Showing posts with label The Last of Us. Show all posts
Showing posts with label The Last of Us. Show all posts

Saturday, December 30, 2023

THE BEST OF 2023 - The Best TV Of The Year

 


 THE BEST OF 2023 - The Best TV Shows of The Year

- 2023, what a year. For me personally, this has been one of the craziest years ever. A full year of dealing with Long COVID, a year and a half since it all began in Summer 2022. While there were some incremental improvements, I'm still dealing with it now - and yeah, it's not fun. So be safe out there. 2023 was a lesson in dealing with ongoing adversity. But even in the toughest of times, I still had film, TV, comics, and music - thank god. I never lacked in things to look forward to, to keep me occupied, to distract me, to provide escape, to make me think, to expand my horizons. Even when I couldn't physically travel far, I still - through the power of great storytelling - sailed the stars aboard the Enterprise, explored a vast and secret-laden underground silo, and drove around the country solving mysteries alongside a wise-crackin', lie-detecting woman-on-the-run. Yeah, times were tough. But there was some amazing TV in 2023 that helped to get me through. 

That isn't to say that 2023 was smooth-sailing, as far as TV goes. The entire entertainment industry was in upheaval. The WGA and SAG-AFTRA strikes brought ongoing issues with payment and residuals to the forefront of public conversation - not to mention the use of AI as a means of cutting actual humans out of the creative process. Luckily, after a pair of prolonged strikes, major wins were eventually had for writers and actors. But there is still much work to be done, and still plenty of potential for studios to abuse their powers. We see that now with the constant cost-cutting in the name of shareholder appeasement, which includes removing TV series from streaming availability altogether (despite the original promise of streaming being a place where shows could be accessed at the viewer's leisure). We also continue to see series get canceled after having barely had a chance to find an audience, often after having been unceremoniously dropped in an overcrowded streaming market with barely any real promotion. Finally, there is that continued sense that in a post-Better Call Saul world, the great age of Prestige TV is in the rearview mirror. TV, for nearly twenty years now a place of experimentation and risk-taking and truly brilliant entertainment ... now starting to feel a bit like an IP factory filled with short-run series that are part of interconnected universes with a corporate mandate to, much like the studios themselves, expand infinitely or die.

And yet ... while you may need several streaming services to find it all, there was a metric ton of great TV this past year (and that's even with heavy hitters like House of the Dragon and The Handmaid's Tale MIA). There's so much - I still have dozens of shows on my "to-watch" list, from Shrinking to Slow Horses to The Diplomat to Reacher. Art finds a way. So let's get to it.



DANNY'S TOP TV SHOWS OF 2023:


1. RESERVATION DOGS

- Reservation Dogs third and final season solidified the show as one of the best ever. With a unique blend of magical realism, comedy, and very real pathos, this coming-of-age series set on a Native American reservation did what so many of the best TV series do - it gave us a story both hyper-specific and universal. I genuinely feel like I learned a lot from this show about Native American culture. But there were also so many times when the traditions, concerns, and family dynamics of these specific characters reminded me in various ways of my own upbringing. I will miss the Res Dogs, and I hope that those who haven't yet seen this amazing show will continue to discover it.


2. POKER FACE

- A streaming-age throwback of sorts to the case-of-the-week detective shows of yesteryear, Poker Face, nonetheless, felt like something new and different and very much welcome in the current TV landscape. What makes it so good though is the absolutely top-tier writing - fantastically constructed mysteries matched with sharp-as-a-tack (and oftentimes hilarious) dialogue. All brought to life by the instantly-iconic leading performance from Natasha Lyonne, who in each episode also happens to be surrounded by a murderer's row of supporting guest stars.


3. THE CURSE

- I had no idea what to make of The Curse, at first. And as I write this, I'm still eagerly waiting to see how it all ends. But with each passing week, I become increasingly sure of this show's genius. It's a brilliant new spin on the Nathan Fielder cringe TV brand, taking it to the world of scripted drama while maintaining that same sense of "holy $&%&, what is going on here?!" spectacle of Fielder's previous series. Emma Stone on this show though - wow. An acting master class. She and Fielder give us a scathing indictment of a Millennial generation gone wrong.


4. SILO

- The best sci-fi mystery series since Lost, Silo's first season absolutely gripped me from start to finish. I couldn't wait to find out more about the true nature of the show's mysterious setting - a massive underground silo completely cut off from the world above. All the while, I was willing to go wherever the show led me because of the incredible lead performance from Rebecca Ferguson - playing a badass underdog who I'd follow anywhere. A top-tier supporting cast - from Tim Robbins to Will Patton - solidified this show as something special. Bring on Season 2.


5. BEEF

- I don't make this comparison lightly, but Beef reminded me of Breaking Bad with the way it kept ratcheting up the stakes and the intensity, thrusting its normal-seeming characters into absolutely crazy situations that often made me think, with a smile on my face: "well, that escalated quickly." Beyond that though, Beef was a brilliant show about the anger that currently runs rampant in our society - and how even minor arguments can snowball into heated blood feuds. Steven Yeun and Ali Wong crushed it. Amazing television.


6. TED LASSO

- I didn't want to like Ted Lasso, at first. It was one of those shows that annoyingly became that show that people wouldn't stop fawning over. Early on, I didn't get it, and the show didn't 100% work for me. But I stuck with it and it grew on me. I liked S1, but I loved S2. And I loved S2 but I *really* loved S3. Such sharp writing, such perfect jokes, such a great ensemble of actors and memorable characters. I know some people didn't like S3 as much as I did, but for me, this was the season when the show leveled up and, for me, truly became an all-time fave.


7. PICARD

- The beginning of 2023 was a rough time. I was dealing with Long COVID flare-ups as well as an injury from a fall - all coupled with a difficult move to a new place. But each week for several weeks, I received the television equivalent of a warm hug from an old friend. Sir Patrick Stewart was, once more, Jean-Luc Picard, and one of the all-time great TV characters was back just when we needed him most. While the first two seasons of Picard tried their best to avoid leaning on nostalgia, S3 went all-in on it, and delivered a fitting epilogue to the entire Star Trek: The Next Generation era - bringing back nearly the entire cast of TNG. It was the best season of the series by far. It made me smile, laugh, and on many an occasion raise my fist in glory. What an ending.


8. JUSTIFIED: CITY PRIMEVAL

- Justified is one of my favorite shows ever - and it had one of the best final episodes ever - so I had mixed feelings about it coming back for another go. While City Primeval didn't necessarily feel essential, it was still damn good TV - especially given the context that since Justified's ending, well ... they just don't make TV shows like that anymore. Except here it was - more of that trademark sharp-as-glass writing, more of Timothy Olyphant being as great as ever as Raylan Givens, and yet another memorably awesome loose-cannon villian in Boyd Holbrook's Clement Mansell. Throw in great turns from Aunjanue Ellis-Taylor, Vondie Curtis-Hall, and more and you've got yourself some old-school, peak-TV-era-esque appointment viewing.


9. THE LAST OF US

- Fans (myself included) of the Last of Us games knew that there was potential for the series adaptation to be something special. Even so, it was a bit surreal to see everyone obss over a story that videogamers had, years ago, discussed and analyzed to death. But even for those of us familiar with the post-apocalyptic storyline, there were still surprises to be had here. For one, the incredible performances by Pedro Pascal and Bella Ramsey as Joel and Ellie - giving a new life to these characters. For another, new expansions to this universe that quickly became instant-classics - like the seminal third episode that gave us a ballad of Bill & Frank, that stands among the best single episodes of television I've ever seen.


10. THE BEAR

-  I am a latecomer to The Bear, only recently having binge-watched the show. And ... wow. It lived up to the hype. This series is incredibly intense in a way that I can only describe as "Uncut Gems-esque." But it's also an incredible character study of flawed individuals. A funny, resonant look at a makeshift family that reminds me at times of The Sopranos. It's a look at how high-stress situations matched with modern day anxiety can make every day feel like a pressure cooker. Season 2 had some of the highest highs yet.


The Next Best:


11. ONLY MURDERS IN THE BUILDING

- This smart, funny show hit another home run in Season 3 - once again combining a genuinely enthralling murder-mystery with the never-funnier hijinks of Steve Martin and Martin Short, plus a fantastic Selena Gomez. Not to mention an A+ supporting cast filled with great bit players top top bottom. Also, "Which of the Pickwick Triplets Did It?" was the fake TV song of the year.


12. PAUL T. GOLDMAN

-  I became absolutely obsessed with Paul T. Goldman earlier this year. If you're a fan of weird mind-trip meta TV that leaves you wondering "wait, is this real or fiction?" then you need to watch this show. It's on Peacock. It's hilarious. It's mesmerizing. It's awkward as hell. Paul T. Goldman is a real person who thinks he's helping to make a movie based on his (heavily-embellished) book about his own life. But the show Paul T. Goldman is about the making of that not-actually-being-made movie (and various spin-offs!). But what it's really about is how the power of self-delusion can lead one man to self-mythologize to the point where he convinces himself that he's the hero of an adventure that never actually happened. This is genius stuff. Next level. Go watch it.

 

13. WHAT WE DO IN THE SHADOWS

- What We Do In the Shadows had another great season - with a couple of instant-classic episodes. It's amazing how dark this show goes with its plotting and how the actors are called upon to be both extremely funny and to deliver on some genuinely intense/dramatic/horror-filled moments. On the whole, this is the best TV sitcom since Brooklyn Nine-Nine went off the air. And I can't believe next season will be its last. More!


14. THE FALL OF THE HOUSE OF USHER

-  In Mike Flanagan we trust. Flanagan's series - but this one in particular - are truly catnip for us writers. They're just so ... writerly. The Fall of the House of Usher was filled with long, flowery monologues and I loved it. Give me Bruce Greenwood delivering wonderfully-composed monologues all day. And give me this sort of character study meets dark social satire meets gothic horror all day as well. One of the best series from Flanagan yet.


15. BARRY

- On the whole, I absolutely loved the final season of Barry. To me, the show came out of the gate hot with an incredible first season, was up and down in S2, and then lost a lot of momentum in S3. But S4 really brought back the must-see feel of the early days and made Barry, once again, a show where I could not wait for each new episode to drop. Going to miss this darkly hilarious tale of a killer-trying-to-go-straight. Bill Hader - what a performance. When it was at its best, Barry was one of the greats.

 

16. THE RIGHTEOUS GEMSTONES

- S3 of The Righteous Gemstones was, once again, brilliant and hilarious. This send-up of Big Religion simply doesn't miss - and is always the perfect blend of high-stakes drama with insane humor. Nobody has made me laugh harder over the last fifteen years than Danny McBride. Well, except for maybe Walton Goggins as Uncle Baby Billy.
 
 
17. FARGO

- With its latest season, Fargo goes back to its roots. "Minnesota nice" is the name of the game. And Juno Temple crushes it as another memorable protagonist for this series - a woman who is, keeping in the spirit of this show and the movie that inspired it, much more than she seems. Series mastermind Noah Hawley is one of the best in the biz, and he's on top of his game here - aided by a killer supporting cast that includes Jennifer Jason Leigh and Jon Hamm doing memorable work.


18. BLACK MIRROR 
 
- Finally, we got more Black Mirror in 2023! One of the best series of the last decade was back. And while this season didn't necessarily produce any instant-classic episodes, I've realized, over time, that a lot of this new season has really stuck with me. "Beyond the Sea" and its harrowing ending. "Joan Is Awful" and its timely social commentary. "Demon 79," which got me really into the band Boney M for a brief period. Writer/creator Charlie Brooker is a genius in my estimation, and Black Mirror remains arguably the greatest series to come out of the streaming era. 
 
 
19. BLUE EYE SAMURAI

- It's always fun when a show comes out of nowhere and absolutely kicks your ass. And Blue Eye Samurai is nothing if not kick-ass - a bloody and brutal revenge tale set in 17th century Japan. With eye-melting animation, fantastic voice work, and an instantly-iconic lead character in Mizu - this one is going to be something special when all is said and done.
 

20. WINNING TIME

- The second (and tragically, final!) season of Winning Time was absolutely fantastic. And I'm still kind of baffled how this wasn't a huge hit? HBO Sunday night pedigree, A-list cast, larger than life sports heroes / cultural icons. What happened? Regardless, this show about the Showtime Lakers really improved season over season, as it focused in on the basketball of it all.


21. SCOTT PILGRIM TAKES OFF

- This Netflix animated series gave us a funny, surprising new direction for the Scott Pilgrim story that smartly re-contextualizes Scott Pilgrim vs The World and shows some interesting new sides to the characters that we know and love from the film and the original comics. So many great little moments, many a geek-out-worthy reference, and super cool animation to boot. Plus, the entire cast of the movie returns to voice their characters!


22. PERRY MASON

- The first season of Perry Mason picked up stream towards the end of its run. But the second season rode that wave of momentum and delivered a great season of television of start to finish. The great Matthew Rhys rocked it in the lead role. Juliet Rylance, Shea Whigham, and a number of other top-tier talents rounded out the cast. This felt like legit Prestige TV at a time when that's becoming more rare. Moody, rich, dense, smart. Wish we'd get more.


23. INVINCIBLE

- I'm a huge fan of the Invincible comic book series, and it's been awesome to see Robert Kirkman's superhero saga come to life as a TV series. The Amazon series is a remarkably faithful adaptation both in terms of plot and aesthetic, but the stacked voice cast and interesting divergences from the comics help give it its own identity. At the end of the day though, Invincible has such a unique take on superhero storytelling and such a distinct vibe - it's just uber-satisfying to see it adapted so well.


24. JURY DUTY

- One of the big comedy sensations of 2023, Jury Duty matched a killer premise with perfect casting. This reality-meets-fiction series placed a real-life everyman in a fake jury pool filled with not-real actors, including a game James Marsden playing an out-there, narcissistic version of himself. And the results were often drop-dead hilarious.


25. OUR FLAG MEANS DEATH

- S2 of Our Flag Means Death was a fun and surprisingly poignant season of television. Rhys Darby (as "The Gentleman Pirate" Stede Bonnet), Taika Waititi (as Blackbeard), and the entire supporting cast were once again fantastic. And I loved some of the new characters - with The Pirate Queen Zheng Yi, played by Ruibo Qian - being a new favorite. As with S1, I was continually amazed at how this series works as a rip-roaring pirate adventure, a heartfelt romance, and as a really funny comedy.


Just Missed the Cut:

- The Afterparty
- The Great North
- Beavis & Butthead
- Star Trek: Strange New Worlds
- Cunk On Earth
- Rick & Morty
- Loki
- I Think You Should Leave
- Riverdale
- Big Mouth 
- American Horror Story: Delicate
- Good Omens


INDIVIDUAL AWARDS:


The Best TV Heroes of 2023:

1.) Juliette Nichols - Silo
2.) Captain Jean-Luc Picard - Picard
3.) Raylan Givens - Justified: City Primeval
4.) Charlie Cale - Poker Face
5.) Ramona Flowers - Scott Pilgrim Takes Off


The Best TV Villains of 2023:

1.) Clement Mansell - Justified: City Primeval
2.) Roderick Usher - The Fall of the House of Usher
3.) Fuches and NoHo Hank - Barry
4.) Arthur Pym - The Fall of the House of Usher
5.) Lucas Lee - Scott Pilgrim Takes Off
 

The Best TV Anti-Heroes of 2023:

1.) Joel and Ellie - The Last Of Us
2.) Loki - Loki
3.) Barry - Barry
4.) Mizu - Blue Eye Samurai
5.) Dorothy "Dot" Lyon - Fargo

Monday, December 30, 2013

THE BEST OF 2013 - The Best GAMES Of The Year





THE BEST GAMES OF 2013:

- It was a strange year for me and videogames. I was more backlogged than ever when it came to games. Sitting in my bookshelf were games like Bioshock Infinite and Tomb Raider, just begging to be played. And yet, due to a combination of factors, I probably played less videogames than ever before. Am I just getting old? I'm not yet married and don't yet have kids, but I'm finding it harder and harder to immerse myself in the kinds of late-night gaming sessions during which I traditionally get in the bulk of my play time. I'm not any less interested in gaming. I still love games, and I still am passionate about the industry and the artform. 

What I realized is that games are *hard.* And I'm not talking difficulty level. I'm talking about hard to fit in within increasingly compartmentalized lifestyle. Like many of my fellow pop-culture junkies out there, the only way I can fit in all of the media I'm into in my life is to very carefully budget my time. If I have 22 minutes to spare, then great, I can fit in a new episode of Parks and Recreation. If have 44 minutes to spare, then I can squeeze in an episode of Justified or The Walking Dead. On a Sunday morning, I can allow myself a half-hour to read through a couple of chapters in a book, or a few new comic books, before getting out of bed and starting my day. But games? Games don't quite fit into a neatly-planned routine. To me, they're best enjoyed when you can set aside a few hours, forget about all outside distractions, and just play at your own leisure. Unfortunately, those precious evenings when I've got all the time in the world come few and far between these days. And when they do come, I (sadly) all too often find myself asleep on the couch before I've even scratched the surface of a new game. 

What's strange is that games I loved as a kid would actually be much more amenable to an adult's busy schedule. I could breeze through a level of Mega Man or a world of Mario before dinner, and within a week I could play through a whole NES game. But today's games are giant, sprawling, seemingly never-ending affairs. I've barely got time to get through The Last of Us, let alone see every nook and cranny of Skyrim. 

To that end, I'll more and more find myself gravitating towards quick-play games like this year's WWE2K14. I can get home from a long day at work, fire up the game's "30 Years of Wrestlemania" mode, and move on to the next battle in ten or fifteen minutes. Similarly, fighting games are a great way to get a sense of accomplishment in a short burst. Especially when the games have an involving story like this year's Injustice. This year, I often popped Injustice into my PS3 instead of something like Tomb Raider, because it was easier and less intimidating to knock out a couple of quick rounds of superhero fighting than embark on Tomb Raider's giant-sized quests. 

And yet ... big, immersive, cinematic games like Tomb Raider and The Last of Us are among my favorites. When I think about the possibilities of the medium, these are the games that seem to be stretching the limits of what videogames can do. I want games to continue to present us with multidimensional characters, innovative storylines, and fully fleshed-out worlds to explore. To me, The Last of Us is the kind of game that (hopefully) represents where the medium is going, not Angry Birds.

But why can't we have the best of both worlds? I think it's time that game developers figured out how to deliver these great, involving, epic games in more manageable portions. Think about a great TV show like Breaking Bad. It's consumed in 44 minute installments, but it all adds up to a much larger whole - a long, epic storyline, but told episodically. Games right now are not designed to be consumed in digestible chunks. We're starting to see more episodic releases - like Telltale's Walking Dead game. And man, I loved The Walking Dead and named it 2012's Game of the Year. But one "episode" of that game was still a multi-hour commitment. At the movies, we deem a movie too long if it stretches past the two-hour mark. Games that go for 15, 20, 30 hours just seem extravagantly lengthy - especially now that we're not kids with whole weekends to waste away. 

More and more, I hear people talk in terms of gamers vs. non-gamers. To me, that's a little silly, and sort of sad. When I was an eight year old kid playing Super Mario Bros. on my NES, I didn't go around proclaiming myself a gamer. I just loved videogames, as did everyone else I knew. But now, the people who grew up playing games are playing less and less. Why? Because the games industry has increasingly ghettoized itself, making gaming into a hobby that can only be kept up with by the hardest of the hardcore. People who have lives and jobs and families find time to fit in movies and TV shows, but games tend to take a backseat because they are, now, more of a commitment than ever. I am case in point - I love games and have definitely not lost interest with age. But I have lost a good deal of interest in 20+ hour mega-games that require months of one's life to complete.

What's interesting is that games are, more than ever, emulating movies and TV in terms of their presentation. But they are still stuck in the 90's where there's that mentality of "more=better." I think it may date back to when CD-based games boasted of the amount of content that was packed onto the disc. I remember before then, it'd be the rare game like Final Fantasy or other JRPG's that boasted about length. Now, every game does it. 

Mark my words - when a great game on the level of a Mass Effect or Uncharted comes along that delivers compelling, immersive content in TV episode-style, half-hour or hour-long chunks, it will catch on like wildfire. 

Anyways ... I thought that 2013 was a really good, really interesting year for games. The sheer number of great games that came out for the last-gen consoles was pretty staggering, and it sort of made the shiny new systems a tough sell. After all, was there really anything this year on the PS4 or XBOX One that could compete with The Last of Us, Bioshock Infinite, or Grand Theft Auto V? 2014 is going to be all about the new consoles, and I think we'll start to see heavy conversion next holiday season. But for now, a lot of people (like me) are still making their way through all the games that came out for our several-year-old systems in 2013. 

Going forward, it remains to be seen if Sony or Microsoft will pull away with a clear edge in the next-gen console race. History has shown us that the tide can often turn halfway through a product lifecycle, but we'll see. Since I'm a Sony fan, I wouldn't mind seeing them gain some ground on the competition this go-round, and it seems like they're doing so, so far. Again, I think this is a good thing because it means bigger audiences for Sony-exclusive franchises like Uncharted. And man, Nintendo is starting to get to a pretty perilous place. They've finally got a well-reviewed Mario game out for the Wii U, but one game alone does not sell a system. It feels like the PS4 and XBOX One have just leapfrogged right over Nintendo in this generation, and Nintendo is really going to have to pull out something special to avoid falling into serious trouble. 

More so that ever before though, a lot of the best stuff going in gaming is happening on the fringes. Indie games, digital-only games, retro games, and more experimental games are making a lot of noise these days, and I think that will continue to be the case in 2014. Expanding on my earlier point, I think a lot of gamers are looking for something new and different beyond the big blockbuster franchises, and have had their fill of Call of Duty or Assassins Creed. The indie game movement is filling the void that's there in the retail space - where the offering feels increasingly homogenized and limited.

Perhaps the most exciting thing in 2014 will be seeing what new franchises emerge as the next-gen system sellers and must-haves. What will be the next Mass Effect, the next Uncharted, the next Bioshock? Hopefully, the next gen brings with it just as many groundbreaking new games as the last one did.


DANNY'S BEST GAMES OF THE YEAR: 


I didn't play anywhere near as many games as I'd like to have this year. And of those I did play, I often didn't get to play as much as I would have liked. Much of my gaming time in 2013 was spent still playing some of the previous year's big titles - The Walking Dead, for example.

But my Game of the Year for 2013 is an easy choice: 

1.) The Last of Us

- To me, Naughty Dog is the best development team in the business. They combine great gameplay with immersive storylines and eye-melting graphics like no one else. They've done it through three Uncharted games, and now they upped the ante even more with The Last of Us. The Last of Us was reminiscent of last year's The Walking Dead in that it made you deeply care for its characters, and the gameplay became all the more intense and involving because you were playing not just to succeed and progress, but because you wanted to do everything in your power to help the characters on their journey. This game was also just plain scary and creepy. The zombie-like "clickers" had to be some of the most pulse-quickening enemies ever in a game, and the game crafted some truly nightmarish scenarios for you to navigate - made all the more intense because you - playing as middle-aged Joel, wanted desperately to keep your teenage charge Ellie out of danger. The post-apocalyptic environments in the game were gorgeously rendered. There was so much lived-in detail here that it was almost scary. Ultimately, Naughty Dog - as with Uncharted - found a way to seamlessly merge cinematic storytelling into a compelling gameplay environment. The story unfolded with you playing it, not via static cutscenes. It's an art that most games have not yet perfected, but Naughty Dog is leading the charge. The Last of Us may have arrived late in this generation, but it quickly became one of this era's defining, definitive gaming experiences.

2.) Bioshock Infinite

- Disclaimer: as of this writing, I've still only just scratched the surface of Bioshock Infinite. But I already feel confident in declaring it as an all-time great game, on par with the original Bioshock. Like that game, this one has atmosphere to spare, dropping you into an alternate-reality city in the clouds that is both visually striking, and the setting for some fascinating, politically-charged storytelling. The guys at 2K Games have, again, knocked it out of the park. The way they make their games into true experiential journeys is truly amazing.

3.) Tomb Raider

- I was a fan of the old-model Tomb Raider games, but this series reboot really succeeded in taking the storied franchise to the next level. Borrowing heavily from Uncharted, this new iteration of Tomb Raider gave us a much more human and relatable version of Lara Croft, and a much more cinematic experience than in previous games in the series. Whereas previous games were about exploration laced with hair-pulling puzzles, this one was much more of a roller-coaster ride. I dug it. And man, it looked incredible, with some of the best graphics ever on the current-gen systems.

4.) Injustice: Gods Among Us

- This one-on-one fighting game is a fanboy's dream - pitting a who's who of DC Comics heroes and villains against each other in Mortal Kombat-esque battles (and in fact, the game was developed by MK's Neversoft). The gameplay was sharp and on-point, and the fighting fast and furious. But what made this something really special was, surprisingly, the well-written, well-acted storyline - a super-fun yarn about a Superman who turns to the dark side, leaving only a ragtag band of revel heroes between him and world-domination. 

5.) Ducktales: Remastered

- A straight-shot of nostalgia. There were better games this year, I'm sure, but none brought a goofy grin to my face like this HD remake of the old Capcom-published NES game. Nothing beats classic Capcom 2D platforming, and this game delivers it in spades. The crystal-clear cartoon graphics are a joy to behold, and the redone soundtrack and voice-acting (with the original cartoon cast!) are also fantastic. The funny thing is that playing this game was a reminder of just how hard these old platformers could be (better do pre-play finger stretches - you're going to need 'em). But in a world of overly complex games that challenge patience more than reflexes, this reissue is an awesome blast from the past - a reminder of a simpler time in gaming.