What can I say, I'm a tad bit excited that, in less than a week, Jack Bauer is back. Normally Jack's out of time, but it's ABOUT FLIPPIN' TIME that Jack returned to show these new kids how it's done. But I'm not going to spend too much time speculating on what is to come, because I've got plenty of reviews to throw your way.
- First of all ... PRISON BREAK ...! Last night's ep was simply off the chain. PB has always managed to kick into high gear in the episodes where a heist or breakout is actually pulled off after weeks of build-up, and last night was no exception. After a season's worth of prelims, last night we finally saw Michael and co. break into the Company's inner sanctum which held Scylla - the holy grail of computer chips that contains all of the Company's most important secrets. The actual break-in operation was in and of itself thrilling. I loved that the show had the guts to present some of these intense scenes in virtual silence - the lack of background noise or chatter made ratcheted up the intensity factor to ridiculous levels. But even as the break-in itself was exciting, the whole episode was loaded with drama thanks to the convergence of several key plot points. For one, Scofield's sickness had reached deadly levels. Deciding at the last minute to postpone hospital treatment, Michael risked his life by participating in the break-in, as any mental or physical stress spikes could be enough to trigger a deadly siezure. Luckily for him, Scofield is one cool cat under pressure. But of course, his health is not all Michael has to contend with, as Gretchen and T-Bag put their own long-simmering plan to double-cross Michael and co into effect. Setting up Agent Self, Gretchen puts him in the line of fire of the Chinese (shades of 24!). And, oh yeah, just as Scylla is finally in his grasp, Scofield sets off an alarm, alerting the Company to his presence. At episode's end, Self is surrounded, T-Bag is waiting on Scofield with murderous intent, and Michael and his crew are seemingly at the mercy of The Company. Talk about a cliffhanger. All I know is, I don't know if, since I got a DVR, have ever fast-forwarded through commercials as frantically as I did during last night's Prison Break. Last night's ep kicked my ass.
My Grade: A
- Well, people say the characters of GOSSIP GIRL are cold, callous, and self-centered, and maybe they are. But I'll be darned if last night's episode didn't come down with a big case of the warm and fuzzys. Sure, Chuck Bass was still Chuck Bass, Bart was revealed as keeping secret files on all of his extended family members, and Serena's poseur artist boyfriend continued to be annoying and sleazy ... but ... if there's one thing Josh Schwartz knows how to do, it's how to make an ensemble of outlandish character oddly endearing, and last night he did just that. I mean, it's a testament to the show that I actually found Blair Waldorff's Thanksgiving dinner to be a heartwarming affair. Good stuff.
My Grade: A -
Up next: a look at last night's ANIMATION DOMINATION lineup on FOX ...
- I thought THE SIMPSONS had a pretty fun episode overall that had a nice father-daughter story at its core. But, a couple of critical flaws kept this from being an overly memorable episode. One was that the story was just too all over the place. It felt like a regression back to the nu-Simpsons trend of taking forever to introduce the main storyline, leaving little time for it to be resolved in a satisfactory manner. After a couple of episodes that did a solid job of introducing the main plot early on in the episode, the more Family Guy-style structure of this ep was disappointing. Secondly, I just didn't think the humor worked that well here. There were two or three pretty funny jokes (Moe taking Lisa's name, Homer's back and forth with the bartender / bookie), but there were loooong stretches in this one without much if any real humor. It's too bad, because I liked the cleverness of the crossword-puzzle theme, and thought there was some good potential there. But what could have been a great episode turned out to be pretty flat.
My Grade: B
- I thought that KING OF THE HILL came back strong this week with an episode that offered up the kind of down-home social commentary that this show has always excelled at. I loved the premise of Peggy, Dale, and Mingh following hapless Bill around as part of their plan to make it big in the stock market, eyeing his every purchasing decsion after they decide that Bill's consumer habits represent those of an ordinary Joe Sixpack. Bill of course loves all the attention, but eventually cracks under the pressure of having his every move scrutinized. This one had a lot of sharp satire mixed in with a sizable dose of KOTH's usual pathos and strong characterization. Good stuff.
My Grade: A-
- As fo FAMILY GUY ... hmm ... this episode was kind of a mess, and really all over the place in terms of humor. There were one or two gags that really cracked me up - the joke where Peter accidentally burns down a hospital had me rolling (as wrong as that sounds out of context ...) - and yet, a lot of the episode seemed to fall flat. As soon as the ep became Billy Madison-lite, the episode, to me, lost a ton of momentum. I mean, look, just because you have a self-awareness or metatextual thing going where you acknowledge that a premise is absurd - that doesn't automatically make it funny. Sometimes Family Guy tries to say "hey guys, we KNOW this is stupid, and that's why it's funny!" But sometimes, there's no substitute for great joke-writing and clever set-ups. Between Peter re-doing the third grade and Brian and Frank Sinatra Jr buying their own big band club (only to have Stewie turn it into a trendy hangout), a lot of this ep felt like it was there just so the writers could dish out a couple of key jokes. Yes, the Andy Dick appearance at Stewie's club wa funny, but ultimately these stories were just kind of there, without any real arc or payoff. I'm not asking for Family Guy to be Shakespeare, but I wish it would get back to having episodes with a memorable and coherant premise, lots of great jokes, and an overall polish that was lacking in this throw-it-against-the-wall-and-see-what-sticks installment.
My Grade: B-
Alright, time for my review of the latest 007 extravaganza ...
QUANTUM OF SOLACE Review:
- Quantum of Solace is a fun action movie, but I'm not sure what argument there is to make in favor of it being great or even very good. Sure, I understand that there is a vocal minority of Ian Fleming purists out there who are happy to see a darker, grittier James Bond franchise that more closely emulates the tone of the original novels. But, aside from the faithfulness to the source material, I just don't get the appeal of a 007 movie that strips away everything that made Bond a cinematic icon. Because now, what you're left with, is a movie that's somewhat entertaining, but to me mostly feels like a wannabe Bourne movie, or just a Bond movie that's trying too hard to crib from the back-to-basics formula of Christopher Nolan's Batman films or other such franchise reboots.
Aside from all of that big-picture stuff though, a few key problems really hamper the movie's pacing and execution. One problem is the issue of continuity with the last Bond film, Casino Royale. 007 movies are not particularly known for their narrative continuity, so I don't know how many went into Quantum expecting to have needed Cliff's Notes. But so much of this movie is a direct continuation of the earlier film that it really begins to become a frustrating excercise. I could barely remember, for example who Vesper (Eva Green's character in Casino) was, how she was killed, etc, and the movie is not edited or written in such a way so as to be particularly helpful in this regard. Vesper is mentioned dozens of times here, but we don't get a single flashback or bit of exposition to help jog our memories. I'm not coming out in favor of clunky, overly-expository storytelling or anything, but if you're going to tell a serialized story, you have to consider your audience, and you have to construct a narrative that both flows organically from the established plotlines, AND also stands alone as a self-contained narrative. I don't think Quantum really stands alone as a 100% cohesive film, and that to me is to its detriment.
Other than the plotting and narrative, the overall pacing of the movie suffers from choppy editing. In the big action scenes, this means that drama and excitement is sometimes sacrificed for Bourne-style rapid-fire cutting. It means that sometimes it's hard to tell who's chasing who, who has the upper hand, etc. At the same time, the movie's choppy cuts snip out a lot of the quieter moments that made Casino Royale stand out from earlier Bond films. There are not really a lot of memorable character moments to be found here amidst the action set-pieces. Even some scenes that would seem vital to the narrative don't make the cut - I found it pretty jarring, for example, when the movie cuts right from a climactic fight scene and time-jumps right past what could have been an important story point. We hear Bond reference that the big bad has spilled some of the secrets of global conspiracy Quantum to 007, but we don't see or hear it. Odd, to be sure.
I know I've been negative thus far, but with all that being said, I think I actually enjoyed Quantum slightly more than Casino Royale. The reason being that Daniel Craig definitely seems to come into his own here as a legit action star. Even if I didn't always know quite what was going on, it was just fun watching him engage in car chases, boat chases, foot races, and aerial maneuvering. Even though some key scenes were hampered by overly-quick cuts (particularly the final battle), many others worked pretty well and had me on the edge of my seat. Plus, amidst al the chaos there were a couple of genuinely badass sequences. My favorite was a cool scene set in a high-class opera house in which Bond exposes a secret meeting of the Quantum group. The main villain, while lacking in any over-the-top, Dr. Evil-style gimmickry, is still suitably slimy and villainous. But the supporting cast, other than Judi Dench, is really pretty bland and none too memorable. I realize that the lesson of Die Another Day was to not have a supporting character who tries to overshadow 007, but still, would it kill this franchise to craft a couple of memorable, recurring side characters? They've dispensed with Q and Money-Penny, so who's there to pick up the slack?
There's no doubt - Daniel Craig has what it takes to be a great action hero - he's a talented actor and a believable badass. Still, I just can't get too excited about such a pared-down version of an icon like James Bond, who now seems to have far less personality than the Bond of old or even the Jack Bauers of the world. As it stands, Quantum of Solace is just one more action flick in an overcrowded market.
My Grade: B
- Alright, and I'm out of here. Back soon with more, Agent Baram out.
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