BROTHERS GRIMM REVIEW:
As much as CGI has enabled some really cool stuff to be done in movies, there is a certain magic to be had in that old-school special effects wizardry. Whenever you tune into some classic 80's fantasy movie, like, say The Neverending Story, everything is just brimming with detail, dimension, and imagination. So I had high hopes going into Terry Gilliam's latest fantasy opus, because the man has imagination coming out of his ears. Look at Time Bandits, Brazil, or 12 Monkeys. Gilliam is a classic, a visionary, an artist. And he has more problems with studio executives while making each of his movies that you can shake a stick at. Unfortunately, while The Brother's Grimm is a visual feast - brimming with trademark Gilliam imagination and surreality, it is also a mess. The plot is all over the place. The editing and pacing is jumpy and uneven, and the story gets mired in confusion and pointlessness and lack of much internal logic. Sadly, all the pieces are in place for a great, timeless movie. The cast, for one, is superb. Matt Damon and Heath Ledger are surprisingly great as the Brothers Grimm, and who knew that Ledger had the kind of crazy-comic acting chops on display here? The leads are perfect and on the mark, the supporting cast is great as well. The plot and pacing is where the problem lies. The whole movie just seems pointless and nonsensical, as if it were trying to have a big, complex, Hollywood adventure story when all Gilliam really wanted was to flex his visual muscle, and he seems to be saying "to hell with this script, I'm just gonna have some fun with this thing." And so, despite the spotty plot structure, all is forgotten in the movie's several moments of visual genious. The magic of Gilliam's unique style shines through every so often, and these moments alone make the movie at least worth checking out for the curious. Where else do you see a demonic horse trap a child in a web and devour him whole? Or how about a blob-like creature that emerges from a well and proceeds to cause havoc in a town square? Or what about the amazing sequence where Monica Belluci as a cursed princess is turned to mirror-glass and then shattered into a million pieces? Awesome stuff, but there's barely anything there to tie it all together. This movie, visually, will remind you of some long-forgotten 80's fantasy - it has that otherworldly gloss of Time Bandits and Labrynth and other such movies. But its tone is so scattered and incoherant ... with few lines that recall the Monty Python-derived wit that you might think Gilliam would try to infuse this movie with. I'm not sure what the specific story was with the making of this movie, but the reports that there was conflict behind the scenes seems to ring true in the final product, because the movie is very uneven, a far cry from being a fully realized vision. I guess that when compared to other bad entries in the fantasy-adventure genre this is at least something unique and captivating in its own way. But mostly it is something that should be seen, sure - by all means, see this misguided attempt at brilliance and support an amazing director like Gilliam, rather than spending dollars on Deuce Begelow or some other generic Hollywood crap. But ultimately this movie will whet your appetite for something amazing, but it's not one that will leave you wholly satisfied with the finished product. Kind of a tragedy, when there is so much to like about it. Oh well, maybe next time. My grade: C +
THE WEDDING CRASHERS ...
... And to be honest, I am getting kinda sick of the whole "Frat Pack." I like people like Will Ferrell and Owen Wilson when they stick to crazy, out-there, interesting material. Ferell to me was at his best in Anchorman, for example, not in Old School. I am a big fan of Owen Wilson's work in quirky comedies like The Life Aquatic. Vince Vaughn, well, I can't say I'm a superfan of his or anything. I appreciate his obvious talent for comedy but I just don't find him particularly funny, at least more so than a bunch of other comedians who are probably more deserving of all the attention that Vaughn has garnered recently (example: see the underrated cast of 40 Year Old Virgin like Seth Rogan and Paul Rudd, who seem to me much more likable and comedically gifted than Vaughn, even if they don't have his "look at me I'm a cool 40 year old fratboy" image). Anyways, I won't lie - I laughed my ass off during a large portion of this movie. But I also cringed and yawned alternatively through the LAME "romantic comedy" portions, which were pretty ludicrous even within the strained limits of credibility that the genre enjoys. Unlike the 40 Year Old Virgin, where I really liked the main romance between Steve Carell and Catherine Keener, this movie tried to be way too sappy with its totally annoying and ridiculous romance between Owen Wilson and Rachel McAdams. So ... they like each other because why? Oh yeah, it's a movie, we don't need to develop a relationship, just tell us to accept that after one day and one thirty second speech at her sister's wedding, the two are madly in love despite about a million reasons why McAdams should completely hate Wilson's character. So yeah, wasn't crazy about that. But the supporting cast was great, McAdams is gonna be a huge star, it had friggin' Christopher Walken, and, yeah, overall, it was an enjoyable movie with a decent number of big-laugh getting scenes. If I watched it a second time would it be nearly as amusing? No. Is this in any way deserving of all the hype surrounding it? Gotta say no. But, darn it all, how can I resist the flavor of the month actors like Vaughn who are suddenly comedic geniouses in the eyes of so many critics? Let's not get carried away here. Decent comedy, by no means a classic. My grade: B -
So, it's official then - the end of the summer movie season. Like I've said before, it was a pretty damn good few months for movies, despite what the naysayers naysay. So here ya go, my own Top 11 Movies of the Summer:
1.) Batman Begins - possibly best comic book based movie ever - saw it twice, friggin' awesome
2.) Hustle and Flow - sleeper hit of the year, Terrance Howard was great - whoop that trick!
3.) Star Wars: Episode III - Ian McDiarmid owns this movie and it's the last ever Star Wars - and actually good! Gotta love the riveting last 45 minutes
4.) War of the Worlds - has its detractors, I know, but come on, THIS is how you do action scenes 5.) Charlie and the Chocolate Factory - Tim Burton at his quirky best - amazing visually and a great ensemble of talented actors
6.) March of the Penguins - a unique look at this summer's unlikeliest of heroes - penguins
7.) Cinderella Man - Why did nobody see this? Another great performance from Russell Crowe
8.) 40 Year Old Virgin - Best comedy of the summer, great cast, funny stuff
9.) Broken Flowers - Bill Murray again delivers in this subtle but thought-provoking comedy
10.) Sky High - Don't laugh, this movie was great! Come on, it has Bruce Campell in it ...
Biggest Disappointments of the Summer: The Island, Fantastic Four, Brothers Grimm ...
Hey Danny, what's the haps?
ReplyDeleteIt's late as hell this evening (4:30AM as I start this), so I probably won't go all out into detail with some counterpoints, but whatever the hell, eh?
For Cinderella Man, I'd have to guess that fewer people than "normal" chose to see this movie mainly because of the hotel clerk scandal Crowe got himself into. Sometimes the saying "Any publicity is good publicity" doesn't always ring true.
For the Charlie and the Chocolate Factory remake, I have to agree with you on how unbelievable Burton's visual style is on assualting the senses, but I have to draw the line with everything else in the movie. Depp's take on Wonka seemed too forced to me, as if he was trying his best to be anything Wilder was not. He had a few shining moments here and there, but he was far too restrained and -- let's say "tee-hee," for lack of a better word or phrase to illustrate what I'm thinking of -- of a character.
I have more to say, but I'm about to conk out. I'll add more later if I get the chance.
-Jeremy