The Best of the 10's - Danny's Best Movies of the Decade!

- Well, we did it - we made it to 2020! At times though, it felt like we just barely got there. And the great films of the decade often reflected the anger, the angst, the anxieties of the times we live in - as well as the need to preserve things like truth, and compassion, and empathy, and hope.

The decade saw new movies from legendary filmmakers - Scorsese, Spielberg, The Coen Brothers, Paul Thomas Anderson, David Fincher, George Miller, Quentin Tarantino, and more. But it also saw the rise of countless exciting new voices. People like Steve McQueen, Greta Gerwig, Bong Joon Ho, Ava Duvernay, Alex Garland, Ryan Coogler, Taika Waititi - and so many more.

These past ten years have, in many ways, flown by. The previous decade, for me, was marked by change. I graduated from high school, and college, and moved to LA. This decade - well, it's been more about plugging away, grinding it out, and figuring out how to build the life for myself that I want. But one thing is clear: almost no experiences were better, or more memorable, or more meaningful than the times I had with the movies.

Here's to a great decade ahead.


THE BEST MOVIES OF THE 2010's:


1. Mad Max: Fury Road

- The best and most heart-pounding action movie ever made, this improbably amazing sequel from director George Miller is the most incredible cinematic experience of the decade. It's filled with memorable characters, jaw-dropping set pieces, all-timer performances, and an urgent message that felt much-needed this decade. And how often, in these crazy last few years, have we all felt like Furiosa - donning our warpaint, bracing for battle, and running/racing/escaping towards a sometimes seemingly-impossible dream of a better future. Mad Max is my pick for the decade's best.


2. The Social Network

- When David Fincher's film was first released, it felt important. Now, it feels vital. A brilliantly-written, amazingly-directed, impeccably-acted film - the movie is a tech-world origin story for our time. Writer Aaron Sorkin's dialogue has never been sharper, and Fincher's direction has never been more confident - he imbues even small moments with a near-apocalyptic intensity.


3. Boyhood

- Richard Linklater's crowning achievement - shot over a decade - is an incredibly moving portrayal of growing up that impeccably captures moments big and small. It's a unique cinematic achievement that may never again be replicated. Linklater created a film that gave us an unprecedented feeling of watching a life unfolding before our eyes.


4. Her

-What was once sci-fi dystopian fiction is now nearly reality. That alone nets Her a spot near the top of this list - but the film is also just incredibly well-made. It's riveting. I remember seeing it in the theater - you could hear a pin drop at certain moments. What director Spike Jonze accomplished with this one is right up there with his other great directorial efforts like Eternal Sunshine of the Spotless Mind - like that film, this is a movie that will provoke discussion well into the next decade.


5. Inception

- Christopher Nolan's pop-cultural atom bomb shows the director at his pulse-pounding best. The movie nearly vibrates with thunderous intensity, and its twisty sci-fi plot was, is, and will be debated for years to come. 


6. The Wolf of Wall Street

- Martin Scorsese's best film of the decade is also one of the legendary director's all-time masterworks. A scathing satire of Wall Street greed and excess, the film felt like essential art following the economic crash at the end of the last decade.


7. Spider-Man: Into the Spiderverse

- The more I thought about this movie, the more I was in awe of it. It's nearly perfect. The way it introduces so many characters, so quickly, yet makes us care so much about each of them. The way it looks. The way it emotionally involves you. The way it gives you so many moments of sheer cinematic awesomeness.


8. Jojo Rabbit

- A minor miracle of a movie, Jojo Rabbit is hilarious and heartfelt and subversive and daring and really, really shouldn't work. But this story about a Hitler-worshipping young boy in Nazi Germany - who slowly begins to shake off the cobwebs and see the error of his ways - somehow becomes both a brilliant satire of times past and a vital reflection of the times we live in now. Well done, Taika Waititi.


9. Scott Pilgrim vs. The World

-Edgar Wright's rock n' roll action-comedy is the decade's ultimate new cult classic. Mixing ultra-stylized visuals, quotable comedy, and a hefty dose of Millennial angst - Scott Pilgrim is, quite simply, one of the coolest movies ever.


10. Inside Out

- Pixar's best movie of the decade, Inside Out was a movie about empathy at a time when empathy was sorely needed. An instant-classic that makes you laugh, cry, and actually come away with a better understanding of your fellow humans. Pretty remarkable.



THE NEXT BEST:


11. Cloud Atlas

- The Wachowski's time-spanning epic is a truly one of a kind film that left me floored. It's a sprawling, ambitious, thematically-rich epic that is practically bursting with ideas, philosophy, high-concept storytelling, and audio-visual fireworks.


12. The Handmaiden

- A true stunner from one of the great directors, Chan Wook Park. The Handmaiden casts a spell from moment one - and despite its length it leaves you wanting more. The entire story turns on its head halfway through, making you question everything you thought you knew about its characters.


13. The Witch

- One of the creepiest and most genuinely disturbing horror movies ever made. Director Robert Eggers made a film that might have been great even without the horror element - but when things ramped up, they *really* ramped up. The Witch almost feels like something you shouldn't be watching.


14. 12 Years a Slave

- A riveting look at a life in slavery, this film featured several star-making turns. Here is a film that is a stark reminder of the horrors of slavery. But man, this is also a cinematic tour de force - an utterly captivating, tension-packed narrative filled with unforgettable moments.


15. The Raid: Redemption / The Raid 2

- Arguably two of the best, most insane action movies ever. Jaw-dropping. Directed by Welsh-born Gareth Evans, these Indonesian-set films, in my view, forever raised the bar for martial-arts action cinema.


16. Planet of the Apes (trilogy)

- One of the greatest movie trilogies ever, the rebooted Apes had everything - great action, great characters, incredible f/x, and a lot to say. These movies transcended being mere blockbusters to become something truly special. They masterfully follows in the grand tradition of the original film (and in the tradition of original Apes writer Rod Serling) - for they are a profound, Twilight Zone reflection of our own world.


17. Eighth Grade

- Writer/director Bo Burnham absolutely kills it with this one - delivering a movie that's hilarious, emotional, and spot-on in its depiction of life as an eighth grader. Sure, some of the details were specific to 2018 - but the genius of the film is that it hits on universal truths that anyone who's ever been 13 can immediately relate to.


18. Parasite

- A searing look at class struggle, Parasite is also just an incredible piece of edge-of-your seat filmmaking. It's a darkly funny thriller that has Hitchock-ian levels of tension, all while delivering some biting, eat-the-rich social commentary.


19. Gravity

- An incredible journey into deep space, seeing Gravity in IMAX 3D was an all-time amazing movie-going experience. Gravity is also a powerful reminder of the human spirit. Space travel has always represented the pinnacle of human achievement, and that to me is what Gravity is really about - the will and desire to literally reach for the stars.


20. The Grey

- One of the most purely badass and downright awesome movies of the decade. A stunning, stirring tale of man vs. nature - more specifically, Liam Neeson vs. hordes of giant, merciless WOLVES. But it's a tale told with style and a surprising amount of substance, ultimately becoming a more-epic-than-expected rumination on life, death, and finding the will to fight on no matter the cost.


21. Uncut Gems

- Uncut Gems will put directing powerhouses The Safdie Brothers on your radar, and it will also remind you that Adam Sandler is a uniquely talented actor when cast in the right film. This movie never stops, never relents, never slows down. It's kinetic, intense-as-hell.


22. The World's End

- More than fitting capper to the thematically-linked trilogy that started with Shaun of the Dead and continued with Hot Fuzz. In fact, this may be the best of the three - a film that's at once an all-too-relatable meditation about how you can't go home again


23. Drive

- Stylish to the extreme (and with a killer soundtrack to boot), Drive was the neon-lit breakout for director Nicolas Winding Refn. It's rare that a film combines the over-the-top badassery of the best B-movies with the sense of artistry inherent in many Oscar-worthy dramas. But Drive is that movie and more.


24. Toy Story 3

- Pixar imbued its Toy Story franchise with incredible poignancy and surprising darkness in this third and best installment. A film that kids and adults can enjoy with equal enthusiasm, Toy Story 3 is another credit to the continued genius of Pixar.


25. Whiplash

- "Not quite my tempo." Damien Chazelle's breakout film was a nightmarish meditation on the pain and suffering that comes with attempting to be the best. Unforgettable. In this film, music is a battle, and Miles Teller's young, would-be-drummer extraordinaire is at war.

THE NEXT BEST

26.) Nightcrawler

- A dark satire of our culture of exploitation, Nightcrawler sadly becomes more relevant with each passing year.

27.) The Florida Project

- An incredible film about the hopes and dreams of those who are marginalized and left behind in our society, I still think about the ending of this movie all the time.

28.) Dunkirk

-  Christopher Nolan's ultra-intense war movie takes you on an unforgettable, visceral journey.

29.) Roma

- Alfonso Cuaron paints an incredible portrait of a life remembered in this affecting, amazingly-directed film.

30.) Phantom Thread

- Paul Thomas Anderson's at times overlooked, not-quite-what-it-seems masterpiece features an all-time great (and possibly final!) performance from Daniel Day Lewis.

31.) Inside Llewyn Davis

- The Coen Bros' best film of the decade is another hard-to-pin-down film from two of the best ever. It's incredibly-written, funny, weird, mysterious, and deeply layered.

32.) This Is The End

- One of the flat-out funniest movies ever, this over-the-top comedy features an all-star cast of celebrities (playing themselves!) dealing with the end of the world in incredibly hilarious fashion.

33.) How To Train Your Dragon

- One of my favorite-ever animated movies, How to Train Your Dragon featured soaring visuals, an amazing score, and an epic mythology - as well as a deeply moving father-son story at its core.

34.) Creed

- Ryan Coogler injected a second life into the Rocky series, casting Rocky Balboa as the mentor to a new generation of fighter. Michael B. Jordan made Adonis Creed into the hero we needed this decade.

35.) Interstellar

- Christopher Nolan brought us to the farthest regions of the universe in this mind-bending, mind-blowing science fiction epic.

36.) Ex Machina

- Alex Garland was one of my favorite directors of the decade. His sci-fi AI film Ex Machina was an awesomely dark and crazy thriller that has to be seen to be believed.

37.) It Follows

- I was such a big fan of this horror movie that it inspired me to try my hand at writing horror movies. The film that helped open the floodgates to the decade's new wave of indie horror movie-making, It Follows is a creepy, fun, atmospheric blast of horror movie magic.

38.) The Irishman

- A fitting summation of a life in crime films. But this time, Scorsese's usual rock and roll filmmaking style is tempered by an elegiac, mournful look at aging characters filled with regret.

39.) Once Upon a Time in Hollywood

- The film is quieter and more contemplative than typical Tarantino fare, but that makes it all the better of a film to live in for a bit and take in all the great little details - from the world-building to the great dialogue moments to the iconic Brad Pitt performance at its center.

40.) The Shape of Water

- Guillermo Del Toro is a filmmaker who I have so much admiration for, and The Shape of Water might just be his best work to date. It's a monster movie, a love story, and an adventure film wrapped in one - but Del Toro's passion and attention to detail is evident in every frame.

41.) Burning

- This Korean thriller is one of those crazy, holy-$%&# movies that is hard to talk about for fear of spoilers. Suffice it to say, it's an unforgettable movie about revenge and presumption of guilt and man, it goes to some dark places.

42.) Hell or High Water

- This badass crime thriller pits two young would-be criminals against a grizzled sheriff in the form of one Jeff by-god Bridges. I mean, 'nuff said - right? But the movie also shows an America - decaying, desperate - crawling towards an apocalyptic end-times.

43.) Moana

- One of the best Disney animated movies of the decade, Moana is a colorful, uplifting journey filled with fantastic music and - finally - a Disney "princess" who feels modern and empowered.

44.) They Came Together

- The comedic geniuses behind Wet Hot American Summer came together again (see what I did there?) for what was, I think, another absolutely hilarious film. If you like weird, absurdist comedy - it doesn't get much better than this.

45.) Moonrise Kingdom

- One of Wes Anderson's best, as the director's whimsical sensibilities play perfectly with a movie about childhood and first loves.

46.) Snowpiercer

- Bong Joon Ho's modern cult classic is an insane journey packed with crazy action, an up-for-anything cast (Tilda Swinton!), and some pretty cutting social commentary to boot.

47.) The Ballad of Buster Scruggs

- The Coen Bros' Wild West anthology of weird tales about life and death is, I think, a low-key masterpiece. It can be riotously funny and also oddly poignant - and it's chock full of great performances.

48.) Black Panther

- Wakanda forever! Marvel's best movie resonates because of the thematic depth that Ryan Coogler brings to the table. The movie's got cool action and the requisite superhero bombast, but it also felt relevant to the here and now in a way that the late, great Stan Lee always strove for in his comics.

49.) Coco

- Another Pixar great, Coco tackles some potentially dark subject matter with wit and humor and heart in the sort of way that Pixar is so incredibly skilled at.

50.) Spotlight

- The searing true story of how a group of determined Boston Globe reporters uncovered the Catholic Church scandal, this one is an important reminder of the power of the press and of a society that values truth above all.


THE NEXT 50:
 

51.) Young Adult
52.) 13 Assassins
53.) Black Swan
54.) Logan
55.) First Reformed
56.) The Hateful Eight
57.) Mission: Impossible - Fallout
58.) Captain America: The Winter Soldier
59.) The Lighthouse
60.) Midsommar
61.) Zero Dark Thirty
62.) Beasts of No Nation
63.) Us
64.) Frances Ha
65.) Three Billboards Outside Ebbing, Missouri
66.) The Big Sick
67.) Okja
68.) Avengers: Infinity War
69.) Long Shot
70.) Ladybird
71.) Apollo 11
72.) Captain Phillips
73.) Django Unchained
74.) 1917
75.) The LEGO Movie
76.) Green Room
77.) Knives Out
78.) Warrior
79.) Captain America: The First Avenger
80.) Short Term 12
81.) Martha Marcy May Marlene
82.) A Better Life
83.) Star Wars: The Last Jedi
84.) Suspiria (2018)
85.) Big Hero 6
86.) Guardians of the Galaxy
87.) True Grit
88.) Room
89.) Selma
90.) Tron Legacy
91.) Pacific Rim
92.) Edge of Tomorrow
93.) Lincoln
94.) Sing Street
95.) Thor: Ragnarok
96.) Train To Busan
97.) The Farewell
98.) The Conjuring
99.) Nebraska
100.) Searching

30 More That Just Missed The Cut:

The Guest, Attack the Block, Hello My Name Is Doris, Dredd, You're Next, Wild Rose, Mandy, Get Out, The Nice Guys, IT, The Cabin in the Woods, The Shallows, Obvious Child, The Adventures of Tintin, I Don't Feel at Home In This World Anymore, Predestination, Looper, Safety Not Guaranteed, The Way Way Back, Shoplifters, Raw, The Post, Kick-Ass, Locke, John Wick (1-3), The Babadook, Crimson Peak, Three Identical Strangers, Stoker, Fruitvale Station

OSCAR 2015 - Pre-Show Thoughts & Predictions & Rants

OSCARS 2015 Thoughts and Predictions:

Oscar time, once again. The Oscars have gotten a lot of flack this year, but hey, I give 'em flack every year. The fact is, the Academy Awards rarely seem to really reflect the year's best films. And this year is no exception. From the complete lack of major awards love for the masterpiece that is Nightcrawler, to the stunning omission of deserving directors like Selma's Ava DuVernay, this year's Oscars seem to have dropped the proverbial ball in multiple ways. That said, what's often worse than the Oscar omissions is the unfounded backlash against deserving films that actually do get nominations. This year, there is tons of hate being thrown in the direction of movies like Boyhood. Wake-up call, people. Maybe it's not to everyone's tastes, but Boyhood is a landmark movie from a director who is both one of our best and one of our most historically under-appreciated. I have to shake my head at the same people who long griped about Richard Linklater not getting his due who now claim that perhaps his greatest work is overrated Oscar-bait (as if ... to work on a quirky side project for twelve years with the intention of it being Oscar-bait would be flat-out insane). In any case, while there are some clear omissions this year from the Oscar race, and some nominated films that to me are mere B+ players, there are also some fantastic movies in the mix that, should they win, would be more than deserving of Oscar gold.

To kick things off though, here are my Top 10 OSCAR SNUBS of 2015:

1.) Best Actor - Jake Gyllenhaal in Nightcrawler

- WTF. This was a performance for the ages, a De Niro in Taxi Driver-esque turn that was both mesmerizing and nightmare-inducing. This omission is flat-out embarrassing for the Oscars, because this is one that will be talked about for a long, long time.

2.) Best Picture - Nightcrawler

- Again, WTF. A clear top-tier film of 2015, it's shocking to me that this one was omitted at the expense of the good-but-not-even-Wes-Anderson's-best Grand Budapest Hotel and the overrated Birdman.

3.) Best Animated Feature - The LEGO Movie

- Once again - are you freaking kidding me? The LEGO Movie was one of the best animated films in YEARS, not even just of 2015. It was hilarious, poignant, and smartly self-aware. Crazy that it wasn't nominated.

4.) Best Director - Ava DuVernay - Selma

- It got a Best Picture nom, and yet the director of the masterfully-directed Selma got no nomination? But the director of Foxcatcher did? Say it ain't so.

5.) Best Actor - David Oyelowo - Selma

- Similarly ... are you serious, bro?! David Oyelowo kills it as MLK Jr., and brings humanity and dimensionality to an impossibly tricky role - and yet no nom? Completely crazy.

6.) Best Supporting Actress - Rene Russo - Nightcrawler

- Meryl Streep is nominated for Into. The. Woods?! But Rene Russo's incendiary turn in Nightcrawler is snubbed? Oscar, what hath thou become?

7.) Interstellar ... for anything.

- I suppose some of the backlash to this film kept it out of the Oscar race. But to me it was on par with Inception and other top-tier Nolan films. Nolan should have been nominated. McConaughey should have been nominated. And Jessica Chastain.

8.) Best Actor - Philip Seymour Hoffman - A Most Wanted Man

- One of the best ever gives you one final performance for the ages ... and no Oscar love? Guess it's fitting, as Hoffman was the kind of actor so good that he was sort of too good for the Oscars, anyways.

9.) Best Actor - Tom Hardy - Locke

- Tom Hardy destroys in Locke. He's the only actor on-camera the entire movie. And the whole thing takes place in the dude's car! And it's totally riveting. If that doesn't spell Oscar-worthy, then the Academy is on crack.

10.) Funny Women

- 2014 was a landmark year for women in comedy. Jenny Slate in Obvious Child. Kristin Wiig in Skeleton Twins. Amy Poehler in They Came Together. But as per usual, comedy is completely ignored by the Oscars unless it contains Wes Anderson quirk or whatever it is that Birdman has. Lame. Oscars, get a sense of humor.

2015 OSCAR PICKS AND PREDICTIONS:

BEST PICTURE:

Should Win: Boyhood or Whiplash

- Boyhood was, to me, a masterpiece. A flat-out modern classic in a year that produced few of them. Hate on it if you will, but I think this is the ultimate Richard Linklater film. Meanwhile, Whiplash for me was a very close second. A movie so intense that it's practically a horror movie. JK Simmons was *the man* in this film and his is a performance for the ages.

Will Win: Boyhood

- Despite some eleventh-hour backlash, I think there is some degree of consensus that Boyhood is the film to beat this year. Linklater's moment is now, and it's time that the rebel-slacker indie darling gets his moment in the sun.

BEST ACTOR:

Should Win: Eh ...

- I don't absolutely love any of the actual nominees this year. Eddie Redmayne was pretty amazing in The Theory of Everything, but it's also not a role that produced any super-memorable moments. Benedict Cumberbatch was fantastic in The Imitation Game as well, but again, not sure if there was truly a huge, classic, Oscar-worthy moment in the film. Gyllenhaal and Hardy should have been nominated here.

Will Win: Michael Keaton

- It seems like the momentum is in his favor. And who doesn't love Michael Keaton? But the fact is, he's great in Birdman, but the movie itself is a jumble of ideas and concepts that doesn't really amount to a fulyl cohesive statement. Plus, to me it was actually Emma Stone who stole the movie.

BEST ACTRESS:

Should Win: Rosamund Poke

- Pike killed it in Gone Girl, giving us the perfect balance of pulpiness and legit-disturbing psycho-killer creepiness. Without her, Gone Girl would not have worked as well as it did, and she deserves the gold.

Will Win: Julianne Moore

- I have yet to see Still Alice, but the movie just seems like the sort of dour prestige pic that the Oscars love. And Moore is a great actress long overdue for a win. I'm not opposed, but I'm not all that enthused either.

BEST SUPPORTING ACTOR:

Should and Will Win: J.K. Simmons

- If there's one sure thing this year, it's Simmons - no question. Bet on it. Sometimes a performance is so damn awesome that there's no choice but to give it all of the awards. And Simmons' work in Whiplash is just such a performance. Not quite your tempo? If that's the case, I seriously question your movie taste, dude.

BEST SUPPORTING ACTRESS:

Should and Will Win: Patricia Arquette

- I liked all of the actresses in this category (save Meryl Streep in the messy Into the Woods). But Arquette was legendarily good in Boyhood - funny, heartbreaking, and pretty much awesome. She made it as much her story as anyone's (which makes you wonder why she's not in the Lead Actress category, but whatever). But Arquette - long an underrated actress - deserves awards for killin' it in Boyhood.

BEST DIRECTOR:

Should and Will Win: Richard Linklater

- This is a tough one to call, but again, I think this is the year Linklater get his due. I could see Alejandro Inarritu with an outside chance, but I'm guessing enough people agree with me that Birdman's single-take style was more gimmicky than great to keep him from taking the top prize. I don't think you can underrate Linklater's achievement with Boyhood. To weave twelve years' worth of story into a compelling and moving narrative is no easy feat.

BEST ORIGINAL SCREENPLAY:

Should Win: Nightcrawler

- Seriously, what an innovative, dark, funny, satirical, crackling screenplay. But given its omission from every other major category, I'd be shocked if the deserving Nightcrawler and Dan Gilroy won here.

Will Win: Birdman

- Deserving? Not really? There are some great little monologues in the movie (Emma Stone's kills it), but thematically and tonally, this one is all over the map. Still, the combo of quirky and meta and commenting on Hollywood (we know how Hollywood loves that!) will give it a victory.

BEST ADAPTED SCREENPLAY:

Should Win and Will Win: Whiplash

- I've got to think that Whiplash will take this one. I mean, it's by far the most quotable movie of this Oscar season, with J.K. Simmons' "Not my tempo!" now in the pop-culture lexicon. Maybe The Imitation Game plays spoiler, but I think Whiplash gets the edge.

BEST ANIMATED FEATURE:

Should and Will Win: Big Hero 6

- Disney's film was action-packed, stylish, smart, and had an awesome pro-science message. In LEGO Movie's absence, it's my pick. I also loved Book of Life, so wouldn't be upset to see it with an upset. I will caveat by saying that the Japanese films Song of the Sea and The Tale of Princess Kayuga could also play spoiler. I haven't seen these, but both have received rave reviews. So it's a tough one to call, no question.

BEST VISUAL EFFECTS:

Should and Will Win: Dawn of the Planet of the Apes

- There is room, I suppose, for an upset here. But come on, APES for the win. I mean, the movie made me care, a lot, about warring armies of intelligent apes. And Ceaser and Koba were the best hero/villain rivals of 2014 - and again, they were mo-capped monkeys! (er, apes). No monkey business, Oscar!

BEST FILM EDITING:

- Should and Will Win: Whiplash

BEST CINEMATOGRAPHY:

- Should Win: The Grand Budapest Hotel
- Will Win: Birdman

BEST PRODUCTION DESIGN:

- Should and Will Win: The Grand Budapest Hotel

BEST ANIMATED FILM SHORT:

- Should and Will Win: Feast

BEST DOCUMENTARY:

- Should and Will Win: Citizenfour

BEST DOCUMENTARY SHORT:

- Should Win: ?
- Will Win: Joanna

BEST LIVE ACTION SHORT:

- Should Win: ?
- Will Win: The Phone Call

BEST FOREIGN LANGUAGE FILM:

- Should Win: ?
- Will Win: Ida

BEST COSTUME DESIGN:

- Should and Will Win: The Grand Budapest Hotel

BEST MAKEUP AND HAIRSTYLING:

- Should and Will Win: Guardians of the Galaxy

BEST SOUND MIXING:

- Should and Will Win: Whiplash

BEST SOUND EDITING:

- Should and Will Win: American Sniper

BEST ORIGINAL SCORE:

- Should and Will Win: Interstellar

BEST ORIGINAL SONG:

Should and Will Win: "Glory" from Selma

And there you have it. As I always do, I urge everyone to enjoy the Oscars but also not pay them too much attention. 2014 was an amazing year for movies - but a lot of the year's best were films that the Oscars simply doesn't and won't recognize. I'm talking about action films like The Raid 2 and Snowpiercer, blockbusters like Edge of Tomorrow and Dawn of the Planet of the Apes and Guardians of the Galaxy, horror like The Babadook, thrillers like The Guest, and comedies like Obvious Child, Top Five, and They Came Together. Remember, the Oscars are just one narrow slice of the movie universe. Be sure to explore it.

THE BEST OF 2014 - The Best MOVIES Of The Year

THE YEAR IN MOVIES - 2014

- Well, it's been an interesting year, hasn't it? There were a lot of things I could have talked about with regards to the state of movies in 2014, but ultimately, this was the year that The Interview almost caused an international incident. As I write this, there's still a bit of ambiguity over who, exactly, hacked Sony Pictures and later threatened to retaliate should The Interview be released. But because of our suspicions that North Korea was behind the attack on Sony, major theater chains pulled out of showing The Interview - leading Sony to follow up by cancelling the release of the movie altogether. Soon, an outcry began, and a Seth Rogen / James Franco comedy was the unlikely centerpiece of a movement. Fans, Hollywood insiders, and politicians all wanted the film to be released - not releasing it was an affront to our freedom, a victory for censorship. The President of the United States stated he thought Sony should have gone ahead and released the film, and encouraged Americans to go to the movies over the Christmas holiday. Eventually, as small theater operators rallied and fans protested, Sony relented. The movie ended up releasing in independent movie theaters across the county over Christmas, and also went live on select digital distribution platforms. The Interview could be seen, and freedom won the day.

The entire thing played out like some strange comedy of errors. The movie was cancelled, then suddenly back on again. America spent days worrying about some sort of attack on movie theaters, then began to doubt whether North Korea was even truly the source of the hack that started this whole incident. When Sony finally decided to pull the trigger on okaying a digital release for the film over Christmas, the timing was such that many big distribution platforms were unprepared to go live with the film - this meant that iTunes got the movie late, and Sony's own Playstation Store still, at year's end, doesn't have it available (while their competitors at XBOX do). 

In many ways, it's all already a bit silly in retrospect. But at the same time, it's not at all. If North Korea truly was behind the threat, and truly was willing to use force to keep The Interview from being seen - than that is a legitimate assault on our country and an attack on our freedoms. As surreal as it is to be having this conversation about an over-the-top comedy, we also can't dismiss what happened just because of the movie's genre. In fact, comedy is in many ways the epitome of our freedom of speech. The ability to mock, satirize, and poke fun at people and institutions - that's the very essence of what it means to have that freedom. And as I said in my review, The Interview feels like the kind of silly retort that an absurdly silly regime like Kim Jong Un's deserves. 

In purely pop-cultural terms, all of the discussion about The Interview opened up a debate about how we view comedy. One of the strangest side effects of The Interview becoming a politically-charged issue: scores of people watched it who would not normally be caught dead watching this kind of comedy. Which in turn led to an endless supply of comments trashing it. As a guy who reviews movies, and as a huge comedy nerd, this really frustrated and annoyed me. Suddenly, everyone was an expert, and people were all too happy to declare, definitively, that The Interview sucked. Ugh.

One of the things that got me interested in reviewing movies in the first place was the rise of internet enthusiast sites like Ain't It Cool News, circa the late 90's. As a kid, I remember always feeling frustrated with the movie reviews in the local paper. Comedies were always reviewed poorly, no matter how funny I found them. Action movies were always panned, no matter how badass their fight scenes were. Luckily, the internet gave voice to a new breed of reviewer who actually understood and appreciated genre. If you're going to review comedy, you've got to understand timing, joke construction, delivery, etc. It's why I hate when reviews seem to rag on comedies that aren't "about" some larger issue, instead of actually analyzing how well-constructed the jokes and dialogue are. If we only graded comedies based on what big, important issues they dealt with, then I suppose the works of Mel Brooks and Monty Python would be considered failures. 

This is why you're not going to see They Came Together on many 2014 Best-Of lists. But there was never any doubt in my mind that it would make mine. Watching They Came Together, I laughed more than at any movie I've watched in years. The movie isn't really *about* anything. It's just funny as all hell. Recognize and respect, people. For similar reasons, it was a no-brainer to me that the masterful The Raid 2 would rank high on my list. The movie is an absolute action-movie masterpiece, with some of the most jaw-dropping fight choreography I've ever seen. I understand that it may not be some people's cup of tea. But if you're going to talk about it, you've got to do so in the proper context, and look at what it is and what it's trying to be. 

Luckily, the mainstream seems to be getting increasingly down to get weird and crazy. Almost all of 2014's best and most acclaimed films are actually pretty insane, in their own way. Boyhood is a twelve-year opus from Richard Linklater, a guy who's always been a Hollywood outsider - a rock n' roll auteur. Whiplash, Nightcrawler - both dark and gritty and disturbing and intense as hell. One of this year's biggest fan favorites, Snowpiercer, is also quite possibly one of the strangest movies I've ever seen. And arguably the year's best and inarguably highest-grossing summer blockbuster, Guardians of the Galaxy, brought the weird, trippy, cosmic side of the Marvel universe to the big-screen - making heroes of a talking racoon and an ass-kicking tree-guy who says the same phrase over and over. 

So yeah, I guess 2014 was a pretty great year for movies - in the weirdest, strangest, unlikeliest of ways.


DANNY'S BEST MOVIES OF 2014:

1.) Boyhood

- Richard Linklater has long been one of our best filmmakers, but he outdid himself with the game-changing Boyhood. The way the film was shot - continuously over a twelve-year period - was no mere gimmick. Instead, Linklater created a film that gave us an unprecedented feeling of watching a life unfold before our eyes. Never before has a movie so actively invested us in the well-being of its protagonist. We hope and pray that the kid is alright, that Mason will be okay despite the hard times he goes through. Featuring incredible performances from Ethan Hawke, Patricia Arquette, and from star Ellar Coltrane, Boyhood was the one film from 2014 that struck me as an instant classic, one for the all-timers list. I know, there's always backlash when a movie is proclaimed as being this singularly great. But on this one, believe the hype.

2.) Whiplash

- Whiplash will leave you breathless. When I saw it in the theater, it left the audience in stunned silence, and it had the audience burst out in spontaneous applause. In this film, music is a battle, and Miles Teller's young, would-be drummer extraordinaire is at war. His barking general is JK Simons, in a performance for the ages - a can't-lose shoe-in for Best Supporting Actor. Simons is masterful in this film, and his stern warnings of "not my tempo" are flat-out nightmare inducing. Whiplash, in its own way, is one of the most messed-up movies you'll ever see. It's a dark, bloody, intense-as-hell look at the steep price of perfection.

3.) Interstellar

- Why did some people hate Interstellar? My guess is that whenever you take a story right up to the very edge of existence itself, you're invariably going to end up in some pretty far-out places - and some people would just prefer not to go there. But man, I give Christopher Nolan credit for pushing his film to the absolute narrative and thematic limits. He sends Matthew McConaughey's Cooper on a journey to the edge of space and time, and at some point, he's got to grapple with what happens when you cross over into the great unknown. Call it silly if you want, but I say it's brave. To me, Interstellar was flat-out mind-blowing - a sensory-overload experience that took us to places that no film has gone before. I suppose the film would inevitably be divisive. I say it's a new masterpiece from Nolan that's on par with his best work.

4.) Selma

- Selma was the right film at the right time - a moving, disturbing, deeply affecting look at a seminal moment in our country's history - a moment that feels as relevant today as ever. The brilliance of the movie is that it doesn't paint its characters in black and white. These are flawed, fully-formed people - but that makes what they accomplished that much more impressive. David Oyelowo is fantastic as Dr. Martin Luther King Jr., and Tom Wilkinson kills it as LBJ. But Selma isn't just a slice of history - it's a rallying cry, a reminder that we can do better, that America is imperfect, but that its greatest strength is that it's a place that empowers its people to affect lasting change.

5.) The Raid 2

- The Raid 2 is the Godfather II of action movies. The Raid was a straight-up, no-frills action classic - featuring a simple but effective premise that provided the backdrop for some of the hardest-hitting, most jaw-dropping fight scenes ever seen on film. But The Raid 2 one-ups it by framing the action with a sprawling, crime-saga storyline that, even without the bone-crunching action, would be compelling. But combine the two, and what you get is sheer epicness - and hands-down one of the greatest action films ever made. If you dig action and martial arts films and have somehow not yet seen The Raid and its sequel, get to it.

6.) Nightcrawler

- What a dark, badass, wickedly satirical film. Like some nightmarish mash-up of Taxi Driver and Network, Nightcrawler shows us the dark side of humanity while also offering up a biting commentary on the often predatory nature of the news and entertainment we consume. Jake Gyllenhaal is off-the-charts great here as the psychopathic Lou Bloom, and Renee Russo also impresses as his news-producer enabler. This one stuck with me for a long time after viewing it, in part because it has one of the most uncompromisingly brutal and hard-hitting endings I've ever seen. An unforgettable walk on the wild side.

7.) They Came Together

- For devotees of Wet Hot American Summer, here, finally is the worthy follow-up we've been clamoring for. This is David Wain, free from big-studio restrictions, able to go all-out in order to provide the sort of insane absurdist humor that first put he and his fellow members of The State on the map. Paul Rudd and Amy Poehler destroy as the leads, and they're surrounded by a who's who of funny people, including several fan-favorite State alumni. I've seen people talk about They Came Together as if it's a straight-up parody of romantic comedies. Only sort of. Mostly, it's just an excuse for Wain and co. to provide scene after scene of over-the-top hilarity. Basically, this is a comedy nerd's dream-come-true.

8.) Obvious Child

- It's always exciting to see new comedic voices emerge, and Obvious Child is a highly impressive debut from writer/director Gillian Robespierre. It's also a true coming-out party for star Jenny Slate. After being booted from SNL, Slate bounces back with an incredible performance that's both heartfelt and hilarious. You wouldn't think that a comedy about abortion could work. But Robespierre handles the delicate topic with such humanity and humor that, somehow, the film turns into one of the funniest and surprisingly poignant movies of the year. To me, the film works as more than just a story about abortion. It's a comedy about what it means to be a struggling young adult in 2014 - and I think that's why it spoke to so many people as powerfully as it did.
9.) Dawn of the Planet of the Apes

- 2014 had one of the best summer movie seasons ever. Several of the year's big blockbusters were not just great popcorn movies, but great movies in general. My favorite of the pack was the second film in the rebooted Planet of the Apes franchise - a series which I've quickly grown to love as much as the legendary originals. What's amazing about Dawn is that the humans are largely peripheral. This is the apes' story, and it's remarkable that we come to care about Ceaser, and root against his rival Koba, to the extent that we do. Give huge credit to the phenomenal mo-cap performances of Andy Serkis and Toby Kebbell. Also give credit to a smart script that creates the rare action-movie scenario where we root more for an end to hostilities than we do for one side to triumph.

10.) Snowpiercer

- Snowpiercer is flat-out insane, but man, is it awesome. The film is a true international production. It's a Korean film that's (mostly) in English, based on a French comic book, adapted by American screenwriter Kelly Masterson (Before the Devil Knows You're Dead), shot in Prague, and starring a diverse cast that includes big-time talent like Chris Evans, John Hurt, Jamie Bell, Tilda Swinton, Alison Pill, and Octavia Spencer. And it really is unlike anything I've seen before. Visually, it evokes the post-apocalyptic sci-fi stylings of Terry Gilliam. The extreme action brings a Hong Kong martial-arts sensibility to the table. But beneath the out-there aesthetic trappings, there's a pretty potent message about manufactured inequality. Don't write this one off as a mere oddity - there's plenty of substance to accompany the style.

JUST MISSED THE CUT:

This was a year that was positively overflowing with great films, with perhaps the most films I considered in the "A" range of any year that I can remember. Here are five superb movies that just missed the cut.

11.)  Edge of Tomorrow

- This one was a huge surprise - an expertly-crafted sci-fi action film that made the most of its conceit: that its soldier hero, played by a game Tom Cruise - re-spawns every time he dies, now equipped with the knowledge to stay alive at least a little longer when he re-enters the fray. The way the premise plays out is clever and novel, providing the real viewer with a real sense of videogame-esque trial-and-error and ultimately reward. But aside from all that, this movie is owned by Emily Blunt, who shows never-before-seen action movie chops. Blunt absolutely kicks ass in this film, in an instantly-iconic turn that surely puts her at the top of every female superhero casting call from here on out.

12.) Only Lovers Left Alive

- Jim Jarmusch's gothic vampire film was a real surprise and a true stunner. Dripping with goth-rock atmosphere, the film is a darkly funny tale that is almost like the vampiric version of Before Sunrise. Tom Hiddleston and Tilda Swindon slay as the two immortal lovers, who now find themselves facing true danger that threatens to uproot their lives. What really struck me about the film is how it uses the vampires' immortality as a way to comment on what's important in life. The two are terminally bored, but it's the discovery of the new - of art and ideas - that keeps them engaged and makes continued immortality a thing worth fighting for. 

13.) Guardians of the Galaxy

- Guardians of the Galaxy is the kind of fun, funny, imagination-filled spectacle that they just don't make anymore. As great as the current cinematic superhero renaissance has been, what's been missing has been the weird, cosmic, trippy stuff that made us all love these comics in the first place. Now, finally, it felt like we were getting to the good stuff - and James Gunn imbued his movie with a personality and quirkiness unique in the superhero genre. It was, indeed, a cosmic mix-tape of awesome.

14.) The LEGO Movie

- Speaking of awesome, who would've thought that this of all movies would be an instant animated classic? Somehow, Phil Lord and Chris Miller made The LEGO Movie into a brilliantly-scripted adventure that served as a commentary on conformity, imagination, and growing up. On one level, the movie was funny and fun and visually-breathtaking. On another level, this was a surprisingly deep and thoughtful and moving film. That, I think, is a minor miracle.

15.) A Most Wanted Man

- A sad but fitting goodbye for the powerhouse that is Philip Seymour-Hoffman, A Most Wanted Man is a slow-burn, ultra-intense story of political intrigue that casts Hoffman as an under-pressure, in-too-deep German official trying desperately to foil a terrorist plot. Adapted from a John le Carré novel, the film brims with a quiet, methodical intensity, and Hoffman here is at the top of his game. 

THE NEXT BEST: 

16.) The Guest

-From the brilliant, genre-bending minds behind last year's cult-fave horror hit You're Next comes a must-see midnight-movie action/thriller that goes to some very cool, very unexpected places. Riffing on 80's action films, but with a modern twist, this one's a bonafide new cult classic.

17.) Locke

- A movie that takes place entirely in one man's car, with the only dialogue involving his conversations on a speaker phone. That can't possibly work, can it? It does. An unbelievably great performance from Tom Hardy and a crackling script make this one a must-see.

18.) The Hobbit: Battle of the Five Armies

-A fitting send-off to Peter Jackson's Middle Earth epic, the final Hobbit movie delivers gravitas-filled moments of action, drama, and epic fantasy. Maybe it's not Lord of the Rings, but there's still a magic in Jackson's Hobbit films - especially in this one - that makes them a cut above. The end of an era.

19.) The Skeleton Twins

-My single favorite movie scene of 2014 is in The Skeleton Twins - a hilarious, sad, moving, chill-inducing, fist-pumping lip-sync sing-off involving stars Bill Hader and Kristin Wiig, set to Starship's cheesetastic ballad "Nothin's Gonna Stop Us Now." A showcase for the two SNL alums, who deliver laughs as well as pathos.

20.) Calvary

- Featuring a brilliant, razor-sharp script and picturesque direction from John Michael McDonagh, and an earth-shaking performance from the great Brendan Gleeson, Calvary is a meditative, elegiac, darkly funny story about Ireland's last good priest facing down a would-be murderer.

21.) Noah

- Darren Aranofsky's biblical epic is sort of bat$%&% crazy, but that's why I love it. It's got epic battle scenes, warrior-angels, a stunning animated sequence that depicts the entire history of evolution as filtered through the Book of Genesis, and a Noah who is downright psychotic. Somehow though, it all comes together to form a big, bold, dark, epic that is entirely unforgettable. 

22.) Gone Girl

- David Fincher's adaptation of Gillian Flynn's novel is an engrossing, screwed-up look at the dark side of marriage. Rosamund Pike is fantastic here, showing the true wrath of a woman scorned. Gone Girl is the ultimate bad date movie - a sordid look at the modern relationship that, in its own way, is as much about the darkness within as Fincher's Fight Club or The Girl With the Dragon Tattoo, and as much about who we are today as The Social Network.

23.) Captain America: The Winter Soldier

- A worthy sequel to the original film, this one pays homage to gritty 70's spy-thrillers, smartly adding Robert Redford to the cast as a S.H.I.E.L.D. official with suspect motives. The film plays out like one of those classic paranoid thrillers, pitting cap (Chris Evans still owning the role) against a new threat from a reborn Hydra and an awesomely badass antagonist in the mysterious Winter Soldier. 

24.) Big Hero 6

- Disney's animation studio is on a creative roll of late, and the streak continues with Big Hero 6. It might just be the studio's best CG-animated film yet - a visually-stunning, action packed superhero story that also packs an emotional punch. The movie is just flat-out fun. It one-ups The Incredibles in terms of paying homage to classic superhero and sci-fi tropes, and it delivers a story rich with positive messages that also never lacks for kick-ass action.

25.) TIE: The Imitation Game

- The Imitation Game isn't an experimental game-changer or a boundary-pushing film from a narrative or aesthetic viewpoint. It's a pretty classically-made Hollywood prestige film, no question. But there is also a lot of depth to the narrative and a lot to chew on - this is the rare World War II film that's not about combat, but about strategy and tactics and smart people trying to out-think the opposition. That to me is cool, and if that still doesn't sell you, the all-star cast, led by an Oscar-worthy Benedict Cumberbatch as genius code-breaker Alan Turing, should. 

25.) TIE: Top Five

-  Top Five is Chris Rock's Woody Allen film - a wryly witty, laugh-out-loud funny, emotionally involving story that is, one one level, about one man trying to find himself, but is, on another level, about, well, everything. Few comedians are able to put themselves out there in such a raw fashion, but that's exactly what Rock does here.

MORE GREAT FILMS OF 2014:

26.) Neighbors

- A hilarious comedy in the grand bro's vs. schmoes tradition, Neighbors is funny, but it's also got some real depth and heart. Seth Rogen is funny, but a hilarious Rose Byrne is the film's secret weapon. And Nick Stoller again proves that he is one of the best comedy directors working today.

27.) Unbroken

- An inspiring true-life tale, Unbroken features breakout performances from lead actor Jack O'Connell, and from Takamasa Ishihara as his relentless torturer in a Japanese P.O.W. camp. Featuring some truly chill-inducing moments, Unbroken is a strong effort from director Angelina Jolie.

28.) X-Men: Days of Future Past

- This one really surprised me. I was weary of yet another X-Men movie, but DOFP is a fun movie, plain and simple, and it has just about everything you could ask for in an X-Men/First-Class passing-of-the-torch film. There are nice callbacks to the previous movies, as well as some nice stage-setting for stories yet to come. This is pretty much the ultimate Brian Singer X-Men movie, both keeping what worked about the older films but also addressing some of the issues. This is a film that elevates the franchise as a whole.  

29.) The Book of Life

-  The Book of Life may not have the blockbuster name-recognition of some of the year's other big animated movies, but it's a fantastic film - on par with the best from Disney and Pixar. Not only that, but it's a crafted-with-love celebration of a culture that we don't often see in film or TV beyond cliches and stereotypes, and it brings a unique sensibility and art-style to the table. There is a 100% universal story here about family and legacy, told in a fun, action-packed, visually-dazzling manner.

30.) TIE: Veronica Mars

- Come on now sugar: bring it on, bring it on - and long live Veronica Mars. Kickstartered back to life by a passionate fanbase, the cult-fave TV show returned in movie form in 2014 - and the result was a great film that served as a satisfying epilogue to the series, and a great example of how to continue and build upon a beloved franchise. The pop-culture universe is stronger with great characters like Veronica Mars in it.

30.) TIE: The Interview

- Oh, how could I not give one final round of props to The Interview, the movie that changed movies forever in 2014. I don't know that the movie is a stone-cold comedy classic. In 2014 alone, I felt that They Came Together, Obvious Child, and Seth Rogen's other big movie, Neighbors, reigned supreme. But The Interview *was* funny. Very funny. And if you disagree, hey, that's your prerogative. But let me know when next we see such an epically ballsy comedic take-down of an evil dictator come 'round the pike. I'll be waiting.

HONORABLE MENTIONS - OTHER HIGHLY RECOMMENDED MOVIES FROM THIS YEAR:

Blue Ruin
Inherent Vice 
Frank
The Grand Budapest Hotel
Under the Skin
The Muppets: Most Wanted
Coherence 
Birdman
Wild
The Theory of Everything
John Wick
Fury
Get On Up

INDIVIDUAL AWARDS:

BEST LEAD ACTOR:

1.) Jake Gyllenhaal - Nightcrawler
2.) Philip Seymour Hoffman - A Most Wanted Man
3.) Tom Hardy - Locke
4.) Brendan Gleeson - Calvary
5.) Tie: Eddie Redmayne - The Theory of Everything / Benedict Cumberbatch - The Imitation Game / David Oyelowo - Selma

BEST LEADING ACTRESS:

1.) Patricia Arquette - Boyhood
2.) Rosamund Pike - Gone Girl
3.) Kristin Wiig - The Skeleton Twins
4.) Reese Witherspoon - Wild
5.) Jenny Slate - Obvious Child


BEST SUPPORTING ACTOR:

1.) JK Simons - Whiplash
2.) Ethan Hawke - Boyhood
3.) Tom Wilkinson - Selma
4.) Riz Ahmed - Nightcrawler
5.) Josh Brolin - Inherent Vice

BEST SUPPORTING ACTRESS:

1.) Renee Russo - Nightcrawler
2.) Emily Blunt - Edge of Tomorrow
3.) Jessica Chastain - Interstellar
4.) Tilda Swindon - Snowpiercer
5.) Emma Stone - Birdman

BEST DIRECTOR:

1.) Richard Linklater - Boyhood
2.) Christopher Nolan - Interstellar
3.) Dan Gilroy - Nightcrawler
4.) Damien Chazelle - Whiplash
5.) Gareth Evans - The Raid 2

BEST SCREENPLAY:

1.) Nightcrawler
2.) Whiplash
3.) Calvary
4.) Obvious Child
5.) The LEGO Movie
6.) They Came Together
7.) Edge of Tomorrow
8.) Guardians of the Galaxy
9.) Dawn of the Planet of the Apes
10.) Locke

- And that's that, another one for the books. 2014 over and done. 2015 is going to be epic.