THE BEST OF 2021 - The Best ROCK Of The Year

 

 

- The last concert I saw in 2020 was in February - an 80's-themed throwback show in downtown Los Angeles, featuring a dozen or so retro bands like Flock of Seagulls and Wang Chung and even MC Hammer. It was a fun night, but little did I realize at the time that, in about a month's time ... the whole world was about to shut down. It was a long year and a half of quarantine, anxiety, and no live performances.

But luckily, vaccines helped to pave the way for the return of live shows this past summer. For a moment at least, things seemed to be getting better. Since the summer, I've seen some amazing live shows. Green Day/Weezer/Fall Out Boy at Dodger Stadium and Alanis Morissette/Garbage at the Hollywood Bowl were both incredible concerts, and hugely cathartic after a year of being mostly trapped indoors. It's funny (and a bit sad) how so many of Green Day's Bush-era American Idiot anthems took on new resonance in the here and now. And, the show was this long-time Weezer fan's first *ever* time seeing the band live. In any case, hearing the stadium-shaking rock songs from those bands as well as Fall Out Boy quite simply hit different given that we were all freshly-emerged from months of the stay-at-home blues. As for Alanis, she's been one of my favorites forever, but I'd never seen her in concert until now. She absolutely killed it and put on a show for the ages. If anything, the show reinforced just how incredible of an album Jagged Little Pill was (and is, 26 years in) - just one iconic song after another.

I also returned to the theater to see some musicals, thanks to strict proof-of-vax and masking requirements in the City of LA. I *finally* saw Hamilton live for the first time ever (it was great!), at the Pantages theater, after having had tickets for April 2020 and that show obviously getting canceled as the pandemic raged. I also saw a great musical called The Band's Visit, which was really interesting - an Israel-set musical with some great songs and fun characters.

Will we still be able to go to concerts and live shows in 2022? Here's hoping. It's one of my favorite things to do, and in normal times there's so many great venues and shows to check out here in LA - it's one of the best parts of living in this city. 

Now, as for new music in 2021 - there were some killer new releases, and some of my favorite new albums in a while. Many long-delayed projects finally released, and some of my favorite bands finally came out with new stuff, a lot of it excellent. So without further ado ... here are my picks for the best of the year.


DANNY'S TOP ROCK SONGS OF 2021:


1.) Dead Sara - "Heroes"

- Dead Sara has been one of my favorite modern rock bands for a long time now, and their latest album Ain't It Tragic is both a kickass return to form and an interesting evolution of their sound. "Heroes" is my favorite track from the new release - a soulful rocker that takes full advantage of singer Emily Armstrong's husky yet powerful vocals. The song's lyrics seem to lament the state of the world in a way that I found poignant and powerful. But ultimately, this is just an awesome rock song - one of the band's best ever.


2.) Iron Maiden - "Writing on the Wall"

- Iron Maiden returned this year with an absolutely incredible double album, Senjutsu - an epic rock adventure that runs of the gamut from fast-paced head-bangers to slow-build metal ballads. For me, the album's lead single "Writing on the Wall" was my favorite - a straightforward rocker tinged with Western and medieval sounds, a killer chorus, and even an awesome animated music video that's like Heavy Metal meets Mad Max: Fury Road. Iron Maiden in peak form, baby.


3.) The Offspring - "Let the Bad Times Roll"

- Punk rockers The Offspring returned with a new album this year after a lengthy hiatus, and it was worth the wait if only for some legit great new songs like "Let the Bad Times Roll" - a vintage Offspring pop-punk rocker with lyrics that speak to the modern era of darkest-timeline insanity. So good.


4.) Weezer - "I Need Some of That"

- Weezer's album of 80's-style rock songs, Van Weezer, was delayed so many times that I kind of wondered if it would ever release (the band even did a whole other album in between Van Weezer's announcement and eventual 2021 release, and the first single off the album, "The End of the Game," made my Best of 2019 list!). But ultimately, this was worth the wait, as in my opinion this was Weezer's best overall album in many years - especially, if, like me, you're more a fan of their vintage pop-punk sound vs. their forays into mellower emo fare. "I Need Some of That" is about as pop-punk as you can get, an upbeat rocker that still contains bursts of Weezer quirk. And it references Aerosmith to boot, so you *know* I'm going to dig it.

5.) The Dropkick Murphys - "Lee Boy"

- The Murphys released a new album this year, and it was a comfort-food pleasure to get another dose of the band's trademark Irish-flavored punk rock. Boston's favorite sons almost always deliver solid albums, and this one was no exception. One standout track is Lee Boy - a fist-pumper of the vintage DKM variety, a feel-good ode to a friend of the band who seems to be, well, just a pretty solid dude. And in this day and age, that's something well worth celebrating.


6.) The Pretty Reckless - "Only Love Can Save Me Now"

- The Pretty Reckless returned this year with more of their soulful, goth-tinged hard rock - and it's tracks like this one that remind why they're such a welcome throwback to the rock n' roll glory days when guitar gods reigned supreme. This one's got some badass riffs and, of course, singer Taylor Momsen's deep-voiced growl. "The sound, the sound, the world is spinnin' out ...". Yeah, that tracks.


7.) Iron Maiden - "Death of the Celts"

- I had to throw in one more track from Iron Maiden's latest album. Whereas "The Writing on the Wall" is the standout straight-up rocker, "Death of the Celts" is an epic ballad that take some time before it can really sink its hooks into you. It's an Iron Maiden oddity for sure, but the almost medieval-like balladry combined with Bruce Dickinson's ever-operatic voice make for a new Maiden classic.


8.) The Darkness - "Motorheart"

- The Darkness' new album Motorheart gives us more of the UK band's vintage glam-rock stylings, with their usual mix of earnest rocking and tongue-in-cheek absurdity. The title track is the perfect emblem of the band's style - it legit rocks, but it also tells a crazy, over-the-top tale of finding love in all the wrong, robotic places.


9.) The Linda Lindas - "Racist, Sexist Boy"

- This out-of-nowhere viral punk rock hit warmed the heart - a couple of teenage girls raging against the machine ... or, in this case, a racist sexist boy who was, seemingly, racist and sexist and absolutely deserving of the verbal smackdown laid upon him in this anthem for the ages. The punk rock of it all is only heightened by the fact that the original viral video featured the band performing ad hoc in, of all places, their school library. Now that's badass.


10.) Dead Sara - "Hypnotic"

- Okay, fine, one more from Dead Sara. They had such an awesome new album this year that they deserve it. And "Hypnotic" is one of those risky departures from the band's usual sound that totally pays off - it's a banger ... a bouncy techno-rock song that makes you want to throw your hands up and get down. Do I want this to be the new direction of the band? Not really. But hey, it's always cool when an old favorite can surprise you.

THE BEST OF 2020 - The Best ROCK Of The Year

 

- Continuing what will be a recurring theme of this year's Best of 2020 posts ... 2020, it must be said, was a strange year. Because of COVID-19, it was a year (mostly) without concerts and live music. It was a year where we were all stuck at home. It was a year where almost nothing went according to plan.

The last live concert I saw was in February. My amazing girlfriend Rebecca and I went to the Microsoft Theater in downtown LA to see the annual 80's Weekend show (it's an annual show, but this was my first!) - featuring dozens of bands who made their name in the most radical of decades. It was a ton of fun - I saw some of my favorites of the era live for the first time. From bands I am genuinely a big fan of like Missing Persons, to one-hit wonders (okay, in some cases three-hit wonders) like Wang Chung, Josie Cotton, Flock of Seagulls, Dramarama, Big Country, Violent Femmes, and The Romantics. The closer was none other than MC Hammer himself - a bit of an outlier in the lineup (especially given that I think of him as more of an early 90's star) - but man, I was an MC Hammer *fanatic* as a young kid, so it was cool to once again get "2 Legit 2 Quit." And by the way, MC Hammer was actually the first big concert I ever attended as a kid - so it was definitely a full-circle moment. I guess if things never get better, pandemic-wise, it would be a weird irony if somehow my first and last concerts both featured Hammer.

And then, things just ... stopped. When things got bad in March, I had tickets to see a bunch of live shows later in the year - Alice Cooper, a live performance of Hamilton at the Pantages theater ... and sadly, one by one, they were all cancelled (along with other planned 2020 events like The Paley Fest, WonderCon, and Comic-Con ...).

Even so, music was a big part of my quarantine survival strategy. Music helped me to concentrate while working, writing, and exercising. It helped me to relax, whether I was chilling out at home or driving to nowhere in particular. It helped to funnel my anger at the insane politics of this year, and motivated me to do what I could to "fight the power," scream to the rafters that #BlackLivesMatter, and push for change to whatever extent that I could. In fact, for me (and I suspect many), one of the best musical moments of the year came on a Saturday night in November - watching Joe Biden's big victory speech on TV. After the speech, a medley of songs played as fireworks boomed in the night sky. Tom Petty's "I Won’t Back Down" began to play, and man, was that a great moment. It was then that the battle of the last four years finally felt over - at least for a bit. We could pause, reflect, breathe, and take a moment to remember those we'd lost along the way.

So with that said, here are my top rock songs of 2020. A mix of long-established stalwarts and newer acts, this was a year where hearing new music from old favorites was certainly welcome. To that end, this year saw great new music from the likes of AC/DC, Springsteen, and McCartney. It also saw the reunion of one of my favorite recent rock acts, Foxy Shazam. And it saw a flood of pandemic-inspired songs meant to inspire and rally us - some worked, some didn't.

Here's to a better 2021 filled with concerts, live shows, and lots of rock.

DANNY'S TOP ROCK SONGS OF 2020:

1.) Bruce Springsteen and the E Street Band - "Ghosts"

- The Boss has always been a chronicler of hard times, and there were no harder times than 2020. In a year when so many were in denial, when so many seemed so removed from the plight that this country was in, from the hurt people were feeling - here was Springsteen to guide us towards the light. I'm no diehard Bruce fan - casual at best - but every so often one of his songs just really soars and speaks to the moment, and this year that song was Ghosts. We are here, we are alive, and we will get back to where we were and where we can be. 

2.) AC/DC - "Witch's Spell"

- AC/DC has been a constant in the world of rock for decades upon decades - but it seemed that their long trek across the highway to hell might finally be coming to an end. The death of Malcolm Young and the health issues of Brian Johnson forced the band to cancel their tour several years ago and stay off the road (I was lucky enough to be at their last-ever show in LA). But against all odds, AC/DC returned in 2020, and they were as thunderstruck as ever - with a new album that was exactly what any fan would want. "Witch's Spell" was, to me, the standout - a hard-driving rocker with a hint of supernatural menace. Inject it into my veins, baby.

3.) Miley Cyrus (with Billy Idol) - "Night Crawling"

- Miley is no ordinary pop princess - she knows how to turn out genuine rock bangers, and her latest album has a few of them. But to me, the one that hit the hardest was her retrowave, synth-filled, fist-pumping song "Night Crawling" - a collaboration with 80's icon Billy Idol. The song could stand proudly next to other 80's Idol classics, prompting listeners to let out a rebel yell due to its sheer retro awesomeness.

4.) Tom Petty - "California"

- I was devastated by the death of one my my true rock n' roll heroes, Tom Petty, back in 2017. I was at his final concert - an incredible show held at the Hollywood Bowl only days before his passing. It was a death that hit me hard - Petty's music had particular meaning to me, and I always looked forward to buying new Tom Petty albums. In 2020 though, we got one last collection of new Petty songs - as part of the Wildflowers & All The Rest album reissue, which included a whole batch of unreleased songs from the archives. "California" was the one that spoke to me - as a California transplant, the lyrics hit home - "California's been good to me." It was good to Tom, and it's been pretty good to me too.

5.) Paul McCartney - "Find My Way"

- A late-in-the-year treat, Paul McCartney's latest solo album featured a song, "Find My Way," that felt like the perfect song with which to end 2020 and head towards (hopefully) a new and better year ahead. Yes, in this upbeat rocker, Sir Paul promises to guide us towards that light at the end of the tunnel. With blaring horns and crunchy Queen-like guitars, this song acknowledges the anxieties of the pandemic era while also offering to lift us up towards good times to come.

6.) Foxy Shazam - "Dreamer"

- After a seeming breakup and long hiatus, Foxy Shazam returned in 2020, and thank the lord for that. At one point, I was convinced that Foxy was destined to be the next big thing in rock - a band that seemed to channel both the majesty of Queen and also the unhinged energy of Iggy Pop. "Dreamer" is a great song from their comeback album - a slowly-escalating power-ballad that, eventually, erupts into a glorious explosion of rock. Welcome back.

7.) Alice Cooper - "Don't Give Up"

- Perhaps Alice Cooper was an unlikely candidate to provide an inspirational, motivational pandemic anthem - and yet, as a devoted fan of the legendary shock-rocker, I know well that he's an incredibly versatile musician who can do just about anything. "Don't Give Up" has a 90's grunge sort of sound - complete with spoken-word interludes in between its hard-driving chorus. Cheesy? Maybe. Awesome? Hell yeah. Released back in May, hearing Alice Cooper's distinct voice telling us "don't give up" was just the rallying cry I needed.

8.) The Pretty Reckless - "Death By Rock And Roll"

- The Pretty Reckless at their best create music that rocks like some femme fatale version of Guns n' Roses. One of their new 2020 songs, "Death By Rock And Roll," channels that classic brand of GnR sleaze-rock to great effect, augmented by Taylor Momsen's powerful pipes. Come for the kick-ass rock, stay for the cheeky Gossip Girl reference in the song's opening line.

9.) Dead Sara - "Hands Up"

- Dead Sara is one of the best rock bands of the last twenty years, and they delivered some new rock n' roll goodness this year - with another album that went hard against bigots, fascists, and Trump himself. This was the kind of rage-against-the-machine rock we needed desperately in 2020. And few frontwomen can growl out lyrics like singer Emily Armstrong.

10.) Weezer - "Beginning of the End"

- 2020 saw a new Bill & Ted movie, and thus it also needed a new catchy rock song to go along with this new most-excellent adventure (after all, let us not forget that Bogus Journey gave us the KISS classic "God Gave Rock & Roll to Us"). This new Weezer jam from the Bill & Ted soundtrack is a catchy bit of retro guitar rock - fitting with the classic-rock tone that seems to characterize the band's upcoming and long-delayed album Van Weezer. 

THE BEST OF 2014 - The Best ROCK Of The Year

THE BEST OF 2014 - THE YEAR IN ROCK

- 2014 saw a continuation of the previous year's slowed momentum for all things rock. And yet, there were signs of a pulse. Some great new bands emerged from far corners and unexpected places. It was also a year in which some of rock n' roll's biggest titans stood tall - determined to send a message that, as long as they were still alive and kicking, rock yet lived.

If nothing else, 2014 was the year that AC/DC returned. Despite illness and turmoil in the band, the rock legends pulled it together for, perhaps, one final run. And that effort brought us Rock Or Bust, and album that continues AC/DC's uncanny, unflappable streak of delivering great rock music without fail. In these waning days, a new AC/DC album was a true gift from the rock gods - a reminder of what pure rock sounds like from a band that embodies the rock n' roll spirit. In 2014, I bought a new AC/DC album, and that alone makes it a pretty damn good year in my eyes.


Other big rock acts hit back this year with new material, to varying degrees of success. Tom Petty and the Heartbreakers - prolific in recent years - came out with Hypnotic Eye, which was a solid if not amazing album. What really sold me on its songs though was when I heard them played live. I saw the Heartbreakers play in LA at The Forum, and it was a true show for the ages. Petty was in rare form, and he blazed through hits and rarities and new material. And the tracks he played off his latest album sounded phenomenal on that night. Weezer, The Foo Fighters and Jack White also came out with some great new music, though the biggest news in the rock world may have been U2's iTunes album-drop. I'll admit, something about the spectacle of it all turned me off. But eventually, I warmed up to some of the songs, and felt grateful that U2 was still capable of doing innovative stuff here in 2014. The gifting of the album to everyone though? It may have been a little much.

But really, did anyone have a better year than "Weird" Al Yankovic? One of my musical and comedy heroes since childhood, Weird Al had a true moment in 2014, and it was well-deserved. For a while, Weird Al's offbeat but inherently well-meaning brand of comedy seemed decidedly uncool. Liking Al was the musical equivalent of admitting to playing Dungeons & Dragons. But in 2014, the world finally caught on to the fact that Weird Al is a by-god national treasure - a man whose songs are clever, funny, and the rare sort of pop-cultural treasure that can be equally appreciated by people of all ages. America was loud and proud in its collective love for the Weird One in 2014, and man, it's about damn time. I guess it's just another sign that the nerds have won? But regardless, it was great to be living in a world in which Al is a beloved icon, and even more so, a world where his latest album became a #1 chart-topper. With spot-on parodies of the latest pop music, Al's latest was right up there with his greatest. What a man.

I do think that 2015 has the potential to be a real turnaround year for rock. There are several albums I'm looking forward to in the new year, including new albums from favorites like The Darkness and Scorpions. But my main hope is simply that good new stuff gets played. Every so often I'll hear a great new song, like Volbeat's infectious rocker "Lola Montez," and I'll think "Yes, this. Show me more of this." Or I'll get turned on to a great new band, like Twenty One Pilots, whose 2013 album Vessel was my favorite musical discovery of this year. Hearing songs like "Car Radio," "Semi-Automatic," and "Guns for Hands," I was sort of blown away. This was new, original, different ... but it was 100% rock. I want more new bands - bands that embody rock n' roll (as opposed to the seemingly neverending parade of folky indie bands) - to break through in the coming year. And by the way, I'm going to include both of the above in my 2014 best-of, because neither really hit the mainstream until this year.

I also saw some great live shows in 2014. I saw none other than KISS in concert (with opener Def Leppard), and they completely rocked. Talk smack about them if you like, but they still put on a hell of a show. I last saw KISS circa 2003, so eleven years later, it was great to see 'em one more time. I also saw Motley Crue at the Hollywood Bowl, during their farewell tour. I'm only a casual Crue fan, but it was a great, hugely energetic show - made even better by the fact that the opener was one of my all-time faves, the legendary Alice Cooper. I also saw Tom Petty and the Hartbreakers, as mentioned, and it was a fantastic show at The Forum. An added treat was seeing opener Steve Winwood - not someone I'd see solo, but a definite bonus in this instance. Finally, I was lucky enough to see The Simpsons, live at the Hollywood Bowl. A 25th Anniversary celebration, featuring key voice talent from the show - as well as special guests like Conan O'Brien, Jon Lovitz, and Weird Al - it was a fantastic tribute to the show and all of the great songs and musical numbers it's produced over the years. As a lifelong Simpsons fan, this was a rare treat.

Here's to a rocking 2015. As AC/DC said: it's rock or bust, baby.



DANNY'S TOP ROCK SONGS OF 2014:


1.) Twenty One Pilots - "Car Radio" / "Semi-Automatic"

-  I heard "Car Radio" on the radio one day (ironically enough), and it was one of those "thank god for Shazam" moments. The song was not quite like anything I'd heard before - an escalating descent into madness that evolved from a deliberately spoken rap/emo hybrid into a head-banging rock/EDM rager. Soon after, I caught Twenty One Pilots when they performed on the MTV Movie Awards back in April. These guys were insane. Donning white face masks and stage-diving into the crowd like alien freaks, this was, finally, it seemed to me, a legit rock band for the 2010's. As I dove into their album, "Vessel," I was pretty amazed at how seamlessly they blended rock, rap, and EDM to create something wholly unique. "Car Radio" and "Semi-Automatic" are my favorite examples of their sound - great, catchy songs that go from zero to one-hundred and just plain rock.

2.) AC/DC - "Rock Or Bust" / "Rock the Blues Away"

-When I heard "Rock or Bust," all seemed right with the world. This is just straight-up classic rock, the sort of stuff that AC/DC seems to be able to churn out in their sleep. And yet, with a long gap between albums, and with rumors that this could be their final run, this is not the sort of song we can take for granted. In reality, "Rock or Bust" is a minor miracle - a song that's vintage AC/DC at a point in the band's career when they shouldn't be able to still be making music this good. "Rock or Bust" is yet another mission-statement from a band that is needed now more than ever, digging their heels in the sand and saying "Rock on its deathbed? Not on our watch."

3.) Weezer - "Back to the Shack"

- Weezer gets a lot of undeserved crap, but the one thing that is true is that it was high time that they delivered a kick-ass rock song on the level of their best tunes. Luckily, they did just that with "Back to the Shack," a stand-up-and-clap-your-hands rallying cry that beckons listeners to rock out "like it's '94." This is Weezer at its best - confessional and defiant, funny and flip, rocking confidently while also being self-effacing.

4.) Tom Petty and the Heartbreakers - "Shadow People" / "Forgotten Man"

- With each passing year, Tom Petty seems less and less interested in creating a radio-friendly rock anthem in the vein of his greatest hits. But he can still rock a jam like nobody's business, and he's still one of the best lyrics-guys in the biz. "Shadow People" is a mesmerizing, hypnotic jam that sucks you in and doesn't let go. "Forgotten Man" is a more straight-up rocker, a bluesy tune that casts Petty as a man out of time. Like that's news. 

5.) Jack White - "Lazaretto"

- I still miss The White Stripes, but Jack White has been keeping plenty busy, and I can't deny that his solo stuff has been pretty consistently excellent and interesting. His latest album was an eclectic mix of sounds and styles, but "Lazaretto" is the loudest, most badass rocker of the bunch. With White's trademark guitar stylings and rebel-yell vocals, it's the kind of song that makes you appreciative that guys like White are carrying the rock torch loud and proud.

6.) Volbeat - "Lola Montez"

- I noticed this song one day atop the iTunes charts and gave it a listen. What I heard was one of the catchiest rock songs in a long while, the kind that begs you to sing along and jump around. The source is unlikely - Volbeat is a Danish rock band whose songs lean towards the metal side of the spectrum. But Lola Montez is a melodic, anthemic song - with strange lyrics about a legendary Spanish dancer. Whatever it is, it works, and I'm pumped to hear more from this band.

7.) The Pretty Reckless - "Heaven Knows"

- The Pretty Reckless were a band that, until now, has perhaps been better in concept than in execution. Led by Taylor Momsen of TV's The OC, the band's trashy, thrashy aesthetic made me want to like them, but I just never got that into the music. But with "Heaven Knows," I'm converted. The song feels like vintage 80's arena-rock, and it's the kind of fist-pumper that you just don't hear much of anymore. It's a perfect match for Momsen's growling voice, and the whole thing has a Joan Jett-esque flair that I dig.

8.) U2 - "The Miracle (of Joey Ramone)"

- This one grated on me a bit at first, but after a few listens I really came around to it. For one thing, I like the premise - the idea of a young Bono being transfixed by the music of Joey Ramone ... that's pretty cool. For another thing, I like the song's mix of heavy, distorted guitar with soulful singing. In a way, it's a departure for U2, but it also quickly feels like a lost classic.

9.) Foo Fighters - "Something From Nothing"

- The Foos seemed to be men on a mission this year. They were everywhere. They saw themselves as the defenders of the holy name of rock, and their new album seems intent on cranking things up a notch and going decidedly heavy. "Something From Nothing" has an almost Sabbath-like feel, grinding away like it's a song with something to prove.

10.) "Weird" Al Yankovic - "First World Problems"

- All hail the Weird One. Al's latest album is rife with spot-on pop parodies, but the man has always been a rock n' roller at heart. First World Problems, a surprisingly rocking original song that pays stylistic homage to the Pixies, shows Al's rock bonafides. It's even got supporting vocals from Amanda Palmer of the Dresden Dolls. And in addition to being a pretty rockin' tune, it's also a typically hilarious example of Al's warped observational humor. Basically, it sort of seals the deal: Weird Al friggin' rocks, dude.


OTHER TOP POP SONGS OF 2014:

1. Iggy Azalea - "Fancy"
2. Charli XCX - "Break the Rules"
3. Jennifer Lawrence - "The Hanging Tree - Alternative Radio Mix"