Wednesday, December 27, 2017

THE BEST OF 2017 - The Best COMICS Of The Year


 

THE BEST COMICS OF 2017:

- 2017 was in many ways a great year for comics - although it was also, I think, a year of identity crisis. Thanks to the continued prevalence of superheroes in movies and on TV, more people are getting into comics than ever - and that has, justifiably, led to calls for more diversity in terms of both content and creators. But how the industry has handled its newly-diversified fanbase has exposed a lot of growing pains. Just recently, Marvel cancelled several fan-favorite books featuring female and/or diverse lead characters - and this comes a few months after Marvel execs warned that too much of a focus on diversity had hurt their sales. To me and many other fans, that sounds like an excuse to stick to the tried and true, instead of a real plan for growth and change. Personally, while I enjoyed several books from DC and Marvel this year, I also - especially by year's end - grew weary of the same handful of creator names popping up again and again and again. Creators who have done decent work at best keep getting put on the highest profile DC and Marvel books, while brand new names and faces are rare. It was nice to find those new, promising creators this year where possible. Take Kelly Thompson, who really wowed me with her Hawkeye series at Marvel, that focuses on female Hawkeye Kate Bishop. It's a more than worthy follow-up to Matt Fraction's seminal run. Thompson also did a really fun Captain Phasma miniseries that served as a nice prelude to The Last Jedi. With Hawkeye's unceremonious cancellation, I'm curious to see where Thompson goes next. That said, a lot of stuff I read and really enjoyed in 2017 was admittedly from longtime favorite creators - names like Greg Rucka, Ed Brubaker, and Jeff Lemire. These are guys whose writing I will never tire of - and the emergence over the last several years of Image, Dark Horse, and other publishers who stand aside and let creators do their thing has allowed these amazing writers to put out some career best work in recent years.

Comics also directly addressed the current political climate in 2017. I think there was a lot of unfair criticism of Nick Spencer's run on Captain America, and the spin-off crossover epic Secret Empire. For those unaware, Secret Empire presented a version of Cap from an alternate past that merged with and overwrote the main timeline. This Cap was raised and mentored by evil, Nazi-esque organization Hydra, and ended up taking over the world by force - until eventually being toppled by a heroic resistance (a big theme of 2017!) and the returned-from-cosmic-purgatory real-deal Cap. Secret Empire was a really dark, oftentimes disturbing story - and parts of it didn't quite work. And yet ... I liked it. It was big, bold, and interesting - and yes, its corrupted version of Cap was all too reminiscent of America in 2017: a dark, twisted version of the idealistic place it's supposed to be. Ultimately, the evil Cap was taken down (this is comics, after all) - and so hope remained even in the wake of a very dark moment. That same hope is what continued to power Marvel's best book, Ms. Marvel, in 2017. Kamala Khan has been the hero we needed over the last few years - and in 2017 writer G. Willow Wilson continued to address the issues facing our country with spirit, spunk, humor, and humanity. Marvel: don't even think about cancelling this book.

DC, meanwhile, wisely re-shaped some of its biggest heroes to be more inspirational for our dark times. Superman was perhaps the biggest and best change - going from young, alienated outsider in the now-ditched New 52 continuity, to noble father figure, family man, and elder statesman in the revised Rebirth version of the DC Universe. This was a much-needed change, and the Superman books have continued to be a lot better - and a lot more Superman-like - since the start of Rebirth last year. That said, many DC books seemed to collapse under the weight of a bi-weekly publishing schedule this year - a lot of pretty-good books, from The Flash to Green Arrow - just seemed to run out of steam as the year came to a close. I hope that DC re-thinks the frequency at which they publish their key books - because two issues per month is just too much and inevitably leads to both fan and creator burn-out. Still, DC often seems to find success with left-field content. Their Super-Sons book, which pairs Superman's son Jonathan Kent with Batman's son Damian Wayne, has been a lot of fun. So too has New Super-Man, a book about the superheroes of China. The new Mister Miracle book from Tom King is a trippy delight. DC even published a bunch of DC/Looney Tunes crossovers this year that produced one of the biggest surprises of the year - a Batman/Elmer Fudd story that was legitimately incredible (seriously!).

But as I alluded to above, what's made comics the best they've ever been over the last few years has been the rise of smaller publishers - who are taking chances and giving new and established creators room to do their thing. The amount of interesting, original, imaginative, boundary-pushing comics out there from Image and others is staggering - it's hard to keep up. And you can bet that many of these books are going to end up as tomorrow's next big TV or movie franchises.

 

DANNY'S BEST COMICS OF 2017:

1.) Kill Or Be Killed

- A lot of stories are easy to sum up: oh, this story, it's about X, Y, and Z - it falls into this genre, and the point of it is ... this. But when it comes to Ed Brubaker's superlative Kill Or Be Killed, well, I'm still not sure how to describe it, where it's all going, or what, exactly to take away from it. I just trust in Brubaker and go along for the ride. What I do know is that this comic contains the best writing of any comic currently being published, and great, atmospheric, moody art from Brubaker's frequent collaborator Sean Phillips. I do know that it's, on the surface, about a seemingly average (maybe a bit mentally unstable) guy, who has visions that compel him to don a red hood and go out into the streets and kill bad people. I do know that the comic presents all kinds of fascinating moral grey areas, some amazingly multilayered characters, and a story that's unpredictable as hell. I know that I can't wait for each new issue. And I'm not sure, but I am starting to sense that this might just be the best thing Brubaker's ever written in his storied career. This book is dark, twisted, and really, really compelling.

2.) Black Hammer

- Black Hammer continued to be amazing in 2017. You might think: haven't we seen enough superhero deconstructions at this point? And we have. But Jeff Lemire makes room for one more with Black Hammer - a brilliant superhero deconstruction that differentiates itself by both 100% embracing all the silly conventions of superhero storytelling, but also pulling back the curtain and adding unexpected layers of complexity to each of its very identifiable superhero archetypes. Black Hammer went on hiatus earlier this year - and I can't wait to see what happens when it resumes. But in the meantime, Lemire's been penning an equally great spin-off called Sherlock Frankenstein & The Legion of Evil, that fills in some of the world of the series. Lemire has been a favorite writer for several years now, but man, he had an absolutely killer 2017 - and Black Hammer is proof.

3.) Royal City

- And here's Lemire again. Royal City is written *and* drawn by Lemire, and Lemire's evocative, water-color-esque style is perfect for this book - giving the grounded, slice-of-life story an added layer of dreamlike nostalgia. Royal City is the story of a broken family living in a seen-better-days industrial town. The family is haunted - figuratively (and maybe literally!) by the ghost of one of their own - the family's youngest son who died tragically when he was a teenager. The book spans multiple decades and paints a moving portrait of a American life. It's still early, but when all is said and done, this may just be Lemire's masterpiece.

4.) Lazarus / Lazarus X+66

- Greg Rucka's sprawling dystopian epic Lazarus has been one of my favorite books for many years now, but in 2017, it really, disturbingly, felt like the near-future world of this series was reflecting back on our actual reality. In Trump's America, Lazarus' fractured world - ruled by corporations and the elite families that run them (all others are "waste") - seemed less like a far-fetched sci-fi vision and more like an all-too-real possibility. And what propped up Lazarus on my list this year was not just this new relevancy, but also the large amount of related material that came out in 2017. Rucka has put together uber-compelling Source Books that provide all sorts of interesting detail about the world of Lazarus. And he's also penned the "Lazarus X+66" spin-off, a look at various side characters and events in the Lazarus world. X+66 has been a fantastic read. Looking forward to the soon-to-arrive TV series, too.

5.) Paper Girls

- Brian K. Vaughan's charming sci-fi series - about a bunch of 1980's paper girls who get caught up in a time-hopping adventure - is consistently one of the best reads month in and month out. It's amazing, because when you look out there at the pop-culture landscape, Vaughan's trademark style of blending high-concept sci-fi with grounded characters, witty dialogue, and relatable human drama is now *everywhere.* But he really was the innovator, back when his seminal Y: The Last Man was the biggest thing going in comics. Paper Girls is Vaughan at his best - it's got awe and wonder-packed sci-fi on one hand, and great, grounded, impeccably-written characters on the other. It's got nostalgia, it's got social commentary, it's got adventure, it's got amazing art from Cliff Chiang. Read it.

6.) Ms. Marvel

- As I mentioned above, Ms. Marvel is, no question, the crown jewel in Marvel Comics' slate. It's fresh, funny, relevant - and it tackles everything from racism to religion to teenage awkwardness with equal parts humor, empathy, and optimism. Ms. Marvel has actively changed the way I think about certain things, and it's inspired me - made me think that even in these divisive times, we can rally around each other and support people trying to do right and help others. Kamala is a hero for right now and a hero for all of us. What a great, important, and most importantly fun comic book.

7.) Hawkeye

- Matt Fraction's celebrated run on Hawkeye is one of my favorite modern comics - so I was excited to get more adventures of Kate Bishop, presented in a similarly irreverent style. What I didn't expect was how much writer Kelly Thompson would both expand on the great character work that Fraction did with Bishop, but also how much she'd make the book and the character her own. The book is fun, innovative, often hilarious. The art is stylized and stylish. And Kate Bishop continues to be one of the most likable characters in the Marvel stable. Marvel is really missing the mark in cancelling this one.

8.) Saga

- After a bit of a slump last year, Brian K. Vaughan's now long-running Saga rebounded this year with some great story-arcs, and plenty of those big, issue-ending, holy-$&%# moments that Vaughan does so well. The book still occasionally feels like it's treading water, but at this point it's also simply a pleasure to open up a new issue, spend time with these characters, and of course to revel in Fiona Staples' amazingly unique and imaginative art. I'm hoping that Saga really kicks into high gear again in 2018, but there's also no question that 2017 re-affirmed just how great this book can be.

9.) Black Magick

- Another great Greg Rucka book. Black Magic wowed me with its debut last year, but then went on a long hiatus before finally resurfacing in 2017. And man, I'm happy it did. The book combines Rucka's penchant for gritty crime drama with the added element of magic and mysticism, and an intriguing backstory that delves into the history of witchcraft. With a more consistent publishing schedule in 2017, Black Magick affirmed itself as one of the most compelling books out there. And man, the Nicola Scott art is quite simply incredible - stunning black-and-white line work, with the occasional burst of color to emphasize the presence of magic. I can't wait to see where this one goes in 2017.

10.) Batman

- Where does a character go after writer Scott Snyder wrapped up an all-time classic run? Well, DC wisely brought in writer Tom King for what has quickly become another classic run in the making. Paired with a litany of all-star artists, King has kept fans guessing with his unique take on the Dark Knight. We've seen the introduction of new heroes like Gotham Girl, the long-awaited engagement of Batman and Catwoman, and an end-of-year arc that saw a memorable double date turned adventure that paired Batman/Catwoman with Superman/Lois Lane. Batman, with Tom King at the helm, remains DC's best book.

THE NEXT BEST:

11.) Silver Surfer

- The long run of writer Dan Slott and artist Mike Allred came to a close this year, and it will go down as one of my all-time favorite superhero runs in recent years. Slott gave the Surfer a whimsical flair, pairing him with plucky, polka-dot wearing love-interest Dawn Greenwood, and sending the two on all sorts of far-out cosmic adventures. The series was brought to life by the always-incredible, one-of-a-kind art of Mike Allred - whose pencils were a perfect match for the series' trippy, fantastical tone. I will miss this one now that it's over.

12.) Batman: White Knight

- This miniseries is still ongoing, but it's shaping up to be another classic from writer/artist Sean Murphy (who gave us the modern classic Punk Rock Jesus). In this "what-if?" story, a reformed and newly-sane Joker is tasked with bringing down an out-of-control Batman. It's an ingenious role reversal and I can't wait to see how it ends.

13.) Snotgirl

- Scott Pilgrim creator Bryan Lee O'Malley continues to make Snotgirl into a unique, one-of-a-kind comic that I still can't quite believe I like as much as I do. A satirical, hyper-stylized mystery centered around a vapid, image-conscious fashion blogger and her equally self-absorbed friends? Sounds miserable, right? And yet, O'Malley brilliantly finds the humanity within these seemingly repellent characters, and gives them just enough self-awareness to make us root for them even as we cringe at their terribleness. This one is a total trip, and I can't recommend it enough.

14.) Dark Knights: Metal (Tie-Ins)

- Scott Snyder's DC mega-event Dark Knights: Metal has been a mixed bag so far. It's going for cosmic insanity in the vein of Grant Morrison's acid-trip superhero epics, but for me has been sort of flat and messy. That said, this is the rare big superhero event in which the tie-ins are actually way better than the main story. Really! I've been positively loving the one-shots coming out in parallel to the main event, each detailing the origin story of one of Dark Knights: Metal's twisted, evil Batmen. Hailing from the "dark multiverse," each evil Batman origin story has proven to be a wonderfully dark "what-if?" about a Bruce Wayne who gets turned to the dark side.

15.) Southern Bastards

- Over the last few years, Jason Aaron's Southern Bastards has been at or near the top of my Best of the Year lists. It's one of the best comics of the last decade, bar none. So why further down in 2017? It's really just a matter of the book's publishing schedule, which has been ... sporadic, if I'm being kind. Jason Aaron has become one of the busiest and most in-demand writers in the biz, so it's no big mystery what's up. But man, I hope we get more Bastards in 2018. This dark, southern-noir tale of a town where high school football is everything - and players and coach's will literally kill in the name of victory - is always a must-read when there is new material. And in 2017, things started to get very intriguing as focus shifted to Berta Tubb, estranged daughter of original protagonist Earl - who's come back to Craw County to avenge her dad. More, please!

16.) Darth Vader

- I dropped almost all of Marvel's Star Wars books this year, after a noticeable dip in quality on some of the main titles. However, I picked up their latest Darth Vader series when I saw that it was written by Cullen Bunn - a man who knows how to write great villains. Bunn did a bang up job on DC's much-missed Sinestro book, and he's killing it on Vader. The book tackles an intriguing moment in the Star Wars timeline: Anakin's early days as Vader, just after the events of Episode III. Bunn is giving us the young, ultra-badass, ass-kicking Vader that we got a glimpse of in Rogue One - and I'm digging it.

17.) Superman

- Writer Peter Tomasi is really on a roll at DC. One of the company's go-to writers for many years now, Tomasi has helped re-invigorate Superman by making Superman a husband and a dad. Suddenly, the stakes feel higher for ol' Clark Kent, and the character has new life. Between Tomasi's work on Superman, and Super-book mainstay Dan Jurgens' solid storytelling on Action Comics, this is the most consistently good Superman has been in ages.

18.) Nightwing

- Nightwing is always a fan-favorite for the DC faithful, but his solo books have had their ups and downs over the years. So I give writer Tim Seeley credit for having such a great, sustained run with the character. Since the start of DC Rebirth, Seeley has both paid homage to the past (by bringing Nightwing back to Bludhaven, and bringing back updated versions of a lot of the side characters from Chuck Dixon's classic 90's run) and created a solid foundation for the future (creating a great new character / love interest in Shawn Tsang, aka The Defacer). Here's hoping the momentum continues, even with Seeley now off the book.

19.) Eternal Empire

- Don't be surprised if this one is much higher on the list next year. Eternal Empire is the latest book from one of my favorite creative teams in comics - Jonathan Luna and Sara Vaughn - who brought us my recent pick for Best Comic of the Year, Alex + Ada. This one is their take on Game of Thrones-style high fantasy, and it's really just getting started. It's still sort of in the world-building phase. But this story of two on-the-run former slaves with a magical connection to each other is poised to be one of 2018's best books. Stay tuned.

20.) Invincible

- Man, am I bummed that Robert Kirkman's long-running superhero epic is about to come to an end. As I type this, there's only one more issue left (releasing in January) of Invincible - and it's been bittersweet reading Kirkman's final run of stories on this one, which have helped ensure that the books goes out on a high note. Invincible's been one of my favorites for several years now, and if I'm being honest, Kirkman's unique melding of self-aware humor with high-adventure and fast-paced, high-concept sci-fi has been a notable influence on my own writing. I love the unique tone Kirkman gave this book, and I love that it was a superhero book (really the only one), that let its story evolve organically, free from the constraints of corporate overlords multimedia tie-ins. One of the all-time great superhero comics.

21.) Super-Sons

- Peter Tomasi has another great Super book on his hands with this one. A fun, lighthearted pairing of wide-eyed Jonathan Kent (now Superboy) and know-it-all Damian Wayne (now Robin), Tomasi's book is filled with fun banter and high adventure. Added bonus: a recent issue that focused on a team-up of various Super-Pets. This one doesn't mind getting crazy, and that's why I'm digging it.

22.) Descender

- So yeah, in addition to knocking it out of the park with Black Hammer and Royal City, Jeff Lemire's *also* still writing his sci-fi space epic Descender. How he does it, I don't know. But Descender - the saga of a diminutive robot who may be the key to saving the galaxy - is still a really solid read, with all kinds of Mass Effect-esque intrigue and super cool art from Dustin Nguyen.

23.) New Super-Man

- When you read a lot of comics, you start to see a lot of the same old, same old - especially as far as superhero books go. So it's cool just how different and refreshing Gene Luen Yang's characters, stories, and setting are - and how unique of a hero Keenan Kong really is. The book has let Keenan - aka The Super-Man of China - grow from obnoxious teen to battle-tested hero over the course of the last few years, and it's been a lot of fun to watch.

24.) Captain America

- As I talked about above, I think Nick Spencer's run on Captain America and Secret Empire was a bit unfairly maligned. Let's give Spencer credit - he penned one of the boldest, riskiest, and ambitious superhero stories of recent years. It wasn't just a random gimmick - Spencer really did a deep dive into exploring what made Hydra Cap tick, and did so in a way that held a mirror up to our own political reality. A lot of it worked for me, and I looked forward to each new chapter of the story throughout Spencer's run. Yes, the just-started Mark Waid run is a perhaps welcome return to classic superheroics. But that run wouldn't pop the way it had Nick Spencer not so thoroughly shook things up.

25.) The Walking Dead

- While the TV adaptation has really hit a creative low, Robert Kirkman's comic book continues to produce fun, interesting stories that are, as per usual, true page-turners. If only the show would learn from the book's pacing and storytelling. In any case, 2017 saw the conclusion of the Whisperers storyline, an evolution in the relationship between Rick and Negan, and the heartbreaking death of one of the series' longest-running, most beloved characters in Andrea. While the TV show could barely keep my attention, the comic continued to keep me on the edge of my seat.

HONORABLE MENTIONS

- Mr. Miracle
- Birds of Prey
- Green Lanterns

- Deathstroke
- Detective Comics
- Reborn
- The Flash
- Green Arrow

- The American Way
- War Stories

SPECIAL MENTIONS:

After Death

- What - more Jeff Lemire? Yep. In addition to everything else the guy did, he also collaborated with writer Scott Snyder on the graphic novel After Death - the third and final chapter of which came out in 2017. This one is a must-read. It's a high-concept look at a future where death has been eradicated for a select few. It blends prose pages and comic book pages to masterful effect. It's maybe the best thing Snyder's ever written and some of the best art Lemire's ever produced. It's one you won't soon forget.

Penny Dreadful

- Okay, this one is pretty niche, but if you're like me and loved the recent Showtime series Penny Dreadful - but were left wanting more by its somewhat abrupt ending ... well, this is the comic for you. Penned by some of the show's creative team, the new comic is the final season of Penny Dreadful we never got - a big adventure that picks up right where the series left off, and feels spot-on in terms of nailing the characters and tone of the series. Not to be confused with the not-so-great comic that came out while the show is on the air, this still-ongoing book is actually a must-read for the Dreadful faithful.

Batman / Elmer Fudd

- Yes. Seriously. A Batman / Elmer Fudd comic is one of the best things I read this year. It's by Tom King, so there's that. But it's legitimately amazing. I know, I was skeptical too. Just read it and trust me.

DC Holiday Special 2017

- Oftentimes DC will put out a big Holiday special compendium of short comic stories, and typically they are a mixed bag. But there are sometimes some real gems in these books, and this year's special produced one of the best DC Comics stories of the year - written by (no surprise) Tom King. King penned a World War II set, Hanukkah-themed story about classic DC character Sgt. Rock - and it's amazing. To say too much would be to spoil it, but seek out this story if you like good comics! A new holiday classic from Tom King and DC.

WRITERS OF THE YEAR:

1.) Jeff Lemire (Black Hammer, Royal City, Descender)
2.) Ed Brubaker (Kill or Be Killed)
3.) G. Willow Wilson (Ms. Marvel)
4.) Kelly Thompson (Hawkeye, Captain Phasma)
5.) Peter Tomasi (Superman, Super-Sons)
6.) Brian K. Vaughan (Paper Girls, Saga)
7.) Greg Rucka (Lazarus, Black Magick)
8.) Dan Slott (Silver Surfer)
9.) Tom King (Batman, Mr. Miracle, Batman/Elmer Fudd)
10.) Tim Seeley (Nightwing)

ARTISTS OF THE YEAR:

1.) Nicola Scott (Black Magick)
2.) Sean Phillips (Kill Or Be Killed)
3.) Cliff Chiang (Paper Girls)
4.) Jeff Lemire (Royal City)
5.) Mike Allred (Silver Surfer, Bug)
6.) Sean Murphy (Kill Or Be Killed)
7.) Ryan Ottley (Invincible)
8.) Leonardo Romero (Hawkeye)
9.) Fiona Staples (Saga)
10.) Leslie Hung (Snot Girl)

THE BEST OF 2017 - The Best ROCK Of The Year


- 2017 was an interesting and hopeful year for rock n' roll, but a sad one as well. First, let me talk about Tom Petty. Petty is up there for me as one of my favorite musical artists of all time - and I know that's true for many of you as well. And so his loss was very, very hard to take ... and I'm still feeling it a few months later. Somehow, as fate would have it, my brother and I ended up seeing his final concert ever, at the Hollywood Bowl in September. I'd seen Petty a few times before, but this one was, I think, special for many reasons. It was, in my view, one hell of a show. Here's what I wrote on Facebook after hearing of Petty's passing:

" ... I am devastated to hear that Tom Petty has passed away. My brother and I just saw him and the Heartbreakers put on an amazing show this past Monday night at the Hollywood Bowl. And he is one of my all-time favorite musicians. He had a moment right as I was becoming an MTV junkie and a classic rock fan in the early 90's and "Mary Jane's Last Dance" came out. I loved that song and that video. I still do. It took me down a rabbit hole of Tom Petty's greatest hits - the kind of songs that, not to sound too cheesy, are just quintessential "life-soundtrack" songs. Iconic, yes - but also the songs of a hard-working, blue-collar man - an eternal wanderer who scraped and clawed his way through life. He broke down, free-fell out into nothing, learned to fly, and wouldn't back down. He taught us that "even the losers get lucky sometimes." I was lucky to see Tom Petty in concert several times - all in the LA-area that was popularized by so many of his songs. When I first moved here, I knew many an LA location from a Tom Petty lyric. I've bought every new Tom Petty album sight-unseen for years. His songs told stories, and I always wanted to hear them. They were stories from a man who knew that life could be hard, but also knew that there just might be a light at the end of the tunnel. Last Monday night was a celebration of 40 Years of Tom Petty & the Heartbreakers. Petty gave his trademark, enthusiastic "thank you - thank you all very much" after each round of applause. The band was still damn good, the best in the biz. Hearing those songs live - it was amazing every time. They were the human experience. I will never get tired of those songs, or their lyrics, or their stories. I am just sad that their brilliant creator is no longer with us."

There were some big losses this year in the rock world - from Tom Petty to Malcolm Young of AC/DC to Chester Bennington of Linkin Park. Chris Cornell of Soundgarden. And the godfather of rock himself - the legendary Chuck Berry. 

And yet ... there was some exciting new blood that came to fill the void and keep the rock n' roll torch burning. I'll talk about them more below, but hearing the amazing first album from Greta Van Fleet was a moment. These guys sound like the second coming of Led Zeppelin, and they're just barely out of their teens. It was awesome to see them enjoy strong commercial success as well. Yeah, I know - no one ever wants to see their favorite band make it big. But rock music needs some wins, and it needs to be heard. So this was cool. 

In addition to Tom Petty's final show, I saw some other memorable concerts this year as well. I saw a dream concert in Queen. Sure, the frontman was Adam Lambert and not Freddie Mercury - but Lambert surprised me with how great he was, and it was truly incredible to see the legendary Brian May and Roger Taylor perform so many iconic songs live. I never thought I'd get the chance. I saw Metallica for the first time ever, and had a blast rocking out to their hits and new stuff at the Rose Bowl. I also saw Green Day at the Rose Bowl - as the band once again re-affirmed that they're one of the all-time best live acts. I saw The Scorpions (an all-time favorite) with opening band Megadeth, the Red Hot Chili Peppers for a second time, and even a nostalgia-fueled show put on by Styx and REO Speedwagon. In a year that was tough on many levels, music was an escape - it was a call to arms, an inspiration, and a reminder of what unites us.

So here are my top rock picks of the year. And here's hoping for a rockin' 2018.


DANNY'S TOP ROCK SONGS OF 2017:


1.) Greta Van Fleet - "Black Smoke Rising" / "Safari Song"

-  I could honestly list just about every song from Greta Van Fleet's debut album, From the Fires, here and call it a day. It's one of the few albums of the last several years where I can simply say: if you're at all a rock fan, just go buy it immediately, and you will probably love it. This is just a concentrated blast of straight-up rock n' roll. It immediately calls to mind Zeppelin, but there are some dashes of Rush and other prog bands in there as well as moments that give the classic-sounding tunes a more modern twist. That said, everything from the album art to the song lyrics evoke times past - and there is an immediate comfort level with these songs. But they are so damn good, you can't write them off as mere homage. My two favorites are the opening track, "Safari Song" and the closer, "Black Smoke Rising" - as strong a one-two-punch as we've seen on any rock album in a long while. But it's just a great album from top to bottom - all fist-pumpers, toe-tappers, and songs ready-made to sing along to - no filler at all. I don't know, maybe I'm reading too much into it, but to me there's something poignant about a new generation rediscovering rock n' roll at a time, arguably, when it is needed most. As GvF sings on "Black Smoke Rising" - "Many people are dividing / And a world apart / With just one heart / Is bound to keel and fade away." And so let there be rock.

2.) Alice Cooper - "Paranormal" / "Paranoiac Personality"

- And then there was Alice Cooper - the last rock legend standing. I'm a longtime Alice Cooper fan, but I went on a deep dive through his extensive catalog this year and discovered gems like the drugged-out new wave album Flush the Fashion. I am continually amazed at how Cooper has evolved over the years and how he's made great music in so many rock subgenres. All the while, here in 2017, he's still putting out great new music. His latest album, "Paranormal," is legit great - full of fun, often darkly funny songs that span a variety of styles - from straight-up rockers to rockabilly and blues. The opening track, "Paranormal," is an atmospheric, horror-tinged tune that should make next year's Halloween playlist. "Paranoiac Personality" is a great classic-sounding rock song that is the album highlight. Cooper still rocks, and thank god for that.

3.) Paramore - "Hard Times"

- Paramore long ago stopped being a hard-rocking alternative rock band. And yeah, that's sort of a shame. But there's also no denying that Hayley Williams and company have become one hell of a pop-rock band, putting out catchy, dance-ready anthems that always bring something a little different to the table. And that's why "Hard Times" is so great - it's got some layers, lyrically and sonically. It rises above the pack.

4.) The Killers - "The Man" 

- Speaking of ultra-catchy pop-rock, it was nice to finally have The Killers back in 2017. While I didn't love their latest album overall, I did quickly take to their song "The Man' - a satirical dance-rock tune that brings The Killer's trademark future-disco sound to a different sort of song than what we're used to from them. 

5.) The Darkness - "Japanese Prisoner of Love" / "Happiness"

- I love The Darkness, so I always have super high expectations for their new albums. Overall, their latest felt like a slight letdown vs. their previous output - whereas I've unequivocally loved all the previous Darkness albums from top to bottom, Pinewood Smile was a mixed bag. Some songs were great, vintage Darkness. Others felt a bit phoned it, and a bit *too* cheeky for their own good. The band has always toed the line between serious homage to classic rock and winking parody, but something like "$&%%ing Out Solid Gold" definitely felt like a step too far. That said - there are some real standouts. First is the fast, loud, and utterly kickass rocker "Japanese Prisoner of Love," - one of the most metal tunes the band has yet put out. Second is "Happiness," - an 80's-style fist-pumper that reminded me of classic Cars. 

6.) The Foo Fighters - "The Sky Is a Neighborhood" 

- The Foo Fighters are now the old reliable engine of the rock world - a band that's managed to stay on top and keep churning out hit albums that rarely disappoint. Personally, I've definitely grown a bit tired of the band over the last several years - the songs started sounding same-y, and it had been a while since I felt like they'd delivered a true classic. But this year, the Foo's won me back a bit. Maybe it was them jamming out on Jimmy Kimmel this Halloween with Alice Cooper, backing him up on The Ballad of Dwight Fry. Maybe it was Dave Grohl patching up old wounds and rocking with Slash on stage. And maybe it was partly the pretty exceptional songs on their latest album, which reminded me that the band can indeed be pretty great. "The Sky Is a Neighborhood" is my favorite track from the album - an epic rocker that builds and builds towards a huge sing-along chorus. Good stuff. 

7.) Kesha (featuring The Eagles of Death Metal) - "Let 'Em Talk"

- You've got to love Kesha (now sans dollar sign). Aside from making some ridiculously fun dance-pop songs over the years, she's also a woman who knows how to rock. Over the years, she's collaborated on songs with the likes of Alice Cooper and Iggy Pop - and her latest album features a pair of songs created with The Eagles of Death Metal. "Let 'Em Talk" is an instantly likable tune - fast, fun, and insanely catchy. And it continues her album Rainbow's powerful message of empowerment. After going through hell with all of the Dr. Luke stuff, after being prevented for years from making new music - Kesha's triumphant return is one of the year's best comeback stories, and something every music fan can get behind. Let 'em talk indeed.

8.) U2 - "The Blackout"

- Similar to the Foo Fighters, its easy to take the always-prolific U2 for granted. But after giving their latest album, Songs of Experience, a listen-through, I found it to be really solid. It's got some great songs. My favorite is "Blackout" - a pretty epic rock track that's got a pointed political message, but doesn't sacrifice anything musically to put it out there. The song's got killer guitar riffs and a clap-along chorus that's got that trademark U2 sense of scale. I dig it.

9.) Charly Bliss - "Westermark"

- It seems like late 90's / early 00's-style pop-punk might be making a little bit of a comeback. And that's a good thing - I mean, who doesn't miss the days when bands like Sugarcult, Wheatus, etc. were on every college freshman's must-download-on-Napster list? In any case, if you're jonesing for a burst of Veruca Salt-esque female-led pop-punk, Charly Bliss is your ticket. The infectious bubblegum rock of "Westermark" is like hanging out with an old college friend. 

10.) Alice Merton - "No Roots"

- This one is getting a lot of radio play of late, and it's easy to see why. It's a dark, sort of haunting, yet very catchy song with a great beat - that also happens to feel very of-the-moment. Alice Merton's deep voice combines with a progressively more complex techno-beat to create something very unique sounding that stands out from the pack. "I've got no ROOTS!"

Tuesday, December 26, 2017

THE BEST OF 2017 - The Best TV Of The Year




THE BEST OF 2017 - The Best TV Shows of The Year


- First, a preface: I didn't really blog in 2017, and it was both a relief to pull myself away and sad to not churn out my usual movie reviews like I'd done in years' past. I made a decision to focus less on writing reviews, and more on my screenwriting - and I think that was the smart decision. At the same time, not writing full-length reviews of the movies I loved, the movies I hated, and the movies I was dying to talk about - well, it was hard, and my brief thoughts on social media didn't quite feel like enough. In any case, I'm going to use this year's Best-Of's to talk about some the things I loved this year that I didn't get to write about as I usually would have. So if you've been missing the reviews, buckle up. 


- Now, let's talk TV. Clearly, 2017 was a stressful, even deeply traumatic year for many. There's no getting around the fact that the Trump presidency (which I still can't believe is a real thing) had a profound effect on all pop-culture. 2017 therefore brought with it a number of TV shows (and movies, and music, and comics, etc.) that either directly or indirectly addressed the fears and concerns that many have about the current direction of our country. Yes, there was still a lot of pure escapism out there - and we needed that in 2017, too. But we also needed content that tackled our political climate head-on - and we got that in many forms as far as TV goes: from the just-one-step-removed-from-2017 dystopia of The Handmaid's Tale to the strong feminist messages of shows as diverse as Broad City and Supergirl. Certainly, late night TV series like Colbert and Kimmel - not to mention SNL - felt newly urgent and necessary. In the midst of this already-stormy atmosphere, the string of sexual harassment accusations that snowballed throughout the Fall and Winter exposed a lot of ugly truths about the entertainment industry. The #MeToo movement shed a lot of light on the ugliness that had long pervaded the business, and finally, there was a long-overdue reckoning for many serial harassers, abusers, and worse. As someone who loves TV and movies, it was disturbing to see just how deep the rot ran - not just from the actual abusers, but from those who placated and enabled them - individuals and corporations alike. The positive side of this, however, is that we finally seem to be turning a corner where abuse and misbehavior from those in power will not be tolerated. In 2017, we increasingly saw new and different voices emerge on and behind the camera. That will only continue if the industry as a whole is open, inclusive, and welcoming to new and diverse talent. And *that* will only happen if there's zero tolerance for harassment of women or others. 


- Politics aside, the growth of streaming really pushed the industry in new and bold directions this past year. Netflix, Amazon, and Hulu all took bold chances on series that never would have made it to air ten years ago (when TV series were still expected to fit nicely into pre-defined, well-established genres). Anything is possible now, creatively, in TV - and that's brought us minor miracles like the insane and avant garde Twin Peaks: The Return, or the deceptively layered comedy of Nathan For You. Of course, the downside of this is that there is literally no way to watch everything. There's no way to even watch just the good stuff - there's way too much of it. Netflix alone delivered a ridiculous number of great series this year - some of which I binged, some of which I've not yet gotten to, and many of which I likely never will. There are whole corners of the TV landscape I've not touched (hello, Netflix Marvel shows), and as you can probably tell ... I watch a lot. I still need to watch Mindhunter. I still am way behind on the brilliant Crazy Ex Girlfriend. There is great TV coming from all directions.


- So here is my list of the best of 2017 - a crazy, insane, often nightmarish year that (thank god) produced some incredible, memorable art and some damn fine TV.



DANNY'S TOP TV SHOWS OF 2017:



1. TWIN PEAKS: THE RETURN


 “We are like the dreamer who dreams and lives inside the dream, but who is the dreamer?”


- No one knew anything about what the new Twin Peaks would be - and it could very easily have been a disaster. After all, how many recent TV reboots and resurrections have tanked and been creative failures? But Twin Peaks felt different from the start. For one thing, it felt like the show had unfinished business: the original series (which I binged through last year in anticipation of the return) suffered through an uneven second season that saw its co-creator and creative mastermind - the great David Lynch - exit the show. The original also ended on an infamous cliffhanger that begged for some sort of resolution. And man, did we ever get resolution in The Return - but not anything like what we thought, and not anything like what what anyone could have anticipated. Twin Peaks: The Return was just so gloriously original and unique. As good as so much TV is these days, a lot of "Peak TV" does still feel beholden to certain formulas and conventions. In the age of internet hyper-scrutiny, we like our serialized TV told in airtight installments - we want everything neatly laid out and we want the pieces of every show's puzzle to fit together just right. We want shows that make us feel clever by justifying our fan theories and making us feel like we see the big picture. Yeah ... David Lynch was having none of that. Each week, he and co-creator Mark Frost gave us a hyper-concentrated burst of pure, unfiltered Lynchian alchemy. This was serialized TV, sure - with dozens of interweaving subplots, a cast of hundreds, and a labyrinthine mythology involving ancient spirits, mystical lodges, and evil doppelgangers. But it was also abstract, deliberately dreamlike, maddeningly obtuse, and amazingly artistic. I absolutely could not wait to watch each week's new episode. There were some draggy sections, sure, and some moments where it felt like Lynch was quite simply trolling his audience. But that was part of the fun. This wasn't some finely-tuned, made-by-committee pop-culture designed to inspire Twitter hashtags - this was just sheer creativity unleashed. It was messy at times, but frequently it was absolutely mind-blowing. And in that way, it became more fun to talk about than any other show - because the rabbit hole that Twin Peaks invited viewers to follow Lynch and Frost down was endless and full of infinite possibility. No one who watched will ever forget the nuclear blast (literally and metaphorically) of Episode 8 - one of the greatest, most jaw-dropping episodes of TV ever made. In one hour, Lynch gave us a Twin Peaks creation myth that was awe-inspiring, eye-popping, and just plain badass. The show also gave us so many incredible performances - first and foremost from the amazing Kyle McLachlan. McLachlan was iconic as Agent Dale Cooper on the original series - but here, he was transcendent. He was the embodiment of evil as "Mr. C," drop-dead hilarious (and oddly moving) as the child-like Dougie Jones, and finally - after a long, almost interminable wait - back in damn fine form as the returned Agent Cooper. I could go on and on about the cast and the characters. The returning Andy and Lucy - the heart and soul of Twin Peaks. Harry Dean Stanton, still kicking around, still amazing. Miguel Ferrer in his final performance, clearly having a ball playing off of Lynch's hard-of-hearing FBI boss. The haunting presence of the Log Lady. That Michael Cera scene - oh my god, that Michael Cera scene. Naomi Watts as Janey-E - does anyone do Lynch better than Naomi Watts? Again, I could go on and on. But I'll stop here and simply say: Twin Peaks was the best, most riveting, most mind-expanding, scariest, funniest, most haunting, most mesmerizing TV of 2017. Nothing else was even close. 


2. GAME OF THRONES


- I know, people have very strong opinions about Game of Thrones. And many people seem to have been not 100% pleased with this latest, penultimate season. But ... come on. What show inspired more conversation, what show had us on the edge of our seats, what show delivered more sheer epicness than GoT in 2017? After years and years of set-up, Season 7 was all payoff, and hot damn, it was glorious. I won't go into all the things that made this season so great, but I'll just say that this year was like watching all of my grade-school notebook doodles come to life. Dragons, ice zombies, zombie ice dragons! What more does one need?


3. NATHAN FOR YOU


- One of the most brilliant comedies in the history of TV. Period. This season cemented Nathan For You's place in the cannon, and showed that Nathan Fielder will pretty much do anything to make a great episode of TV. On its surface, Nathan For You is a semi-reality-based comedy in the vein of Ali G or Borat - Nathan (playing a hilariously exaggerated version of himself) interacts with real people, trying to improve their business and their lives via insanely complicated schemes that are patently absurd, yet always conform to a twisted sense of logic. But more so than that - and here's where things get deep - Nathan For You is a very dark comedy about finding human connection. About going out into the world and putting yourself out there, about flailing away and trying to make your existence mean something. I know, that sounds like a lot. But if you don't believe me, just watch this season's tour de force, movie-length finale - in which Nathan accompanies a 70-something acquaintance on a cross-country mission to track down his lost love. It's a weird, awkward, hilarious, yet deeply affecting odyssey that might just be the series' greatest moment. 


4. THE HANDMAID'S TALE 


- Talk about intense. The Handmaid's Tale was almost suffocating in its deeply resonant tale of a near-future gone horribly awry. The series has a methodical, slow-burn pace - but that only serves to emphasize its focus on the little moments that mean everything in the oppressive, dystopian nightmare the show presents. It's the subtle looks on the face of star Elizabeth Moss - who turns in an incredible performance that is among the year's best. It's the small victories, as when Alexis Bleidel's character briefly goes off-the-rails and, for a moment, gets the release, the freedom, the euphoria of being able to stick it to the Man. The writing on this show is truly something else - the way it slowly reveals this world's backstory (and does so with disturbing echoes of our own reality), the way it contrasts the often subdued onscreen action with the sharp, witty inner monologue of Moss' Offred. This was the timeliest, most urgent show of 2017 - but was also just great TV, period.


5. BATES MOTEL


- Talk about going out with a bang. Bates Motel had its ups and downs over its five-season run, but after a creative comeback in Season 4, the show absolutely knocked it out of the park in its fifth and final season. Freddie Highmore plunged new depths as the hanging-to-his-sanity-by-a-thread Norman Bates, and Vera Farmiga killed it (as always) as the now-deceased (but still very-much present) Norma. The one-two-punch of Highmore and Farmiga was consistently amazing - maybe the best acting duo on any TV show this year. And the show deserves credit for going dark and not flinching in taking Norman's story to its logical conclusion, even while cleverly subverting the story we know from Psycho. Bates Motel was often underrated, especially given just how great it got in its final two seasons. Watch it if you missed it!


6. BETTER CALL SAUL


- As Better Call Saul moved closer chronologically to the events of Breaking Bad, so too did the series' quality continue to reach for the very high bar set by its predecessor. This year, Saul was quite simply amazing. Not only did it benefit from the re-introduction of Gus Fring - still as intimidatingly sinister as ever - but it also brought its long-simmering brother vs. brother storyline to a fitting, emotionally gutting end. Not enough praise can be sent in the direction of the great Michael McKean. As many wonderful, iconic characters as he's played through the decades, Chuck McGill might be his crowning achievement. Watching McKean and Bob Odenkirk go at it was one of the true TV pleasures of the year. 


7. VICE PRINCIPALS


- I can't get enough of the powerhouse creative combo of Danny McBride, David Gordon Green, and Jody Hill. Everything they do is comedic gold, and everything they do pushes boundaries in amazingly hilarious, shockingly dark ways. This was undoubtedly true of Vice Principals, which this year delivered its second of two planned seasons and continued to evolve the show's story in wonderfully insane and unexpected ways. McBride, Green, and Hill have a gift for using pitch-black humor to deconstruct the fragility of the male ego - they did it in Eastbound & Down with the irredeemably depraved Kenny Powers, and they did it here with the slightly more layered characters of Neal Gamby and Lee Russell (brilliantly portrayed by McBride and Walton Goggins). The result was a comedic whirlwind that often had me rolling in laughter or my jaw on the floor in shock. I can't wait to see what these guys do next.


8. THE GOOD PLACE


- I've always loved high-concept comedy, and The Good Place is delivering an amazing mix of Parks & Rec-esque humor with a big, crazy, serialized story that's managed to deliver some legitimately jaw-dropping twists. What's more, the show just keeps getting better. Season 1 kept you guessing, finishing off with one of the year's best (and most meme-worthy) cliffhangers. Season 2 has impressed me by sharpening the comedic chemistry, making characters like Jeanyu/Jason and Janet some of the most reliably hilarious and quotable characters on TV. Meanwhile, Kristen Bell is 100% killing it, and Ted Danson has somehow mastered the art of being genial and endearing one minute, and scary and upsetting the next minute. But yeah ... when was the last time a show was this funny AND thought-provoking AND well-plotted? This show has gone from good and interesting to legit forking great. 


9. LEGION 


- The thing about Legion is ... it still feels like it could get a lot better. Season 1 was occasionally uneven, occasionally frustrating - but man, when it was on its game, it was holy-$&%& incredible. I can't wait to see what it can be now that it's gotten its sea legs. But I have faith. Creator Noah Hawley is a genius, and he delivered, via Legion, some of the most memorable sequences I've ever seen on TV. That silent-movie action montage from the penultimate S1 episode? That was straight-up next level. I saw it play again at the show's Comic-Con panel to a packed crowd, and the scene was even more thrilling the second time. And the show is helped by its stacked cast. Dan Stevens is a unique actor who perfectly portrays a mix of everyman likability with barely-restrained madness. And Aubrey Plaza on this show is just ... I mean, who knew that April Ludgate could be this scary-good? It's almost easy to forget that this is a Marvel mutant show - but here, that's just the icing on the cake.


10. BROOKLYN NINE NINE


-  I debated including a couple of different, more-than-worthy series in the #10 slot - but ultimately I went with B99 because it's been that damn good this year. The show was funny from Day 1, but in Season 5 it's funnier than ever. The cast is 100% firing on all cylinders, the show is hitting a storytelling stride, and the back-and-forth banter on the show is consistently making it 30 Rock levels of quotable. I could go through each cast member and extol their virtues, but for now I'll just single out Andre Braugher. The man has made Captain Holt into one of the funniest-ever TV characters, no exaggeration - and he was funnier than ever this year. How has Braugher not won an Emmy for the superlative work he's done here? In any case, S5 has to me cemented B99 as worthy to stand alongside the likes of The Office, 30 Rock, Parks and Rec, etc. as one of the best sitcoms of the last twenty years.



The Next Best:


11. FARGO


- Season 3 of Fargo perhaps did not match the soaring heights of Seasons 1 or 2, but it was still damn good TV. So many stand-out performances: Carrie Coon was phenomenal, and her standalone episode that focused on her going to LA was a classic. Michael Stulhbarg, Ewan McGregor, Mary Elizabeth Winstead, David Thewlis ... And how about all the great Coen Bros. tributes, including that scene in the bowling alley with Ray Wise playing the role of otherworldy sage? Noah Hawley and team did the impossible with this series, and once again delivered a must-watch TV event. 


12. AMERICAN VANDAL


- Brilliant. This Netflix Original mockumentary was a pitch-perfect send-up, both of true crime stories like Serial and of life in high school. Mashing up the two was a stroke of genius, and the show's intelligence and attention to detail was matched only by the many, many times it made me laugh with its ingeniously lowbrow sense of humor (the show got more comedic mileage out of the word "dicks" than anything else ever). 


13. RICK & MORTY


-  Season 3 of Rick & Morty was a long time coming, and expectations were huge - in the interim, the show became a real pop-culture phenomenon, with T-shirts in Target and everything. But Seasons 1 and 2 were so brilliant ... I don't know if S3 100% matched them episode for brilliant episode. But the highs of S3 were high - some amazing installments that continued the show's penchant for mixing crazy, random humor with legit-genius sci-fi concepts and surprisingly dark pathos. Pickle Rick was hilarious. The space spa episode was darkly brilliant. But the high point was "The Ricklantis Mixup" - a next-level episode that presented a dystopian world populated solely by Ricks and Mortys. That one was proof positive that Rick & Morty is still more than capable of being the best thing on TV when it brings its A-game. 


14. THE AMERICANS


-  Even an occasionally sluggish season of The Americans is better than most other stuff on TV. Season 5 was a pretty slow burn, heavily focused on the psychological ramifications of Philip and Elizabeth finally and fully bringing daughter Paige into the secret spy fold. And man, there was some amazing stuff here. Matthew Rhys and Keri Russell continue to put on an acting clinic with each episode. Holly Taylor began to show some real depth as Paige. And Noah Emmerich continues to probably be the most underrated actor on TV, making Stan Beeman - the FBI Agent with a heavy weight on his shoulders - into one of TV's most reliably great supporting characters. I am confident that this one is going to up the ante for its upcoming final season.


15. REVIEW


- It's a testament to how genius Review is that I'm ranking it so highly despite it airing only three episodes in 2017 - a surprise final season (truly a gift from the TV gods) designed to wrap up the series. And man, will I miss this show (I already do). Following our intrepid Life Reviewer Forrest MacNeil - so brilliantly played by Andy Daly - down a nightmarish rabbit hole was one of the true comedic pleasures on TV these last few years. I could write a whole essay just on this, but the way in which the series wove its main premise - a goofy show-within-a-show about reviewing life experiences - into a meta-narrative about one man trapped in a sort of nightmare purgatory, forced to ruin his own life in the name of making good TV ... well, it was just a staggering work of dark-comedy genius. I give this show ... five stars.


16. MASTER OF NONE


- I absolutely loved the first season of Master of None. S2 was a slightly more mixed bag for me - occasionally, I felt it veered slightly into pretentiousness (especially with regards to the at times too-melodramatic romance between Dev and Francesca). But even so, S2's best episodes were absolutely among the series' best. In particular, some of the one-off's that took the focus off Dev were brilliant. In fact, "New York, I Love You," a series of three vignettes about NYC life - featuring a diverse and eclectic cast of characters - was one of my favorite TV episodes of the year. Same goes for "Thanksgiving," which deservedly got writer and star Lena Waithe an Emmy. 


17. SHERLOCK


- Back at the beginning of 2017, Sherlock delivered three new movie-length episodes that comprised its long-awaited fourth season. While the first, "The Six Thatchers," was decent if not remarkable, the second and third installments were absolute barn-burners, culminating in an incredibly epic finale dubbed "The Final Problem." Benedict Cumberbatch has created an iconic version of Sherlock Holmes, but S4's MVP was perhaps the consistently excellent Martin Freeman as Watson. The twisty finale delivered some shocking moments - an all-time great episode for the celebrated series.


18. MR. ROBOT


- It will be hard for Mr. Robot to ever top its all-timer Season 1 - and some fans tuned out after S2 felt like a slightly dragged-out retread. But after a year-and-a-half break, the series returned in 2017 and really delivered - smartly focusing less on trying to trick the audience, instead honing in more on Elliott's fractured psychology and his fragile relationship with his alter ego, Mr. Robot. S3 saw the show get more overtly political than ever, sketching its version of Trump's ascension to make his unlikely rise part of the Dark Army conspiracy. It also upped the great Grace Gummer's role, giving her some fantastic scenes - and introduced Bobby Cannavale as a colorful Dark Army fixer. The season gave us a memorable one-take episode that presented a thrilling office-set action shoot-'em-up, and a finale that ranks as one of the series' best-ever episodes. Rami Malek continues to do amazing work on this show. And I'll also give a shout-out to the show's two leading ladies - Portia Doubleday and Carly Chaikin. Both are criminally underrated.


19. WET HOT AMERICAN SUMMER: TEN YEARS LATER


- Did we really need more Wet Hot American Summer? Probably not. Will I ever *not* be super excited for more comedy from The State crew? Hell no. While I don't know that these Netflix TV continuations will ever match the pound-for-pound genius of the original Wet Hot movie (one of the funniest films ever made), they are very, very good in their own right, and Ten Years Later delivered some huge laughs. The cast only got bigger and funnier with additions like Adam Scott and Alyssa Milano. But the core State crew of Michael Showalter, Michael Ian Black, David Wain, Ken Marino, Joe Lo Truglio, etc. is what makes this series so brilliant. These guys get absurdist comedy like no one else. 


20. CURB YOUR ENTHUSIASM


- First, let's say for the record that Curb is one of the greatest TV comedies of all-time. Like Top 10 great. So like every comedy fan, I was chomping at the bit for more Curb following a pretty, pretty long hiatus (like several years long) between seasons. And while the new Curb season at times faltered - and there was at times an extra cringe-factor to Larry and Jeff's shenanigans, given their advancing age and the current climate - there were still plenty of moments of brilliance to be found here, and still plenty of new, brilliantly-realized observations that will be quoted and re-quoted endlessly. This season taught us about "foisting," about "outfit-trackers," and about the power that comes with sitting at the desk vs. on the couch. And I do have to give a special shout-out to some of the supporting players who make Curb so funny ... every interaction, for example, between Richard Lewis and Larry David is comedic brilliance, for example. Or how about the great Bob Einstein as Marty Funkhauser - consistently one of the best things about Curb? What a genius. 


21. BROAD CITY


- Broad City has such a unique voice and comedic sensibility - it's always a pleasure to visit this world and get into the minds of Ilana Glazer and Abbi Jacobson. The two are completely fearless in the quest for laughs, and in a post-Trump World, Broad City emerged as one of the boldest comedies on TV, hitting back at Trump (whose name is bleeped out whenever it's mentioned) as only Ilana and Abbi can. This year the show gave us everything from a trip to Florida with Fran Drescher to an acid-trip animated episode. Still one of the freshest, most original, funniest shows on TV. 


22. THE LAST MAN ON EARTH


- I had dropped off of this show for a while, and binge-watched earlier this year to catch-up. While things had stagnated for a while, they *really* picked up in the second half of Season 3, which aired in the early part of 2017. Suddenly, you had Kristin Wiig in fine form, you had Chris freaking Elliott, and you had the show just clicking and delivering its funniest episodes since Season 1. Ultimately though, I give so much credit for this show's hilarity to the amazing Will Forte. The guy is just a machine on this series - as the overeager, serially annoying, habitually lying Tandy, Forte delivers great, hilarious performances week in and week out - aided by the sharpest writing the show has seen in a long time. If you fell off of this one as I did, catch-up is highly encouraged. 


23. RIVERDALE


- It's tempting to call Riverdale a guilty pleasure, but I'm not sure there's anything all that guilty about it. I mean, this show knows *exactly* what it's doing - namely, giving us an awesomely atmospheric mash-up of 1950's Archie Comics whimsy, neo-noir Veronica Mars-esque mystery, and addictively soapy CW teen drama. This is all helped by a great cast, and by second-to-none production values that make every episode look amazing. The show pops visually like few others - the colors, the lighting - all perfect. And the way the show rides such a delicate line tonally - it's all just gloriously absurd. This show shouldn't exist, let alone be this good.


24. STRANGER THINGS 2


- Like so many others, I was all aboard the Stranger Things hype train last year. I loved everything about the show, from the spot-on theme song to the great characters to the pitch perfect homages to all things 80's pop-culture. And like everyone else, I was 100% psyched for more. Now I did *like* Season 2, but as a whole I'm not sure that it worked anywhere near as well as S1. Rather than take big bets, S2 felt like a lot more of the same, at its worst, descending into self-parody. At it's best though, Stranger Things still delivered a rush of nostalgia-fueled adventure like few other series. And the characters are so likable, it's hard not to root for them or for this show. But next time, I'd like to see a genuine expansion of the mythology and of the show's world (hinted at in the divisive, Eleven-centric Episode 8 ... which I really liked, but definitely felt shoehorned-in), and less so a greatest hits remix.


25. THE STRAIN


- I again debated what to put into this final slot, but I wanted to mention a show that was, for four seasons, a genuine pulpy pleasure. Now don't get me wrong, there were plenty of moments in the show's run when things got outright bad and hard-to-watch. But those of us who persisted were rewarded with a legitimately pretty-awesome final season that was a satisfying conclusion to this insanely over-the-top horror/action series. The show had a lot of fun characters, but let's face it: the reason to watch The Strain was for its villains - and it had one the most awesomely evil TV villains ever in Nazi vampire Thomas Eichorst, played with the perfect degree of theatrical over-the-topness by Richard Sammel. Eichorst's decades-long rivalry with Holocaust survivor Abraham Setrakian came to a thrilling conclusion in The Strain's final few episodes - and overall, the show had that rare gift - a pretty great final season. 




SPECIAL MENTIONS:


a.) SUPERGIRL / THE FLASH / ARROW / LEGENDS OF TOMORROW - "Crisis on Earth X"


- I have long and complicated thoughts on the CW's slate of DC Comics series. I still keep up with The Flash (though it struggled mightily with its plotting in S3), and the hot-and-cold Supergirl just barely missed out on making the list above. The fact is, these shows all have likable casts and a great spirit that captures the essence of the DC Comics source material in a way that the movies, of late, have not. And at their best, The Flash and especially Supergirl can deliver great TV when they bring their A-game. But these shows get absolutely killed by the fact that they are still forced to churn out 22 episode seasons. It's too much, and there are too many diminishing returns - and way too many draggy storylines that take *forever* to wrap up, and that struggle to deliver satisfying pay-offs. And the shows still get too wrapped up in endless will-they-or-won't-they romance plotlines that, too often, fall prey to the CW's bag of CW cliches ("what are you keeping secrets from me?!"). That said ... as mentioned, these shows *can* deliver, and when they do, they often deliver big. Case in point - the absolutely terrific "Crisis On Earth X" four-part crossover event, which did a big, comic-book-worthy epic and really knocked it out of the park - with tons of humor, heart, and exciting action. Crisis On Earth X was so good that it actually, I think, helped to actively make the big-screen Justice League look even weaker by comparison. More, please! 


b.) BETTER THINGS


- I have such mixed feelings about this show. I was fully onboard previously, but this past season was very up and down. At its worst, the show comes off, to me, as just plain miserable. Sometimes, it seems, it lacks perspective on just how cloying and awful its characters come off. But at its best - in particular, when it finds rays of light amidst the darkness, it can be fantastic. Case in point: was on the verge of dropping this show, until the Season 2 finale, "Graduation," which gave Pamela Aldon and her cast the rare moment of fun, really got be back rooting for this series and its talented cast and crew.


c.) ORPHAN BLACK


- There is so much to like about Orphan Black. At its peak (I'd say Season 2), it really was one of the best series on TV - exciting, unpredictable, and featuring an astonishing and star-making central performance from Tatiana Maslaney. I loved what this show stood for - the way it championed diversity, individuality, and strong female characters. Speaking of which, I loved the characters - Sarah, Cosima, Helena, Alison - so great, each of the cloned "sestras" brought to unique life by the amazingly-talented Maslaney. But as much as I loved the show, it just lost all momentum by the time it got to its fifth and final season. The plot had become a convoluted mess, and the show seemed to lack a real reason for being, with barely any narrative drive left. It thrived only when it gave us those great little character moments that made the show so likeable. Still, I was sad when it ended, and the show gave us a solid-enough finale that provided closure and gave the characters a well-deserved send-off. 


d.) GLOW

- Here is the show that I think has the most room to improve in Season 2. I liked Season 1 all the way through, but felt it really came together and gelled in those last couple of episodes (therefore why it just missed the cut of my Top 25). Now that the beginnings of the GLOW federation have been established, there is a lot of fun to be had in showing the behind-the-scenes goings on of the organization, and a look at all the stranger-than-fiction stories around the world of professional wrestling. The cast is great, all the potential is there - this is most definitely one to watch in 2018.

e.) HUMANS

- I don't know if this should be categorized as a guilty pleasure or not, but I sort of love Humans - the British import sci-fi series that airs here in the US on AMC. It does some things shockingly well (looking at what might happen were human-like robots designed for servitude to suddenly become fully sentient), and does some things sort of clumsily (somehow all the major world events of the show center back to the one main family and their goofy teenage kids). But there's enough nerdy-awesome stuff here - and enough fun characters - to keep me eagerly coming back for more. Also: best/coolest opening credits sequence on TV outside of Stranger Things. 

f.) BLACK MIRROR

- I'm adding this one in as a last-minute addition. As I write this, I've just binge-watched through Season 4 of the seminal anthology series, and it did not disappoint. While I don't know that any one episode matched the A+ highs of last season's Nosedive or San Junipero, S4 still contained some truly great television that re-affirmed this series' status as the modern-day Twilight Zone. I think my favorite was the premiere - a darkly funny, edge-of-your-seat exciting riff on Star Trek, VR, white male privilege, gamer-gate, tech, and about five other things. A new batch of Black Mirror episodes always feels like an enormous treat - it's almost hard to believe that there's a sci-fi anthology like this that exists and that's actually this good. More, please!


INDIVIDUAL AWARDS:



The Best TV Heroes of 2017:


1.) Agent Dale Cooper - Twin Peaks: The Return

2.) David Haller - Legion
3.) Eleven - Stranger Things
4.) Gloria Burgle - Fargo
5.) Jon Snow - Game of Thrones


The Best TV Villains of 2016:


1.) "Mr. C" - Twin Peaks: The Return

2.) The Shadow King - Legion
3.) The Night King - Game of Thrones
4.) V.M. Varga - Fargo
5.) Irving - Mr. Robot


The Best TV Anti-Heroes of 2016:


1.) Neil Gamby and Lee Russell - Vice Principals

2.) Rick Sanchez - Rick & Morty
3.) Jughead Jones - Riverdale
4.) The Hound - Game of Thrones
5.) Mr. Robot - Mr. Robot


Best Actress in a Comedy:


1.)  - Kristen Bell - The Good Place


Runners Up: Pamela Aldon - Better Things, Ilana Glazer - Broad City, Abbi Jacobson - Broad City



Best Supporting Actress in a Comedy:


1.) D'Arcy Carden - The Good Place


Runners Up: Kristen Schaal - The Last Man on Earth, Kristin Wiig - The Last Man on Earth, Edi Patterson - Vice Principals



Best Actor in a Comedy:


1.) Danny McBride - Vice Principals


Runners Up: Aziz Ansari - Master of None, Will Forte - The Last Man on Earth, Andy Samberg - Brooklyn Nine Nine



Best Supporting Actor in a Comedy:


1.) Andre Braugher - Brooklyn Nine Nine


Runners Up: Walton Goggins - Vice Principals, Manny Jacinto - The Good Place, Ted Danson - The Good Place



Best Actress in a Drama:


1.) Elizabeth Moss - The Handmaid's Tale


Runners Up: Keri Russell - The Americans, Lena Heady - Game of Thrones, Vera Farmiga - Bates Motel, Carrie Coon - Fargo



Best Supporting Actress in a Drama:


1.)  Aubrey Plaza - Legion


Runners Up: Alexis Bleidel - The Handmaid's Tale, Naomi Watts - Twin Peaks: The Return, Laura Dern - Twin Peaks: The Return, Grace Gummer - Mr. Robot, Mary Elizabeth Winstead - Fargo



Best Actor in a Drama:


1.) Kyle McLachlan - Twin Peaks: The Return


Runners Up: Freddie Highmore - Bates Motel, Rami Malek - Mr. Robot, Bob Odenkirk - Better Call Saul, Matthew Rhys - The Americans, Dan Stevens - Legion, Bob Odenkirk - Better Call Saul



Best Supporting Actor in a Drama:


1.)  Michael McKean - Better Call Saul


Runners Up: Jermaine Clement - Legion, Michael Stuhlbarg - Fargo, David Thewliss - Fargo, Noah Emmerich - The Americans