excellent. Greta Gerwig, again, crushes it behind the camera. A true superstar.


9.) John Wick 4

- Awesome. Keanu Reeves is so good at making every one liner sing. He's just the best at what he does. That said, what a supporting cast of badass actors he gets to work with in this one. Lance Reddick (RIP), Ian McShane. Donnie Yen is absolutely iconic here. Bill Skarsgård is fantastic. Laurence Fishbourne, Hiroyuki Sanada, Rina Sawayama, Shamier Anderson, Scott Adkins. This movie just works masterfully from a storytelling standpoint, building its central conflict one brick at a time ... until you as a viewer simply can't wait to see Wick's final showdown and to find out how this epic story could possibly end. As in the first John Wick, there's an underlying emotional intensity to the fight scenes that give them that extra something special. A new action movie classic.

 
10.) How to Blow Up a Pipeline

- An absolute stunner of a film. Aside from the important issues it raises about the state of the world we live in today, it’s also just a hell of a heist movie - with some of the best “gathering the team” bits I've ever witnessed in a movie. It's a thought-provoking, harrowing, nail-biting thriller - that left me more so on the edge of my seat than any other film this year. An under-seen gem that deserves more attention and awards-season love. Make an effort to check it out!


JUST MISSED THE CUT:


11.) Past Lives

- Some truly breathtaking filmmaking by writer/director Celine Song. A powerful look at missed and not-quite-missed connections that feels particularly relevant and resonant in the social media age. And one of the best (almost) last lines of any movie in a while.
 
 
12.) American Fiction

- What an amazing, affecting, hilarious, brilliant film. Every cast member is top-tier, but shout out to Jeffrey Wright - one of the best in the biz - for delivering yet another incredible performance. The more I think about this one the more it hits - as it works on so many levels. And man, some of the scenes satirizing Hollywood … too close to home, man. Too close.
 
 
13.) Blackberry
 
- Blackberry needs to be seen by more people. It's uproariously funny at times and just a fantastically told story of a truly crazy tech industry rise and fall. Great cast too - Jay Baruchel, Glenn Howerton (get this man an Oscar nom - he's incredible here!), and Matt Johnson are all excellent. I think this will go down as one of the best “capitalism run amok” movies ever.

 
14.) Saltburn

- What an absolutely wild ride. Emerald Fennell follows up on Promising Young Woman with what is, IMO, an even stronger film. She absolutely dazzles with her direction in this one. And her script contains some incredible lines - delivered by an excellent top-to-bottom cast, each member of which knows exactly what movie they're in. Barry Keoghan, Jacob Elordi, Richard E Grant, and the great Rosamund Pike are all fantastic in this. Wickedly funny, wonderfully twisty, and genuinely shocking (caveat: not for the easily offended).


15.) The Holdovers

- A really smart, funny, nostalgic, sweet, heartfelt, impeccably-directed film from Alexander Payne - with a number of great performances, including one of Paul Giamatti's career-best. This one grew on me over time the more I thought about it, and I think it's a film that many will revisit over and over again because of its big heart and lovable characters. Fellow New Englanders will especially appreciate this one.


THE NEXT BEST:

 
16.) Blue Beetle

- AWESOME, and I don’t say that lightly. This film had so much heart, such great storytelling, and so many fun DC Comics nods. The cast is fantastic and every character gets their moment to shine.
And man, there were a few moments that made me, a kid who used to endlessly draw The Blue Beetle and his gadgets, nerd out so much. It’s one of the best DC movies of the modern era if not THE best, and legit one of my favorite superhero movies ever!


17.) Bottoms

- One of the freshest, funniest comedy movies I’ve seen in years. A dash of American Pie, a bit of Booksmart, a little of Daria, some Anchorman-esque absurdity, and some Fight Club thrown in for good measure. Our theater was roaring with laughter for the entire runtime. Between this & Shiva Baby, Emma Seligman is now officially one of my favorite writers and directors. Ayo Edebiri and Rachel Sennott rule in this as well.


18.) Teenage Mutant Ninja Turtles: Mutant Mayhem

- Mutant Mayhem expertly remixes TMNT lore to feel fresh and new and of-the-moment, but does so in a way that clearly comes from a place of love for the original comics and cartoons. At the same time, the movie brilliantly retools the Turtles' origins and character dynamics for a new generation. This movie is funny, smart, and action-packed - filled with gorgeous, stylized animation that is absolutely eye-meltingly cool. The script, the fantastic voice acting, the animation - all come together to create a new TMNT classic that will have you raising your fist and yelling "cowabunga!"


19.) Rustin

- What a fantastic film and what an incredible lead performance from the great Colman Domingo. Went in knowing little about the story of Bayard Rustin and his role in the battle for Civil Rights, but so glad I’ve now learned more about him. A powerful, inspirational movie (produced by the Obamas!) that I hope gets some Oscar love

 
20.) The Color Purple

- A showstopper. Fantastic performances all around (Fantasia, Taraji P Henson, Danielle Brooks, Halle Bailey, Colman Domingo, Corey Hawkins), a few songs that totally bring the house down, and a lot of big emotional beats that absolutely hit. A crowd-pleaser that had our audience clapping, cheering, and throwing their hands in the air.


21.) Master Gardener

- A fascinating closer to the legendary Paul Schrader's recent thematic trilogy (after First Reformed and The Card Counter), this one gets into the proverbial weeds on some very thorny subject matter, with mesmerizing & thought-provoking results. A memorable performance from Joel Egerton anchors it. A haunting film that I haven't stopped thinking about.


22.) Eileen

- A stylish 60's-set thriller that evokes movies of that era, this one has killer performances from Thomasin McKenzie, Anne Hathaway, and the great Shea Whigham at his Whigham-ist. Also a GREAT New England movie that will ring very true for anyone who's lived there. A top notch, dark-and-grimy, retro pulp noir film. Amazing score too.


23.) Next Goal Wins

- If you’ve enjoyed Taika Waititi comedies in the past (and I definitely have), you will probably really dig this. Michael Fassbender with a game lead performance, and lots of fun supporting performances as well. An interesting and funny look at American Samoa culture as well. A low-key sports underdog story that scores.


24.) Mission: Impossible - Dead Reckoning Part 1

- In a summer of IP-mining, over-reliant-on-soulless-CGI action movies filled with generic action scenes ... seeing the best in the biz return to do their thing was downright chill-inducing.
Christopher McQuarrie - now on his third MI movie - is plain and simply The Man. He and Tom Cruise just plain *get* how to deliver big, audience-pleasing moments and heart-pounding, visceral action scenes like few others. Dead Reckoning is chock full of applause-worthy reveals, edge of your seat action, and good old fashioned movie magic.


25.) Nyad

- This riveting sports comeback story - sort of the swimmer's version of Rocky Balboa - features a towering, awards-worthy lead performance from Annette Bening. Amazing work from Jodie Foster as well. An inspirational based-on-a-true-story sports/survival epic that will leave you cheering.



MORE GREAT FILMS OF 2023:


26.) May December

-  May December is one of those melodramas that plays out, very entertainingly, in the manner of a horror movie. Natalie Portman and Julianne Moore each crank it up to 11, and Charles Melton stuns as the beating heart of the film. And that score! A sort of deconstructed retro 90’s thriller vibe. A fascinating film from Todd Haynes.


27.) Polite Society

- Every so often there’s a movie that you see and just have to shout about its awesomeness to the rooftops. So … POLITE SOCIETY! A soon to be cult classic with echoes of Scott Pilgrim, Attack the Block … It's a highly entertaining, uniquely original movie about friendship, family, sisterhood, and kicking ass.


28.) All Of Us Strangers
 
- I'll admit: I was completely, emotionally devastated after seeing All Of Us Strangers. A powerful, haunting film about love and loss - filled with scenes that tug on your heartstrings and don't let go. Andrew Scott is always so great, but he really shines in this. Paul Mescal as well. And the vivid, dream-like direction really pulls you in as well.

 
29.) Scream 6

- The latest Scream film built on its predecessor and was an absolute blast and an awesome audience movie. Jenna Ortega and Melissa Barrera once again make for a great pair of leads, but every character is used well and has their killer moment. I really hope this isn't the end for them and the "Core Four," but we shall see. This was a fantastic entry in a franchise that I've really grown to love.


30.) Dream Scenario

- Nic Cage seemingly channels the star of one of my favorite TV series of 2023 - Paul T. Goldman - in an insane film that is, given that comparison, about as crazy and cringe-y and entertaining as you might expect. Such a spot-on satire of modern social-media-celeb culture that it's almost painful. So yeah, I really dug it.


31.) Wonka

- Wonka surprised me. It's a fun, imaginative take on the character with a lot of laughs, a lot of heart, and supremely catchy songs throughout (yes, this is a musical). Timothee Chalomet is very good as Willy Wonka, but he is bolstered by an absolutely fantastic supporting cast. Hugh Grant, Olivia Colman, Jim Carter, Rowan Atkinson, Rich Fulcher, and many others are so great and really help to elevate the film. It's also visually really eye-popping, with a cool steampunk aesthetic and a lot of creative set-pieces. I have a feeling a generation of kids is going to look back on this one as a beloved childhood favorite.


32.) Sisu

- Well, this movie just flat-out owns. A classic WW2 one-man revenge film filled with spectacle and violence and one of my favorite action tropes - the old man who still kicks unholy amounts of ass. Every beat is perfectly executed for maximum awesomeness. Good stuff.


33.) The Iron Claw

-  I'm a lifelong wrestling fan and the story of the legendary Von Erich family was familiar to me - but even so, it hits hard. When you're a kid these guys are real life superheroes, so seeing their struggles, even now, is particularly affecting. Excellent performances all around - with IMO the highlight being the great and perpetually underrated Holt McCallany as the Von Erich patriarch. A tough watch, but ultimately a tale of perseverance.

 
34.) Theater Camp

-  Theater Camp was hilarious. Shades of Christopher Guest's mockumentary classics. Great cast. Jimmy Tatro from American Vandal. Molly Gordon, Ben Platt, Ayo Edebiri. All the kid actors are really good too. I wasn't a theater kid (though I did briefly do tech crew in high school) but was a longtime camp counselor, so a lot of the jokes felt spot on.


35.) Anatomy of a Fall

- Such a fascinating and riveting film  - this story of a perplexing murder trial provokes a lot of questions without easy answers. But one thing is for sure: having seen this and The Zone of Interest in 2023, Sandra Hüller is undoubtedly one of the best actors on the planet. She's remarkable in this movie. This is a gripping character study that begs to be discussed.


36.) Priscilla

- Sofia Coppola crafts a fascinating, mesmerizing portrait of a girl caught up in a whirlwind of celebrity, swept up in something equal parts alluring and sinister. The two lead performances from Cailee Spaeny and Jacob Elordi are outstanding. A really interesting companion piece to the Austin Butler Elvis movie, though this one is much more damning of the relationship he shared with Priscilla.


37.) Dungeons & Dragons

- I was sort of blown away by how good this movie was. Made with clear passion. A very smart, very funny script. Great cast. Inventive visuals and action sequences, with super fun creature design to boot. And real emotion too! I mean, that ending! A straight-up excellent fantasy movie.


38.) Elemental

- The latest from Pixar really surprised me. The trailers looked generic, but this was a very sweet and affecting modern romance movie that was also one of the most visually dazzling animated films I’ve seen - filled with well-realized and easy to root for characters. There were definitely a lot of sobs in our theater.


39.) Creed 3

- I enjoyed this one a ton, and I think it sits highly in the Creed / Rocky canon. Michael B. Jordan was fantastic both in front of the camera and behind it - I mean, this is a pretty amazing directorial debut, and there were a lot of visual flourishes I enjoyed (not the least of which were the riveting and hard-hitting fight scenes). This one had some nice echoes to Rocky movies of the past, while also giving Adonis Creed a truly standalone film that helps cement the Creed cinematic legacy.

 
40.) Origin

- A powerful and extremely timely film by the great Ava DuVernay. An emotional examination of the ways that hate/bigotry have been manufactured across time and place to benefit those in power and manipulate the masses. Aunjanue Ellis-Taylor (coming off her great recent turn in Justified: City Primeval) is a force in this one as the lead. 


41.) Of An Age

- Of An Age is a breakout film for director Goran Stolevski. It's filled with raw and real-feeling performances, and a sense of nonstop energy and propulsion for what is ultimately a very intimate and personal story about missed connections and love, loss, and regret. I'm excited to see what Stolevski does next.


42.) The Boy and the Heron

- In 2023, I got to have my first-ever big-screen Miyazaki film experience with The Boy and the Heron. And I'm glad I did. The animation and visual imagination in this one is 100% worth beholding on the biggest screen possible. This film is a strange, surreal, dreamlike journey. At times baffling, at times soaring. But I’m glad Miyazaki’s still out there making these films. No one does it like him.


43.) No Hard Feelings

- No Hard Feelings was was a lot of fun, and the jokes very much landed. On one hand, it had a sort of nostalgic, old-school studio comedy feel. On the other hand, it took a well worn premise and gave it a very current, Millennial vs. Gen Z spin. Both leads (Jennifer Lawrence and Andrew Barth Feldman) were great, and the movie was ultimately surprisingly sweet in a way that the trailers didn't necessarily indicate.


44.) Beau Is Afraid

- I saw Beau Is Afraid in IMAX, and it was a one of a kind experience. I loved it. I hated it. But I've thought about it frequently since. I had to put it on this list. I mean, I love a good surrealist nightmare of a film, and this is certainly, if nothing else, an uncompromised vision of nightmarish, darkly hilarious (at times) weirdness. Parts of it are breathtaking, parts of it feel frustratingly self-indulgent. But it's a film like no other and one that will stick with me forever. I kind of want to watch it again.


45.) Asteroid City

- A really funny, really interesting addition to the Wes Anderson filmography, that felt like Anderson’s subversion of 1950’s Rockwellian Americana - with just a dash of X-Files-esque “truth is out there” pondering by way of Darin Morgan. There are a lot of memorable moments and performances in this one (from an absolutely all-star cast) - it's strange and enjoyable and well worth checking out if you’re an Anderson fan.


46.) Society of the Snow

- A harrowing true-life survival epic, Society of the Snow is a true journey. Director J.A. Bayona crafts a visually-striking and viscerally engaging film that remains engrossing from start to finish. It's an endurance test, but the kind that affects you to your core and makes you feel like you survived something life-changing right alongside the movie's characters. 

 
47.) A Thousand and One

- What an impressive debut from writer/director A.V. Rockwell. Loved the look of the film and its depiction of NYC through the 90's and into the 00's. It deals with a raised-on-the-streets young woman who, out of desperation, kidnaps her child from the foster care system to try to raise him on her own. A tough story, but handled with care and poignancy.

 
48.) Carmen

- Carmen was not quite like any other film I've seen. It's a visually dazzling story about star-crossed lovers on the run, and it weaves extended dance and musical sequences into its operatic narrative. Paul Mescal and Melissa Barrera are dynamic leads. A unique and mesmerizing film that deserves to find a larger audience.


 49.) Sanctuary

- A nice capper to the unofficial “Christopher Abbott in crazy, nightmarish scenarios” trilogy (see also: Possesor and Black Bear). Seriously though, Abbott and Margaret Qualley are both fantastic in this one. It's a weird, twisty, psychological thriller that keeps you on your toes. A great example of how to do a compelling movie with just two characters in a room.


TIE: 50.) Dumb Money

- A highly enjoyable (if ultimately somewhat depressing) film about our broken financial and economic systems. It’s a 2020 movie through and through - COVID is very much a part of this story, and I appreciate that. Great cast, Paul Dano kills it. Gives you a lot to chew on, as the GameStop stock story truly is crazy.


TIE 50.) Wish

- Was surprised by how much Wish worked for me. It had some really soaring and powerful musical numbers, and was a classic good vs evil fairy tale of a sort we haven’t gotten from Disney in a while.  Ultimately I found it pretty inspirational. The critics seemed to not really care for this one, but I really liked it - it's a crowd-pleaser for sure.


HONORABLE MENTIONS - OTHER RECOMMENDED MOVIES FROM THIS YEAR:

- Ferrari 
- Ant-Man and the Wasp: Quantumania
- Infinity Pool
- Evil Dead Rise
- The Killer
- Guardians of the Galaxy Vol. 3
- Chevalier
- Totally Killer
- Tetris
- Talk To Me
- The Caine Mutiny Court-Martial
- No One Will Save You
- They Cloned Tyrone
- Renfield
- M3GAN
- The Last Voyage of the Demeter
- Red, White & Royal Blue
- Fair Play
- The Little Mermaid
- You People
- You Hurt My Feelings
- They Cloned Tyrone
- Leave the World Behind
- Leo
- Sick 
- Dicks: The Musical
- Gran Turismo
- Cocaine Bear
- Maestro
- A Haunting in Venice 
- Please Don't Destroy: The Treasure of Foggy Mountain
- Flamin' Hot 
- Fast X
- The Nun II
 
 
 INDIVIDUAL 2023 AWARDS:


BEST LEAD ACTOR:

1.) Colman Domingo - Rustin
2.) Leonardo DiCaprio - Killers of the Flower Moon
3.) Jeffrey Wright - American Fiction
4.) Paul Giammati - The Holdovers
5.) Cillian Murphy - Oppenheimer


BEST LEADING ACTRESS:

1.) Emma Stone - Poor Things
2.) Annette Benning - Nyad
3.) Sandra Hüller - Anatomy of a Fall
3.) Fantasia Barrino - The Color Purple
4.) Margot Robbie - Barbie

 
BEST SUPPORTING ACTOR:

1.) Robert De Niro - Killers of the Flower Moon
2.) Robert Downey Jr. - Oppenheimer
3.) Glenn Howerton - Blackberry
4.) Sterling K. Brown - American Fiction
5.) Mark Ruffalo - Poor Things


BEST SUPPORTING ACTRESS:

1.) Sandra Hüller - Zone of Interest
2.) Lily Gladstone - Killers of the Flower Moon
3.) Jodie Foster - Nyad
4.) Danielle Brooks - The Color Purple
5.) Rosamund Pike - Saltburn


BEST DIRECTOR:

1.) Christopher Nolan - Oppenheimer
2.) Jonathan Glazer - The Zone of Interest
3.) Martin Scorsese - Killers of the Flower Moon
4.) Yorgos Lanthimos - Poor Things
5.) Takashi Yamazaki - Godzilla Minus One


BEST SCREENPLAY:

1.) Oppenheimer
2.) Barbie
3.) American Fiction
4.) Past Lives
5.) Killers of the Flower Moon
6.) Air
7.) Godzilla Minus One
8.) The Zone of Interest
9.) Poor Things
10.) How to Blow Up a Pipeline

THE BEST OF 2023 - The Best GAMES Of The Year

  


- 2023 was a landmark year for games - but, if you weren't a games journalist paid to play games for a living - it could all feel a little overwhelming. I mean, 2023 saw the release of huge, massive, open-world adventures like Starfield, The Legend of Zelda: Tears of the Kingdom, Spider-Man 2, Baldur's Gate 3, Star Wars Jedi: Survivor, Cyberpunk: Phantom Liberty, and more. How could anyone possibly play through all of those games in one year's time? 

Personally, I spent a lot of time catching up in 2023. With Tears of the Kingdom set to release, I decided to finally go back and finish the previous Zelda game, Breath of the Wild. I'm still working on that ... Meanwhile, I also spent a good chunk of time playing through Star Wars Jedi: Fallen Order (which I did complete!), because I wanted to be all caught up for its sequel (which I'm currently in the middle of). I went through a similar exercise with one of my favorite games of recent years, Control - revisiting it so that I could play the remastered Alan Wake (which I'd never played, and is now, apparently, part of a shared universe of games from developer Remedy), so that I could play the new Alan Wake 2 (which I've yet to play, but really want to!) ... which perhaps would have made my Games of the Year list had I gotten around to it in 2023. I also played more of Spider-Man: Miles Morales so that I could eventually jump into the new Spider-Man 2. But alas ... one man can only do so much, and today's videogames are too big, too long, and too all-encompassing. It's why I still value more contained experiences (hello, Super Mario Bros. Wonder) and the indie games scene. It's a lot to simply go from one 100+ hour epic to another, ya' know?  

As for the games industry, it was another year of corporate consolidations, mass layoffs, massive leaks, and many questions about how sustainable this all is and where it's all going. The PS5 chugged along as the market leader in consoles - and I still love my oversized Sony wonderbox - even if Sony's first-party offerings seem a lot slimmer than in years (and eras) past. XBOX has been innovating with Games Pass and making moves with continued developer acquisitions. And I admit I was jealous of a few XBOX exclusives this year, notably Hi-Fi Rush (which sounds like a total blast). But Microsoft still seems to struggle with its tentpole releases having the same sort of fan appeal as Sony or Nintendo's big titles. Starfield, from Bethesda, was this year's big hope to lure new users to the XBOX ecosystem, but the lukewarm reviews kept it from being a needle-mover. As we head into 2024 though, all eyes will be on Nintendo, as their successor to the Switch is likely to be revealed soon. The Switch got a lot of playtime from me this year, but I'm definitely curious to see Nintendo games with true next-gen (or current-gen, I suppose) graphics. It's going to be interesting to see to what extent Nintendo tries to innovate with their next console vs. stay the course. Finally, it does feel like Valve's Steam Deck is continuing to change the game. It's ability to deliver high-end PC gaming on the go makes it an attractive option, and the fact that so many big games (as well as a thriving indie scene) are playable on it adds to the mass-appeal. 

E3 ended this year, officially. I grew up reading about E3 and dreaming of going one day. And somehow, I did get to attend for several years in a row via my work - and it was always exciting and exhilarating. I get that it was becoming semi-obsolete in recent years, but still, it's kind of sad. E3, at its peak, brought with it a level of hype and fan enthusiasm that other media industries would kill for. The Game Awards have sort of taken E3's place as the source for new content reveals and such. But it's not quite the same. E3 pitted each major company against each other in real time. Show us what you've got, Sony. Nothing else can quite match that. 

Where I sometimes worry about the games industry is that it feels like it can be alienating to people who aren't the hardest of the hardcore. Like I said, the big games now are so big and so time-consuming and in many cases so complex ... that playing through them is not feasible for many. At the same time, those same games are incredibly expensive and resource and time intensive to produce. So why are these games now the bread and butter of the industry? I continue to believe that the industry needs to take a step back and assess what the consumer - across various demos and levels of dedication - really wants. And I think there should be more medium-level experiences that are fun and challenging but also easy-to-grasp and contained. Games that take the same time to play as the average Netflix TV season takes to binge-watch. 

I'm glad I'm still into games though and that I try my best to make some level of time for them. There are few activities more relaxing and mind-clearing than playing a great videogame and getting into some sort of flow state. Of feeling immersed in this other world. It's a feeling you just can't get with more passive entertainment, and it's an experience that's helped me greatly through these crazy years of the pandemic and Long COVID and <waves hands> all of this. I still believe, also, that the storytelling possibilities of games are endless. We're only just scratching the surface. And I can't wait to see where we go from here.



DANNY'S FAVORITE (NEW) GAMES OF 2023:


1.) Baldur's Gate 3

- On the surface, Baldur's Gate 3 didn't feel like "my kind of game." I've never been a CRPG player, nor a D&D player. I tend to shy away from games that feel overly complex in terms of their systems. But I got caught up in the BG3 hype and wanted to give it a go. And what's true here is that this game is ultimately made great - and accessible! - because of the writing and story. The world, the characters, the dialogue, the voice-acting - they're all so top-notch that they make you want to immerse yourself in this world and challenge yourself to learn the systems so that you can see more of this game. In that sense, it's a monumental achievement.

 
2.) Star Wars Jedi: Survivor

- I was a big fan of Star Wars Jedi: Fallen Order, and spent a lot of time earlier this year playing through it. I gave myself some breathing room, and then finally got started on its sequel, Survivor. And yeah, it pretty much rules - building on the first game's formula but with smoother controls, improved (and often mind-blowingly cool) graphics, better storytelling, and an overall more polished feel. There are still little things that annoy me (those difficult to decipher maps!), but overall this is about as good as a Star Wars game can be.

 
3.) Super Mario Bros. Wonder

- At first I was only moderately excited for this one, given that Nintendo's more modern forays into 2D Mario have been only-okay (ex: New Super Mario Bros). But, this is something different, and it's something special. Wonder took me right back to the magic of playing Super Mario World as a kid. The creativity, ingenuity, level design ... and that music! All off-the-charts good. And Elephant Mario rules.

 
4.) Metroid Prime Remastered

- I never had the chance to play Metroid Prime upon its original release, so I was eager to finally give it a whirl all these years later. And man, it still holds up! Which is saying something, because I'm not typically huge on first-person games in general. But this one has that Nintendo magic, bringing that classic Metroid exploration, sense of discovery, and foreboding alien atmosphere to glorious 3D life.


5.) Final Fantasy 16

- I grew up on Final Fantasy, and each new numbered release in the series was, for a long time, a seismic event. It's been a while since I've felt that way, but I was curious about FF16. Building off the success of recent FF spin-offs, this one eschews the series' traditional RPG trappings, instead going full Devil May Cry-style action. Somehow, it works. You still get a big, sweeping, Final Fantasy story - but paired with fast-paced hack-n'-slash combat that's a lot of fun and suitably epic-feeling. Something different and surprisingly cool from a long-running, beloved franchise.


6.) Street Fighter 6

- I've been a fan of Street Fighter since the Super Nintendo days, and it's been fun to see Capcom really revive the series over the last few years and get its newer entries back to a place of prominence and respect in the gaming world. SF6 is very, very solid. Crisp controls, fun new characters, lots of modes and customization options, nice graphics, and an overall top-tier fighting game experience. 


7.) Slay the Princess

- I'm always fascinated by the narrative possibilities of videogames. Slay the Princess is a uniquely constructed mind-trip that hearkens back to old-school text adventures, with a similarly arch sense of humor that reminded me of classics like the Zork series - while also taking a page from modern narrative faves like Disco Elysium. I don't want to say too much for fear of spoilers, but suffice it to say this is a really unique, fun, and smart narrative adventure.


8.) Sea of Stars

- If Final Fantasy 16's foray into action-based combat left you yearning for some good, ol'-fashioned JRPG adventure, then Sea of Stars had you covered (note: I didn't have a chance to play Octopath Traveler 2, another old-school RPG that got great reviews in 2023). Sea of Stars features amazing retro-style pixel art and gameplay reminiscent of classics like Chrono Trigger. Anyone feeling nostalgia for that era should 100% give it a play through.

 
9.) Super Mario RPG

- For whatever reason I never played Super Mario RPG upon its initial release, despite being a big Mario fan and a big Final Fantasy / Square fan at the time. But now, with Nintendo's new remaster, I was excited to finally check out the game. It's definitely another nostalgia rush for a simpler time - and yet, all the craftsmanship that went into the game is still very much evident. Square during that era could do no wrong, and this one, despite the cutesy characters and world, is very much a top-notch Square RPG.


10.) AEW Fight Forever

- This one got pretty middling reviews, and I can definitely acknowledge a lot of the game's flaws. The graphics feel last-generation and clunky, the controls don't always work like they're supposed to, and a lot of key wrestlers from the vast AEW roster are missing. But hey, I love wrestling games and I'm a huge fan of AEW - so I still got a lot of fun out of this one, and found it a nice change of pace from the increasingly hard-to-love WWE2K series. If you want some simple, fun wrestling action (or just really want to kick ass as Danhausen, which I do!), it's worth a look.

THE BEST OF 2023 - The Best COMICS Of The Year

 


THE BEST COMICS OF 2023:

- 2023 saw me "finish the story" of what I started in 2022: I officially went from comic book fan to comic book writer! This year, the final two issues of my comic book HALLOWEEN TEAM released (drawn by the talented Matt Shults), as well as The Complete Collection (cheap plug, available here: https://t.co/P9hsejxtHG). It was a lot of work to get the book out there via digital self-publishing, and it was also a lot of work to try to promote it via social media as well as a myriad of interviews, podcasts, etc (especially while continuing to deal with Long COVID that made things like Zoom calls especially challenging). Still, it was a thrill to get the book out there, and to get a chance to talk about Halloween Team - as well as comics in general - with so many cool publications, podcasts, etc. For so long growing up, comics felt like such a taboo subject to talk about with friends. So nowadays, it never gets out to get the chance to openly geek out about one of my favorite mediums with like-minded fans. In any case, it was an amazing feeling to finally get the complete Halloween Team story out there. At the same time, I feel like this is - and has to be! - only the beginning. I'm determined to take steps in 2024 to ensure that this is merely Phase 1 of my journey as a comic book creator. 

Now, as for what else happened in comics this past year ...

There's undoubtedly been a lot of, shall we say ... heated discussion in recent weeks about the state of the comics industry. I don't think there's any point in trying to sugarcoat - by which I mean: yes, there are a ton of amazing comics out there, both from DC and Marvel and Image, as well as from smaller publishers ... but the industry also seems to be facing mounting problems. Younger people don't seem to be getting into traditional comics, which is sad if you love traditional comics as I do. Enthusiasm for DC and Marvel feels like it's at a recent low - the big events are not creating much buzz, and only a handful of books seem to be really sticking with fans. Image and other publishers like Dark Horse and Boom! haven't had those sort of Walking Dead-esque breakout hits of late - and tentpole books like Saga have been plagued by frequent delays and long periods of hiatus. IDW had a big original comics push last year that was shuttered in 2023, and now they're back to mostly publishing licensed properties. Meanwhile, the main digital comics retailer Comixology, owned for the last several years by Amazon, was shut down - a huge blow for the digital comics market. Amazon made it so their Kindle app is now the sole way to read one's Comixology library, and the Comixology storefront is now just another Amazon storefront ... meaning there's nothing about it that is particularly catered towards the comic buyer/collector. Comixology used to be pleasant to browse for sales and back-issues. Now, it's nearly impossible to navigate. And it does nothing to promote indie or self-published comics. It's a sad state of affairs. 

Still, there is hope. And one important thing to note here is that while these issues are real and they are concerning, placing the blame for all this on the perceived "wokeness" of the comics industry is ridiculous. Comics always thrive when chances are being taken and bold storytelling takes center stage. And the very DNA of the American superhero comics industry is built on a foundation of tackling social justice issues. 

So I say again: there is hope. Comics will find a way. There are companies out there like GlobalComix (on whose platform Halloween Team is available!) pushing for better distribution and functionality in the digital space. There are any number of great creators pushing the industry forward. And there are so many great comics out there that deserve to be read, talked about, and shared by fans. So that's why this Best Of feels extra important. I'd urge current, new, and lapsed comic book fans to check out these great books in the new year.

 

DANNY'S BEST COMICS OF 2023:


1.) The Human Target

- 2023 was the year of Tom King. I'm a longtime fan of King's writing, but in 2023, seemingly everything I read by him completely hit the mark. He was and is on a roll like we've rarely ever seen in comics. The highlight for me was The Human Target. Continuing from 2022 (it also ranked as one of my top picks of last year), the ending of this maxiseries solidified it for me as an all-time classic. A pulp noir tale that saw the classic DC Comics character desperately trying to solve the mystery of who poisoned him - as the clock runs out - was perhaps the best thing that King has written to date. Combining classic DC characters and lore with a unique mystery filled with twists, turns, and noir atmosphere so thick you could cut it with a knife - The Human Target is an absolute must-read and the best book I read in 2023.


2.) Fantastic Four

- It was only last year that I was sad to see the celebrated run of writer Dan Slott on the FF end. What could top it? Well, it turns out that new writer Ryan North could. His run on Fantastic Four has been an instant classic - giving us weekly Twilight Zone-esque sci-fi mysteries that are incredibly imaginative and brilliantly thought out. Somehow, the book is both incredibly smart - leaning hard into the science of its science fiction, and yet still, also, incredibly fun - capturing the lovable personalities of this team and their villains. If Marvel was ever to make an FF TV series - well, here's your template. So good.


3.) Where The Body Was / Night Fever

- Slightly cheating here, as I'm including two separate graphic novels from one of the best comic book creative teams ever: writer Ed Brubaker and artist Sean Phillips. The pair took a break in 2023 from their ongoing graphic novel series Reckless to give us two one-and-done books. And, to absolutely no one's surprise - both of them were awesome. Night Fever felt like a bit of a departure - a nightmarish, at times surreal read with some almost Lynch-ian overtones. Where The Body Was, meanwhile, was very much in the vein of the duo's iconic Criminal series - a pulp noir story about a murder in a small town. But yeah, just read everything by this team. You can 100% count on the quality being there, as they're the absolute best in the biz.


4.) Nightwing

- We're now on Year 3 of this celebrated run on Nightwing by writer Tom Taylor and artist Bruno Redondo - and it continues to be the crown jewel in DC Comics' monthly slate. Taylor just seems to inherently get how to do great serialized superhero comics. His stories are impeccably paced, perfectly plotted, and filled with great character moments. And he writes to artist Redondo, letting him soar with innovate layouts and design and smooth-as-silk action. Nightwing will always be a fan-favorite character, but this run is definitely something special.


5.) Wonder Woman

- This run by Tom King (yep, him again) is only just now heating up - but holy lord, it's a barn-burner. It's Wonder Woman and her fellow Amazons vs. an angry and militant US government, told in epic, intense fashion. King isn't afraid to get gritty and political, and the result is a story that feels urgent and timely and important. Only a few issues in, it's already a strong candidate for the best Wonder Woman story ever told. And I'm sure James Gunn and company at Warner Bros are taking note.


6.) Poison Ivy

- G. Willow Wilson's Poison Ivy is now an ongoing series, and it's been an incredibly well done character study and psych-exam of a villainous character trying to do some good. Wilson has unlocked the full potential of one of DC's iconic evildoers, crafting a trippy, psychedelic road-trip saga that goes deep into the screwed-up heart of America. It's a complete 180 from the teen-pop-bubblegum of Wilson's celebrated run on Ms. Marvel, but it's just as strong of a work.

 
7.) The Penguin

- And another one by Tom King (and not the last!). I told you, he's having a banner year. King's still-going Penguin series is an incredibly gripping and entertaining comeback story - telling of the Gotham villain's return to the city after a forced exile. Seeing The Penguin scheme and manipulate his way from the bottom of the food chain to try to reclaim his spot as criminal kingpin makes for one of the year's best reads. And King keeps introducing new supporting cast members and antagonists who have become instant favorites - like, for instance, The Help - essentially the anti-Alfred, a demented butler who is the ultimate minion of evil.


8.) Love Everlasting

- Tom King again. One of my favorite series from last year continued to be a superb read in 2023. For those not in the know, Love Everlasting is a surreal homage to and parody of old golden age romance comics - with a devious twist. Its main character Elsa is continually flung from one romance plot to another, even as she desperately searches for the meta-villain responsible for damning her to this strange purgatory. It's great stuff, and the evocative art by Elsa Charretier only adds to the vibe. 
 
 
9.) Ultimate Invasion

- Few writers can kick off a story like Jonathan Hickman. The first chapter of Ultimate Invasion - his game-changing Marvel series featuring a reality-altering, evil version of Mr. Fantastic - was one hell of a page turner. Hickman thinks on such a grand, cosmic level that his stories seem to expand your mind in real time - leaving you obsessed with the possibilities of what it all means and where things might go from here. Ultimate Invasion was Hickman at this strongest - and while the ending didn't quite live up to the beginning ... man, what a crazy, enjoyable journey this one proved to be.


10.) W0rldTr33

- James Tynion has written some of the best comics of the last several years - from The Department of Truth to The Nice House On The Lake. And while W0rldTr33 still needs some time before we can really get a sense of its full potential, it's undoubtedly off to one heck of a start. I mean, what a premise: back in the 90's, a group of young internet pioneers discovered a dark "undernet" that contained deadly, world-ending secrets. Now, years later, those secrets are finally revealed - in the form of a killer, hypnotic virus that turns ordinary people into vicious murderers. This one is compelling, disturbing, and original. Excited for more in 2024.

 

THE NEXT BEST
 
 
11.) Batman
 
- Writer Chip Zdarsky continued his run on Batman in epic fashion this year. Heavy on epic action and psychological depth, Zdarsky has spent a lot of time focused on the darker elements within Bruce Wayne's tortured psyche. Each story arc has been great thus far, so I hope this ends up being a long run.
 
 
12.) Fire & Ice: Welcome to Smallville
 
- This book was an awesome surprise - a return to the 80's-era "bwa-ha-ha" Justice League, but with a modern spin. Writer Joanne Farrer imbues her leads - DC comics stalwarts Fire and Ice - with personality to spare. There's humor and fun, but also a sense of lived-in authenticity, as the longtime friends take up residence in Smallville and try to give their stuck-in-a-rut lives a fresh coat of paint.
 
 
13.) Saga
 
- Saga once again had only a limited number of new issues released in 2023 before leaving for yet another hiatus. But it's hard to be too upset, because the book, when it releases, is still one of the best. Brian K. Vaughan's writing is as sharp as ever, and Fiona Staples' distinct art is still a bar-raiser. If you've not yet sampled Saga, it's one of the best comics of the last ten years - a witty, twisty space opera from one of the best creative teams ever assembled.
 
 
14.) Adventures of Superman: Jon Kent
 
- Tom Taylor brought the same sort of great superhero storytelling to Superman's son, Jon Kent, as he did to Nightwing. Taylor used the opportunity of a relatively fresh slate with Jon to tell the kinds of stories you can't exactly tell with his father. Jon is still learning the ropes, figuring out right from wrong, and learning to navigate tricky moral grey areas. Which made his adventures - like a foray into the dark alternate universe of the Injustice videogames - all the more compelling. 


15.) Danger Street

- Okay, one more book by Tom King to close out my Top 15. And I'll be honest, I was a little iffy on Danger Street in 2022 when it began. But it really picked up in 2023, and produced maybe my single favorite issue of a comic book this year: Issue #9's epic battle between two unstoppable assassins - a deadly, high stakes chess-match for the ages. For those not in the know, Danger Street was King's attempt to take a bunch of more obscure DC Comics characters and put them in a strange, quirky adventure that celebrates all of their collective weirdness. Characters like Warlord, The Creeper, and the very-outdatedly-named Lady Cop join forces and find themselves at odds as they attempt to solve a strange mystery. It took a while to coalesce, but ultimately, I kind of loved this one. Great art by Jorge Fornés. And what a year for Tom King.


OTHER FAVORITES FROM 2023

Fire Power
Dark Ride
Birds of Prey
Junkyard Joe
Captain America
Miracleman: The Silver Age
Wesley Dodds: The Sandman
Alan Scott: The Green Lantern
Peacemaker: Tries Hard!
Batman - One Bad Day: Ra's Al Ghul
Stargirl: Lost Children
Phantom Road
Fishflies
Batman/Superman: World's Finest
Universal Monsters: Dracula
Teenage Mutant Ninja Turtles / Stranger Things
Green Arrow
Batman White Knight Presents: Generation Joker
Titans
Justice Society of America

 

WRITERS OF THE YEAR:

1.) Tom King (The Human Target, Wonder Woman, The Penguin, Danger Street, Love Everlasting)
2.) Ed Brubaker (Night Fever, Where The Body Was)
3.) Ryan North (Fantastic Four)
4.) Tom Taylor (Nightwing, The Adventures of Superman: Jon Kent, Titans)
5.) G. Willow Wilson (Poison Ivy)
6.) Jonathan Hickman (Ultimate Invasion)
7.) James Tynion IV (W0rldTr33, Universal Monsters: Dracula)
8.) Chip Zdarsky (Batman, Batman: Knight)
9.) Brian K. Vaughan (Saga)
10.) Joanne Starer (Fire & Ice: Welcome to Smallville)

 
ARTISTS OF THE YEAR:

1.) Greg Smallwood (The Human Target)
2.) Sean Phillips (Night Fever, Where The Body Was)
3.) Jorge Fornés (Danger Street)
4.) Fernando Blanco (W0rldTr33)
5.) Bruno Redondo (Nightwing)
6.) Daniel Sampere (Wonder Woman)
7.) Fiona Staples (Saga)
8.) Bryan Hitch (Ultimate Invasion)
9.) Natacha Bustos (Fire & Ice: Welcome to Smallville)
10.) Elsa Charretier (Love Everlasting)

Saturday, December 30, 2023

THE BEST OF 2023 - The Best ROCK Of The Year

 

 

- As I faced the reality in 2023 that my struggles with Long COVID might truly be, well, a longterm thing ... I began to face the music that I was going to have to test myself a bit and see to what extent I was still able to do the things I love most. Early in the year, I'd purchased a few sets of concert tickets for the winter, hoping that I'd be recovered by then (and that these would therefore be celebratory affairs) - but knowing that that may not necessarily be the case. As it turns out, I was still very much dealing with Long COVID by the time these concerts approached. But I decided to go, to give it a shot. If needed, I could always leave and call it a failed experiment. Somehow, through a combination of improved coping techniques, medications, and luck, I made it through both relatively okay and, ultimately, had a great time. I saw KISS at the Hollywood Bowl in one of their last concerts ever. I saw Queen + Adam Lambert at the Bank of America Stadium in what turned out to be a show for the ages. My first concerts in a year and a half. And it was great to be back out there getting caught up in the fun and the power of great live music - seeing two legendary, all-time-favorite bands who I was happy to catch one more time while they were still touring.

Music once again helped me persevere and get through another tough year. 

That said, I'll admit that I had to do some digging when it came to compiling this list. As December rolled around, I realized I didn't have a lot of songs mentally filed away as new, definitive favorites from the year that was. That's where the fun part comes in though - digging through 2023's new rock releases and seeing what I'd missed, what really hit me upon a fresh listen, and what new artists were worth including on the list.

So here we go ...


DANNY'S TOP ROCK SONGS OF 2023:


1.) The Rolling Stones - "Angry"

- I know, I know. Even I can barely believe it. A song by The Rolling Stones as my #1 of 2023? What year is this, people? But every time I revisited this absolute banger of a rock song, I realized that it absolutely deserves the spot. It is, improbably, a new classic by one of the great rock bands - a song that sits nicely right alongside their all-time classics. Timeless yet modern. It completely rocks. It even has a great music video too (featuring Sydney Sweeney). The Stones made a statement in this year.


2.) Green Day - "Look Ma, No Brains!" / "The American Dream Is Killing Me"

- Is the Green Day I know and love finally back? It's looking that way. The punk band's latest singles - ahead of next year's new album release - are a welcome flashback to the American Idiot era: scathing, sneering indictments of the dumb, depressing state of the world. I'm including two of their songs here, because both are excellent, both rock, and both make me happy that this Green Day has returned when, my god, we need 'em most.


3.) Foo Fighters - "Rescued"

- Foo Fighters, at their best, have a way of creating songs that feel like long-treasured classics upon first listen. "Rescued," released in the wake of Taylor Hawkins' untimely death, is one of those songs. Hard-driving, catchy, and ultimately mournful ... it's a Foo Fighters song for the ages.

 
4.) Olivia Rodrigo - "get him back!" / "all-american bitch"
 
- Lest you think this list is all aging rockers, let me say: I am thankful for Olivia Rodrigo and her embrace of 2000's-era pop-punk aesthetics. Channeling vintage Avril Lavigne, Rodrigo's more rocking songs perfectly encapsulate timeless teenage rage. "get him back" is a catchy-af anthem, while "all-american bitch" is a cheeky pop-punk ballad that feels like something old meets something new.


5.) Bleachers - "Modern Girl"

- While I can't say I've always been a fan of his, I really dig when Jack Antonoff - as he is with his band Bleachers - is in Bruce Springsteen tribute mode. "Modern Girl" is a rollicking, E-Street Band esque jam that can't help but lift your spirits and make you want to get up and sing along.


6.) blink-182 - "Anthem Pt. 3" / "When We Were Young" / "Fell In Love"

- For us aging Elder Millennials, Blink 182's 2023 reunion was a big deal and a total nostalgia trip. But as it turns out, the band's comeback album was surprisingly ... freaking awesome. To the point where pretty much every song on the album rocks, and I couldn't decide which one to include here. "Anthem Pt. 3" is 100 mph vintage Blink. "When We Were Young" is goofy nostalgia that you can't help but find endearing. "Fell In Love" has a similar wistful tone, and is just a really great song.


7.) Sum 41 - "Landmines"

- Speaking of 2000's-era pop-punk comebacks - Sum-by-god-41 had an absolutely killer new song in 2023. "Landmines" rules. It's a thrashing pop-punk anthem that maintains the band's youthful aggression, even as a grizzled edge creeps into the vocals and lyrics as well. This is great stuff though. Who would have thought?

 

8.) Gunship - "Monster in Paradise"

- I became a big fan of synthwave rock band Gunship a few years ago, and have been catching up on their catalog since. They came out with a new album this year, and its packed with cool cameos from Gavin Rossdale to John Carpenter himself. "Monster in Paradise" even has a killer sax solo by 80's legend Tim Capello (of Lost Boys the movie fame). Anyways, this song makes you feel like you're cruising through Blade Runner's cyberpunk LA, watching the neon-soaked streets from your flying car. What more do you need?

9.) lovelytheband - "Sail Away"

- "Sail Away" was one of those songs that I felt like I heard constantly this year. It was everywhere. And yet ... I couldn't be too annoyed by it, because it's a really great earworm of a song. A chilled-out rocker with an extremely catchy chorus and lyrics. I'll be curious if the interestingly-named lovelytheband sticks around. They've got something here.


10.) Guns N' Roses - "Perhaps"

- We've had some random new GnR songs come our way over the last several years, but "Perhaps" is the first one that feels like it would be right at home on Use Your Illusion. Axl Rose's vocals are in fine form, Slash sounds like Slash, and there's an epic quality that personifies what makes GnR one of the greatest rock bands of all time. More like this please.


Honorable Mentions:

- U2 - "Atomic City"
- Almost Monday - "Sun Keeps on Shining"
- Dirty Honey - "Won't Take Me Alive"
- Dolly Parton - "World On Fire"
- Alice Cooper - "White Line Frankenstein"

THE BEST OF 2023 - The Best TV Of The Year

 


 THE BEST OF 2023 - The Best TV Shows of The Year

- 2023, what a year. For me personally, this has been one of the craziest years ever. A full year of dealing with Long COVID, a year and a half since it all began in Summer 2022. While there were some incremental improvements, I'm still dealing with it now - and yeah, it's not fun. So be safe out there. 2023 was a lesson in dealing with ongoing adversity. But even in the toughest of times, I still had film, TV, comics, and music - thank god. I never lacked in things to look forward to, to keep me occupied, to distract me, to provide escape, to make me think, to expand my horizons. Even when I couldn't physically travel far, I still - through the power of great storytelling - sailed the stars aboard the Enterprise, explored a vast and secret-laden underground silo, and drove around the country solving mysteries alongside a wise-crackin', lie-detecting woman-on-the-run. Yeah, times were tough. But there was some amazing TV in 2023 that helped to get me through. 

That isn't to say that 2023 was smooth-sailing, as far as TV goes. The entire entertainment industry was in upheaval. The WGA and SAG-AFTRA strikes brought ongoing issues with payment and residuals to the forefront of public conversation - not to mention the use of AI as a means of cutting actual humans out of the creative process. Luckily, after a pair of prolonged strikes, major wins were eventually had for writers and actors. But there is still much work to be done, and still plenty of potential for studios to abuse their powers. We see that now with the constant cost-cutting in the name of shareholder appeasement, which includes removing TV series from streaming availability altogether (despite the original promise of streaming being a place where shows could be accessed at the viewer's leisure). We also continue to see series get canceled after having barely had a chance to find an audience, often after having been unceremoniously dropped in an overcrowded streaming market with barely any real promotion. Finally, there is that continued sense that in a post-Better Call Saul world, the great age of Prestige TV is in the rearview mirror. TV, for nearly twenty years now a place of experimentation and risk-taking and truly brilliant entertainment ... now starting to feel a bit like an IP factory filled with short-run series that are part of interconnected universes with a corporate mandate to, much like the studios themselves, expand infinitely or die.

And yet ... while you may need several streaming services to find it all, there was a metric ton of great TV this past year (and that's even with heavy hitters like House of the Dragon and The Handmaid's Tale MIA). There's so much - I still have dozens of shows on my "to-watch" list, from Shrinking to Slow Horses to The Diplomat to Reacher. Art finds a way. So let's get to it.



DANNY'S TOP TV SHOWS OF 2023:


1. RESERVATION DOGS

- Reservation Dogs third and final season solidified the show as one of the best ever. With a unique blend of magical realism, comedy, and very real pathos, this coming-of-age series set on a Native American reservation did what so many of the best TV series do - it gave us a story both hyper-specific and universal. I genuinely feel like I learned a lot from this show about Native American culture. But there were also so many times when the traditions, concerns, and family dynamics of these specific characters reminded me in various ways of my own upbringing. I will miss the Res Dogs, and I hope that those who haven't yet seen this amazing show will continue to discover it.


2. POKER FACE

- A streaming-age throwback of sorts to the case-of-the-week detective shows of yesteryear, Poker Face, nonetheless, felt like something new and different and very much welcome in the current TV landscape. What makes it so good though is the absolutely top-tier writing - fantastically constructed mysteries matched with sharp-as-a-tack (and oftentimes hilarious) dialogue. All brought to life by the instantly-iconic leading performance from Natasha Lyonne, who in each episode also happens to be surrounded by a murderer's row of supporting guest stars.


3. THE CURSE

- I had no idea what to make of The Curse, at first. And as I write this, I'm still eagerly waiting to see how it all ends. But with each passing week, I become increasingly sure of this show's genius. It's a brilliant new spin on the Nathan Fielder cringe TV brand, taking it to the world of scripted drama while maintaining that same sense of "holy $&%&, what is going on here?!" spectacle of Fielder's previous series. Emma Stone on this show though - wow. An acting master class. She and Fielder give us a scathing indictment of a Millennial generation gone wrong.


4. SILO

- The best sci-fi mystery series since Lost, Silo's first season absolutely gripped me from start to finish. I couldn't wait to find out more about the true nature of the show's mysterious setting - a massive underground silo completely cut off from the world above. All the while, I was willing to go wherever the show led me because of the incredible lead performance from Rebecca Ferguson - playing a badass underdog who I'd follow anywhere. A top-tier supporting cast - from Tim Robbins to Will Patton - solidified this show as something special. Bring on Season 2.


5. BEEF

- I don't make this comparison lightly, but Beef reminded me of Breaking Bad with the way it kept ratcheting up the stakes and the intensity, thrusting its normal-seeming characters into absolutely crazy situations that often made me think, with a smile on my face: "well, that escalated quickly." Beyond that though, Beef was a brilliant show about the anger that currently runs rampant in our society - and how even minor arguments can snowball into heated blood feuds. Steven Yeun and Ali Wong crushed it. Amazing television.


6. TED LASSO

- I didn't want to like Ted Lasso, at first. It was one of those shows that annoyingly became that show that people wouldn't stop fawning over. Early on, I didn't get it, and the show didn't 100% work for me. But I stuck with it and it grew on me. I liked S1, but I loved S2. And I loved S2 but I *really* loved S3. Such sharp writing, such perfect jokes, such a great ensemble of actors and memorable characters. I know some people didn't like S3 as much as I did, but for me, this was the season when the show leveled up and, for me, truly became an all-time fave.


7. PICARD

- The beginning of 2023 was a rough time. I was dealing with Long COVID flare-ups as well as an injury from a fall - all coupled with a difficult move to a new place. But each week for several weeks, I received the television equivalent of a warm hug from an old friend. Sir Patrick Stewart was, once more, Jean-Luc Picard, and one of the all-time great TV characters was back just when we needed him most. While the first two seasons of Picard tried their best to avoid leaning on nostalgia, S3 went all-in on it, and delivered a fitting epilogue to the entire Star Trek: The Next Generation era - bringing back nearly the entire cast of TNG. It was the best season of the series by far. It made me smile, laugh, and on many an occasion raise my fist in glory. What an ending.


8. JUSTIFIED: CITY PRIMEVAL

- Justified is one of my favorite shows ever - and it had one of the best final episodes ever - so I had mixed feelings about it coming back for another go. While City Primeval didn't necessarily feel essential, it was still damn good TV - especially given the context that since Justified's ending, well ... they just don't make TV shows like that anymore. Except here it was - more of that trademark sharp-as-glass writing, more of Timothy Olyphant being as great as ever as Raylan Givens, and yet another memorably awesome loose-cannon villian in Boyd Holbrook's Clement Mansell. Throw in great turns from Aunjanue Ellis-Taylor, Vondie Curtis-Hall, and more and you've got yourself some old-school, peak-TV-era-esque appointment viewing.


9. THE LAST OF US

- Fans (myself included) of the Last of Us games knew that there was potential for the series adaptation to be something special. Even so, it was a bit surreal to see everyone obss over a story that videogamers had, years ago, discussed and analyzed to death. But even for those of us familiar with the post-apocalyptic storyline, there were still surprises to be had here. For one, the incredible performances by Pedro Pascal and Bella Ramsey as Joel and Ellie - giving a new life to these characters. For another, new expansions to this universe that quickly became instant-classics - like the seminal third episode that gave us a ballad of Bill & Frank, that stands among the best single episodes of television I've ever seen.


10. THE BEAR

-  I am a latecomer to The Bear, only recently having binge-watched the show. And ... wow. It lived up to the hype. This series is incredibly intense in a way that I can only describe as "Uncut Gems-esque." But it's also an incredible character study of flawed individuals. A funny, resonant look at a makeshift family that reminds me at times of The Sopranos. It's a look at how high-stress situations matched with modern day anxiety can make every day feel like a pressure cooker. Season 2 had some of the highest highs yet.


The Next Best:


11. ONLY MURDERS IN THE BUILDING

- This smart, funny show hit another home run in Season 3 - once again combining a genuinely enthralling murder-mystery with the never-funnier hijinks of Steve Martin and Martin Short, plus a fantastic Selena Gomez. Not to mention an A+ supporting cast filled with great bit players top top bottom. Also, "Which of the Pickwick Triplets Did It?" was the fake TV song of the year.


12. PAUL T. GOLDMAN

-  I became absolutely obsessed with Paul T. Goldman earlier this year. If you're a fan of weird mind-trip meta TV that leaves you wondering "wait, is this real or fiction?" then you need to watch this show. It's on Peacock. It's hilarious. It's mesmerizing. It's awkward as hell. Paul T. Goldman is a real person who thinks he's helping to make a movie based on his (heavily-embellished) book about his own life. But the show Paul T. Goldman is about the making of that not-actually-being-made movie (and various spin-offs!). But what it's really about is how the power of self-delusion can lead one man to self-mythologize to the point where he convinces himself that he's the hero of an adventure that never actually happened. This is genius stuff. Next level. Go watch it.

 

13. WHAT WE DO IN THE SHADOWS

- What We Do In the Shadows had another great season - with a couple of instant-classic episodes. It's amazing how dark this show goes with its plotting and how the actors are called upon to be both extremely funny and to deliver on some genuinely intense/dramatic/horror-filled moments. On the whole, this is the best TV sitcom since Brooklyn Nine-Nine went off the air. And I can't believe next season will be its last. More!


14. THE FALL OF THE HOUSE OF USHER

-  In Mike Flanagan we trust. Flanagan's series - but this one in particular - are truly catnip for us writers. They're just so ... writerly. The Fall of the House of Usher was filled with long, flowery monologues and I loved it. Give me Bruce Greenwood delivering wonderfully-composed monologues all day. And give me this sort of character study meets dark social satire meets gothic horror all day as well. One of the best series from Flanagan yet.


15. BARRY

- On the whole, I absolutely loved the final season of Barry. To me, the show came out of the gate hot with an incredible first season, was up and down in S2, and then lost a lot of momentum in S3. But S4 really brought back the must-see feel of the early days and made Barry, once again, a show where I could not wait for each new episode to drop. Going to miss this darkly hilarious tale of a killer-trying-to-go-straight. Bill Hader - what a performance. When it was at its best, Barry was one of the greats.

 

16. THE RIGHTEOUS GEMSTONES

- S3 of The Righteous Gemstones was, once again, brilliant and hilarious. This send-up of Big Religion simply doesn't miss - and is always the perfect blend of high-stakes drama with insane humor. Nobody has made me laugh harder over the last fifteen years than Danny McBride. Well, except for maybe Walton Goggins as Uncle Baby Billy.
 
 
17. FARGO

- With its latest season, Fargo goes back to its roots. "Minnesota nice" is the name of the game. And Juno Temple crushes it as another memorable protagonist for this series - a woman who is, keeping in the spirit of this show and the movie that inspired it, much more than she seems. Series mastermind Noah Hawley is one of the best in the biz, and he's on top of his game here - aided by a killer supporting cast that includes Jennifer Jason Leigh and Jon Hamm doing memorable work.


18. BLACK MIRROR 
 
- Finally, we got more Black Mirror in 2023! One of the best series of the last decade was back. And while this season didn't necessarily produce any instant-classic episodes, I've realized, over time, that a lot of this new season has really stuck with me. "Beyond the Sea" and its harrowing ending. "Joan Is Awful" and its timely social commentary. "Demon 79," which got me really into the band Boney M for a brief period. Writer/creator Charlie Brooker is a genius in my estimation, and Black Mirror remains arguably the greatest series to come out of the streaming era. 
 
 
19. BLUE EYE SAMURAI

- It's always fun when a show comes out of nowhere and absolutely kicks your ass. And Blue Eye Samurai is nothing if not kick-ass - a bloody and brutal revenge tale set in 17th century Japan. With eye-melting animation, fantastic voice work, and an instantly-iconic lead character in Mizu - this one is going to be something special when all is said and done.
 

20. WINNING TIME

- The second (and tragically, final!) season of Winning Time was absolutely fantastic. And I'm still kind of baffled how this wasn't a huge hit? HBO Sunday night pedigree, A-list cast, larger than life sports heroes / cultural icons. What happened? Regardless, this show about the Showtime Lakers really improved season over season, as it focused in on the basketball of it all.


21. SCOTT PILGRIM TAKES OFF

- This Netflix animated series gave us a funny, surprising new direction for the Scott Pilgrim story that smartly re-contextualizes Scott Pilgrim vs The World and shows some interesting new sides to the characters that we know and love from the film and the original comics. So many great little moments, many a geek-out-worthy reference, and super cool animation to boot. Plus, the entire cast of the movie returns to voice their characters!


22. PERRY MASON

- The first season of Perry Mason picked up stream towards the end of its run. But the second season rode that wave of momentum and delivered a great season of television of start to finish. The great Matthew Rhys rocked it in the lead role. Juliet Rylance, Shea Whigham, and a number of other top-tier talents rounded out the cast. This felt like legit Prestige TV at a time when that's becoming more rare. Moody, rich, dense, smart. Wish we'd get more.


23. INVINCIBLE

- I'm a huge fan of the Invincible comic book series, and it's been awesome to see Robert Kirkman's superhero saga come to life as a TV series. The Amazon series is a remarkably faithful adaptation both in terms of plot and aesthetic, but the stacked voice cast and interesting divergences from the comics help give it its own identity. At the end of the day though, Invincible has such a unique take on superhero storytelling and such a distinct vibe - it's just uber-satisfying to see it adapted so well.


24. JURY DUTY

- One of the big comedy sensations of 2023, Jury Duty matched a killer premise with perfect casting. This reality-meets-fiction series placed a real-life everyman in a fake jury pool filled with not-real actors, including a game James Marsden playing an out-there, narcissistic version of himself. And the results were often drop-dead hilarious.


25. OUR FLAG MEANS DEATH

- S2 of Our Flag Means Death was a fun and surprisingly poignant season of television. Rhys Darby (as "The Gentleman Pirate" Stede Bonnet), Taika Waititi (as Blackbeard), and the entire supporting cast were once again fantastic. And I loved some of the new characters - with The Pirate Queen Zheng Yi, played by Ruibo Qian - being a new favorite. As with S1, I was continually amazed at how this series works as a rip-roaring pirate adventure, a heartfelt romance, and as a really funny comedy.


Just Missed the Cut:

- The Afterparty
- The Great North
- Beavis & Butthead
- Star Trek: Strange New Worlds
- Cunk On Earth
- Rick & Morty
- Loki
- I Think You Should Leave
- Riverdale
- Big Mouth 
- American Horror Story: Delicate
- Good Omens


INDIVIDUAL AWARDS:


The Best TV Heroes of 2023:

1.) Juliette Nichols - Silo
2.) Captain Jean-Luc Picard - Picard
3.) Raylan Givens - Justified: City Primeval
4.) Charlie Cale - Poker Face
5.) Ramona Flowers - Scott Pilgrim Takes Off


The Best TV Villains of 2023:

1.) Clement Mansell - Justified: City Primeval
2.) Roderick Usher - The Fall of the House of Usher
3.) Fuches and NoHo Hank - Barry
4.) Arthur Pym - The Fall of the House of Usher
5.) Lucas Lee - Scott Pilgrim Takes Off
 

The Best TV Anti-Heroes of 2023:

1.) Joel and Ellie - The Last Of Us
2.) Loki - Loki
3.) Barry - Barry
4.) Mizu - Blue Eye Samurai
5.) Dorothy "Dot" Lyon - Fargo

Saturday, March 11, 2023

OSCARS 2023 - Pre-Show Thoughts & Predictions

 Everything Everywhere All at Once streaming

OSCARS 2023 Thoughts and Predictions: 

- 2022 was such a fantastic year for movies, and this year's Oscars are absolutely packed with all-time awesome films. In almost every category this year, there are multiple nominees who I'd be more than happy to see take home gold.

So why do I still feel like something is off about this year's ceremonies?

Maybe it's just the lingering bad taste from last year's "slap" incident. Or maybe, it's the lingering issues that still plague these awards and the discourse around them. Let's dive in.

For one thing ... while the Academy has undoubtedly made moves to address its historical lack of diversity - and has, in recent years, given top awards to out-of-the-box movies like Parasite - there is still a distinct feeling of same-old when it comes to these awards. Yes, it's cool to see a movie like Everything Everywhere All At Once get so many (well-deserved!) nominations this year. After all, aside from being next-level great, the film is both a truly quirky original and a film with a predominantly Asian cast. So yeah, it's refreshing to see a movie like this get its due (and enter the awards as a frontrunner, at that). At the same time, the Academy still feels like it has a long way to go as far as diversity goes. This applies to a need to better recognize women and BIPOC talent - and it does seem odd that movies like Till, The Woman King, The Inspection, and She Said were mostly ignored by this year's awards. It also applies to a need to recognize a diversity of genres. 2022 was a landmark year for horror movies, for example. But for the most part, even the best horror movies and performances (Mia Goth in Pearl, anyone?) still fly under the radar come awards season. 

The above also ties into the continued circus that is awards campaigning. Oh to live in a world where Academy members are diehard film fans who proactively seek out dozens of the best movies each year. But no, they must be wined, dined, and wooed by big-money campaigns to be convinced of a film's awards-season pedigree. This means that studios must very selectively choose which of their films to "push" for the Oscars - so horror, for example, perennially gets left in the cold. It also means that a lot of smaller and truly independent films don't get serious consideration. This year, however, Andrea Riseborough broke through the clutter - and snagged a surprise acting nomination for her indie film To Leslie. Many were happy to see such a small film get recognition. But of course, the discourse quickly became more so about how Riseborough's camp used her famous friends and supporters to give the actress and unfair edge. The whole situation is pretty convoluted, so I'm not going to weigh in any further. Suffice it to say, I hope the actual takeaway here is that the Oscars need to find more ways to champion indie films rather than exclude them.

Finally - and this is nothing new - but I found it particularly off-putting this year where, like I said, SO many amazing movies are in awards contention. I'm referring, of course, to the annual tradition of publications like The Hollywood Reporter and Entertainment Weekly putting out interviews with anonymous Academy members, regarding their "brutally honest" takes on that year's nominees. Sometimes, when egregiously undeserving movies get nominations, these pieces can be snarky fun. But this year, it was constant cringe as I read misguided and flat-out dumb takes dissing incredible films like Tar and The Fabelmans. Sure, not every movie is everyone's cup of tea - but the confidence with which some people rip into these films and paint their opinion as objective fact ... well, I get enough of that on Twitter, thank you. But again, reading these hot takes ... it's demoralizing. Because it shows that even Academy members are not immune to the kind of bad take discourse that you see all over social media. Reading them complain about "wokeness" and other made-up issues - ugh! - it makes you wish they'd let actual film fans vote on these things, rather than whoever these clearly bitter and out of touch souls may be. 

And that's the double-edged sword of The Oscars. On one hand, I always love the discussions and debates about movies leading up to the awards each year. I love the way these awards encourage casual movie watchers to check out so many great films. And I love that Oscar day is a day for celebrating one of the things I love most ... <putting on best Vin Diesel voice> ... "da movies." But what I like less is all the *other stuff* that undermines the focus on the movies themselves - especially in this social media age where so much discussion boils down to people screaming at each other in three-sentence bursts. 

So please, let's make it about the movies. Let's celebrate a year, 2022, that was in so many ways a great one for the artform.

And with that said, as is tradition ... here are my Top 10 OSCAR SNUBS for this year:


1.) RRR for Best Picture

- With no nominations save for Best Song, RRR was majorly snubbed at this year's Oscars. The movie is a big, entertaining spectacle filled with amazing action, stunning visuals, memorable music, and a spirit that is infections.

2.) Mia Goth for Best Actress for Pearl

 - Two of my favorite movie-going experiences of 2022 were Ti West's X and Pearl, both featuring all-timer turns from everyone's new favorite actor, Mia Goth. In Pearl in particular, Goth turns in a true tour de force performance. Get with it, Academy and give great horror its due!

 3.) Decision to Leave for Best Picture and Park Chan-wook for Best Director

- Why does Park Chan-wook so often get snubbed by the Oscars? He's one of our greatest living directors, with classics to his name like Oldboy and The Handmaiden. It seemed too that, post-Parasite, the Academy was becoming more open-minded when it came to Korean cinema. But somehow, Park Chan-wook's latest, Decision to Leave, got no love. Perhaps because it didn't have a major studio distributor in the US? Speaks to the issue I mention above. The movie's incredible though, so by all means - seek it out.

4.) Danielle Deadwyler for Best Actress for Till

- I really liked Till, and Danielle Deadwyler's leading performance was a true breakout moment. Deadwyler is devastating as the grieving mother of the murdered Emmet Till - who goes on to be a civil rights advocate and voice of the voiceless. A big omission.


5.)
Joseph Kosinski for Best Director for Top Gun: Maverick

- Top Gun got a deserved Best Picture nom this year, but, um ... did the movie direct itself? If anything, the movie was a pure showcase for the directorial prowess of Joseph Kosinski - who delivered some of the best and most visceral aerial action ever put to screen. I've been a fan since the Tron: Legacy days, and it's odd to me that Kosinski failed to secure a nomination here.
 
6.) Margot Robbie for Best Actress for Babylon

- In time, I think the cult of Babylon will only grow - and many will look back and wonder how the heck Margot Robbie's powerhouse performance in this one failed to net her an Oscar nom. The movie seemed to divide critics upon release - and bombed at the box office. But I was one of the many who absolutely loved it, and who thought Robbie was robbed.

 7.)
Babylon for Best Picture and Damien Chazelle for Best Director

-
And on that note, Babylon shoulda' been a contender. And it's visionary director, Damien Chazelle, should get his props for his dazzling, hyper-kinetic, hypnotic direction. This Hollywood parable is, in my view, truly something special.

8.)
Jeremy Pope for Best Actor for The Inspection

I was late in seeing The Inspection, but it's got an absolutely star-making performance from Jeremy Pope ... and it's a shame he wasn't recognized with an Oscar nom. The Inspection is a powerful, memorable film and Pope packs it with raw emotion.

9.)
Dolly De Leon for Best Supporting Actress for Triangle of Sadness

-
I loved Triangle of Sadness, so was happy to see it sneak into the Best Picture race this year. But sadly, one of the true standouts of the film - Dolly De Leon - was snubbed. De Leon dominates the final third of the movie, delivering a performance that's both darkly hilarious and powerfully resonant.

10.) The Menu for Best Original Screenplay

- The Menu was one of my absolute favorite movies of 2022. But it's a horror-comedy ... double poison when it comes to Oscar success. Still, in recent years movies like Get Out have actually won in the screenplay category, so I figured The Menu's bitingly hilarious script would have a shot this year. But no, the movie was totally ignored by the Oscars, and that's a shame. 

 

Okay, on with the show. Here they are, my ...

 

 
2023 OSCAR PICKS AND PREDICTIONS:


 

BEST PICTURE:

Should Win: Tar

- I'm realizing more and more that Tar was a bit of a divisive movie. But man, to me, it was the Best Movie of 2022 (seriously, just check my Best of the Year blog post from December!). It's the kind of movie that will have, I think, a very long cultural lifespan - and be talked about and referenced for many years to come. Maybe even studied. A stunner of a movie anchored by an all-time great performance from Cate Blanchett.

 Will Win: Everything Everywhere All At Once

 - And don't get me wrong, I loved Everything Everywhere - and overall, I'm a huge fan of just about all of this year's nominated Best Picture films. Women Talking, Banshees, Fabelmans, Triangle of Sadness, Top Gun - all spectacular movies. I just thought Tar was the best. But the momentum just seems to be there for Everything Everywhere, and it's the sentimental favorite for many. I will be happy for the movie and the talent involved if it wins, no question. It will be super cool to see a movie so original and so outside of the usual Oscar-friendly trappings take home the big one.

 

BEST ACTOR:

Should Win: Colin Farrell (The Banshees of Inisherin)

- Full disclosure, I haven't yet seen The Whale. But to me, Best Actor awards should be judged like the NBA MVP award ... if the team isn't strong overall, then it's, IMO, somewhat disqualifying. And I know reviews of The Whale seem to be mixed at best. Banshees, meanwhile, features two all-timer performances from Colin Farrell and Brendan Gleeson (actually, three if you include Kerry Condon) ... and the movie itself is a masterpiece. My personal pick is the always fantastic Farrell.

Will Win: Brendan Fraser (The Whale)

- But again, the best "story" of this year's Oscars is Brendan Fraser's big comeback. The narrative is too good to resist, and Fraser has only won more support thanks to his enthusiasm and humility on the Oscar interview circuit. I won't be mad if he wins - who doesn't love Brendan Fraser? - and I hope this is just the beginning of more great roles for him to come.



BEST ACTRESS:

Should and Will Win: Cate Blanchett (Tar)

- Blanchett seemed like an absolute lock here until recently. I mean, who could deny the towering, singular nature of her performance as Lydia Tar? But man, this has become one of the closest and hardest-to-call races of this year's Oscars. So yeah, Michelle Yeoh could take it. Or maybe even a Riseborough upset. But I still predict Blanchett will eke out a victory. Because as amazing as Michelle Yeoh is in Everything Everywhere, it's still one of many excellent performances in what is, really, an ensemble movie. Blanchett, meanwhile, is 100% the focus of Tar and carries the entire film. It's unreal. So putting all the extracurricular drama of this one aside, I've still got to go with Blanchett.



BEST SUPPORTING ACTOR:

Should Win: Brendan Gleeson (The Banshees of Inisherin)

- Another one where the narrative is 100% in favor of Ke Huy Quan. And I get it. It was a total joy to see the 80's child star return in such kick-ass fashion in Everything Everywhere. It's one of the best Hollywood comeback stories I've ever seen. But I still give the nod to Gleeson - one of my favorite actors ever. He's always great, but he's next-level in Banshees. It's a haunting, affecting, IMO iconic performance.

Will Win: Ke Huy Quan (Everything Everywhere All at Once)

 - But will I be upset if Ke Huy Quan wins? Hell no. Again, how can you not root for him? The guy is supremely likeable, humble ... and I hope that he, too, starts showing up in many more great movies in the immediate future. Seeing him give a winning speech at the Oscars would be a great moment, and I think desire for that moment will propel him to victory.

 

BEST SUPPORTING ACTRESS:

Should and Will Win: Kerry Condon (The Banshees of Inisherin)

- Another very, very tough one to call. Jamie Lee Curtis and Stephanie Hsu from Everything Everywhere are tough contenders. And Jamie Lee is another one where the narrative around her getting her first Oscar win is a super compelling one. Same goes for the great Angela Bassett, who was awesome as always in Black Panther: Wakanda Forever. But I'm going out, perhaps, on a limb here - and predicting a Kerry Condon win. She crushed it in Banshees, and was in many ways the "anchor" of that movie that kept it grounded. And I think there will be enough big fans of Banshees to get her the win.

 

BEST DIRECTOR:

Should Win: Steven Spielberg (The Fabelmans)

- A lot of people roll their eyes at the idea of Spielberg winning an Oscar in 2023. But the fact is, he has in fact been passed over many a time at these awards. And the fact also is: he deserves it for The Fabelmans. I mean, watch this movie, people. It's a smaller, more personal story - sure. But so many moments are directed with mind-blowing creativity, beauty, and elegance by Spielberg - helping to elevate the film to something truly special. There were so many moments in this film that filled me with awe at Spielberg's abilities behind the camera. I love The Daniels. But Fabelmans is a friggin' master class.

Will Win: The Daniels (Everything Everywhere All At Once)

 - And again, I think momentum is simply on Everything Everywhere - and The Daniels' side. I don't begrudge it. These guys are truly original thinkers with incredibly creative minds. And them winning would be a real game-changer for the Oscars in many ways. So I'll be happy if they win. I can't wait to see what they do next.

 

BEST ORIGINAL SCREENPLAY:

Should Win: Tar

- The script for Tar took me down a strange, dark rabbit hole. I thought about the movie for days, weeks - after seeing it. This is some real genius level stuff, in my view. So it's my pick.

Will Win: Everything Everywhere All At Once

- But you also can't deny the way that the Everything Everywhere script mixes huge, mind-bending ideas with absurd comedy but also real humanity. It's something I aspire to in my own writing, and I 100% look to the Daniels as an inspiration. Again, I think momentum will be on their side.

 

BEST ADAPTED SCREENPLAY:

Should and Will Win: Women Talking

- I loved Women Talking and it's got one hell of a script. The dialogue crackles and hits hard. The movie has a nonstop intensity to it that's amazing considering its limited locations. This one will probably, sadly, not get the full level of Oscar love it deserves. But it should and will win here.

 

BEST ANIMATED FEATURE:

Should and Will Win: Guillermo Del Toro's Pinocchio

- Pinocchio was my easy pick here ... until I recently watched the surprisingly incredible Puss in Boots: The Last Wish. Still, Pinocchio feels like such a unique and special film - so artfully crafted, and so uniquely filled with that special brand of Guillermo Del Toro passion and visual splendor.


BEST INTERNATIONAL FEATURE:

Should and Will Win: All Quiet on the Western Front

- It's an easy rule of thumb: when an international film is nominated in a bunch of other categories, it will win Best International Film at the Oscars. And so it goes with All Quiet. But I think the movie will win a lot of various awards this year, because it's a pretty great film and a really powerful one at that. Netflix's equally powerful promotional campaign probably doesn't hurt either.

 

BEST VISUAL EFFECTS:

Should and Will Win: Avatar: Way of the Water

- I was actually a bit torn on this one, because as crazy as Avatar 2's CG f/x are, part of me was more impressed with the more old-school wizardry of Top Gun Maverick. Still, I think the sheer amount of time, energy, money, and technology that went into Avatar will give it the win here. But you never know. I wouldn't count Maverick out.


BEST DOCUMENTARY:

- Should and Will Win: Navalny

 

BEST FILM EDITING:

- Should and Will Win: Top Gun Maverick

 

BEST CINEMATOGRAPHY:
 

- Should and Will Win: All Quiet on the Western Front

 

BEST PRODUCTION DESIGN:

- Should and Will Win: Babylon



BEST ANIMATED FILM SHORT:

- Should Win: ???
- Will Win: The Boy, the Mole, the Fox and the Horse

 

BEST DOCUMENTARY SHORT:

- Should Win: ???
- Will Win: The Elephant Whisperer

 

BEST LIVE ACTION SHORT:

- Should Win: ???
- Will Win: Le Pupill

 

BEST COSTUME DESIGN:

- Should and Will Win: Black Panther: Wakanda Forever

 

BEST MAKEUP AND HAIRSTYLING:

- Should and Will Win: Elvis

 

BEST SOUND:

- Should and Will Win: Top Gun Maverick

 

BEST ORIGINAL SCORE:

- Should Win: TIE: Babylon and All Quiet on the Western Front

- Will Win: All Quiet on the Western Front

 

BEST ORIGINAL SONG:

- Should and Will Win: “Naatu Naatu,” (RRR)


And ... there you have it. What do you think? We'll see how I do shortly. But like I said ... there are so many amazing films nominated this year ... I'll be happy with any number of winners.


Celebrate film!